tue 20/10/2020

poetry

An Evening with an Immigrant, Bridge Theatre review – poetic and engaging

When the history of British theatre’s response to COVID-19 comes to be written, the names of two men will feature prominently: Nicholas Hytner and Nick Starr. The “two Nicks” were the creative force behind the National Theatre’s pioneering NT Live...

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Wayne Holloway-Smith: Love Minus Love review – powerfully excavating the tormented poet's psyche

Roughly two years since “the posh mums are boxing in the square” scooped first place in the 2018 National Poetry Competition, Wayne Holloway-Smith returns with Love Minus Love, his second full-length collection. The follow-up to Alarum (2017)...

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Sharon Dolin: Hitchcock Blonde: A Cinematic Memoir review - a poet’s life filtered through Hitchcock’s lens

Poet Sharon Dolin’s memoir Hitchcock Blonde ends (no spoilers) in the same way as the famous English director’s Vertigo begins: with a cliffhanger. Of sorts. In the film, a rooftop chase gone awry leaves James Stewart’s Detective “Scottie” dangling...

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EP: Imelda May - Slip of the Tongue

Dublin’s Imelda May, who made her name as a superlative performer of high-energy rockabilly in a way that reflected the music’s partly Irish roots, has just released her first poetry recordings: nine punchy, moving, sometimes humourous and well-...

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The Songs of Coronavirus and Lockdown Life

At the start of March an obscure alt-metal outfit called Cegvera released a concept album titled The Sixth Glare. The physical album featured the headline “DISEASE” alongside a photograph of a woman in a protective facemask, and the sleeve notes...

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'What Grandma said (Grandma’s Corona)': sonnets by Claudia Daventry

A year plagued by Coronavirus is surely a time to dust off a seldom-aired poetic form, the Corona of sonnets, which was first dreamed up – officially, anyway – by the Siena Academy. John Donne used the form to illustrate the circularity of existence...

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Cats, The Shows Must Go On review - a purr-fectly theatrical experience

Cats is, declares composer Andrew Lloyd Webber, a show that doesn’t really have a story, but was beloved on stage because it’s “the ultimate theatrical experience”. That’s the point which Tom Hooper’s grotesque, nightmarish movie adaptation so...

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Theatre Lockdown Special 3: Mary Shelley twice over, Europe writ large, and one day more for a mega-musical

Time is moving in mysterious ways at the moment. It's been possible over the last month or so to mark out the beginning of each week with the arrival online of a different production streaming from the Hampstead Theatre archives. The National,...

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I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinent

The way that theatres and other arts institutions have leapt into action over the past week, providing a wealth of material online and new ways to connect with audiences, has been truly inspirational. Yesterday, the Hampstead Theatre re-released on...

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Brendan Cleary, Great Eastern, Brighton review – last orders

St. Patrick’s Day, and socialising itself, has been all but cancelled. But turn the rickety door-handle of a bohemian pub near Brighton station, and a poignant scene is unfolding. The Irish poet Brendan Cleary’s reading has been officially called...

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Kate Tempest, BBC 6 Music Festival review - more personal than political

For those wondering if performance poet Kate Tempest would be upstaged or introduced by either pandemic panic or International Women’s Day – know that a) she’s fearless and b) she practices equality always. As such, there’s no pre-amble, other than...

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Imagining Ireland, Barbican review - raising women's voices

Recent politics surround the EU and nationhood, fantasies of Irish Sea bridges and trading borders more porous than limestone have revived the granular rub between Eire and Britain, and the Celtic Tiger cool of the Nineties is a history module these...

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