Royal Albert Hall
charlotte.gardner
Last night's concert performance of Berlioz's Les Troyens was not a Prom for the fainthearted. After all, if sitting through a five-hour opera had been a daunting undertaking for the Covent Garden audiences last month - who could also enjoy David McVicar's eye-catching staging - then it was inevitable that anyone seated in the Royal Albert Hall for the visually pared-down version was expecting to feel very culturally virtuous by the end of the night. With its Trojan horses, ballets and massive crowd scenes, this grand five-act opera based on the fall of Troy and establishment of Rome is both Read more ...
igor.toronyilalic
Last night was meant to be a celebration of Beethoven and Barenboim. But we had a gatecrasher. And at the opening concert of the first cycle of the Beethoven symphonies at the Proms for 60 years, the name on everyone's lips was neither Beethoven nor Daniel Barenboim, but that of Pierre Boulez. Though modest in its manner of musical expression, the near 50 minutes of continuous music that make up Boulez's chamber work Dérive 2 dwarfed the two Beethoven symphonies that stood either side of it and dominated the tone of evening. There was bafflement from some in the audience, wide-eyed Read more ...
geoff brown
One top student orchestra playing on its own can be exciting enough. Two playing together can produce a charge of dynamite that might not leave the building standing. That was so anyway in last night’s Prom, when players from New York City’s Juilliard School and London’s Royal Academy of Music, by now frequent collaborators, joined up to shake the earth with thunderous brass, swooning strings, diamond precision, a velvet bloom – every characteristic of a world-class orchestra except the honour of being conducted by Lorin Maazel.Instead the podium was occupied by America’s favourite composer, Read more ...
igor.toronyilalic
How silly an armchair looks in the Royal Albert Hall - like a rubber duck floating in the Pacific. Yet how right it was for those behind this excellent semi- staged Proms performance of Debussy's Pelléas et Mélisande to try to recreate a bit of fin-de-siècle intimacy for this most intensely intimate of operas. And how appropriate also for there to be a couch on stage in a work that is, and has always been, a psychoanalyst's dream.But it wasn't just the furniture that suggested that we were being given entry to an interior world. Everything about the way this symbolist drama played Read more ...
alexandra.coghlan
“Let a woman in your life," roars Professor Henry Higgins, “and your serenity is through. She'll redecorate your home, from the cellar to the dome and then go on to the enthralling task of overhauling you.” It’s a scenario not unlike letting the winsome darling that is musical theatre loose among the club armchairs and smoking jackets of a classical music festival.The dome of the Royal Albert Hall may have been safe from a substantial redesign, but last night the lights glowed hot pink and the stage teemed with more action than a whole cycle of Beethoven symphonies. John Wilson and his Read more ...
geoff brown
Two weeks to go to the Olympics, of course, but the Proms Olympics – 84 concerts in 60 days – have already taken off, with Britain placed first, second, third and fourth. For last night’s First Night concert was one where everything except Canadian singer Gerald Finley was British: the composers, the conductors (all four of them), the orchestra, certainly the weather.There was also something distinctly British about the concert’s failure to be unquenchably festive. The best of the BBC Symphony Orchestra’s playing, and some of the BBC Symphony Chorus’s most ravishing sounds, went into Delius’s Read more ...
theartsdesk
The greatest music festival of them is once more upon us. Throughout our extensive coverage of last year's BBC Proms, we featured the remarkable work of photographer Chris Christodoulou. We have asked Chris to select his favourite pictures of conductors at work, and we present them again for your entertainment and enlightenment as the world's greatest conductors again take to the podium for the summer to show exactly what it takes to do what they do.The portraits find the maestri of the podium displaying the full range of communicative emotions - commanding, pleading, imperious, plaintive. Read more ...
Russ Coffey
Regina’s Spektor’s kooky New York piano gal shtick sure divides audiences. For every person who finds her a perfect antidote (I refuse to say adorkable) to all that’s mainstream and soulless, there is someone else who wants to punch her on the nose for singing “on the Braa-dio-uh-oh” instead of “on the radio.”Mind you, it’s not all icing sugar. She might have started her career sounding like an ad man's idea of a pixie dream girl, but time has proved she really means it. Still, it can get a bit syrupy, no? Well, last night it didn’t. Thumping out power chords and belting out slogans like “ Read more ...
Kieron Tyler
It was the right venue. Frankie Valli is New Jersey royalty. He might not have been crowned, but appearing in The Sopranos is as good as any coronation. As he leaned into the audience, shaking hands, he spread his magic. Even Jimmy Page had come along for this rare London show by one of pop’s greatest, most distinctive voices.The real shock was that live, Valli sounds exactly like Frankie Valli. Exactly. To hear for real the sharp falsetto was a thrill. Opening with a forceful “Grease” couldn't disguise the fact that, despite the billing, it was instantly obvious this was not Frankie Valli Read more ...
Adam Sweeting
Back in Britain for the first time in 13 years, Tom Petty and his indestructible crew seemed delighted to be playing at the Albert Hall, and taken aback by the frenzied reception from the audience. They have a soft spot for Blighty, since this was where their debut album first started making waves in 1977 after being initially ignored in the States, but their long absence seemed to have had the effect of turning them into long-lost legends. Peter Bogdanovich's epic documentary about the band, Runnin' Down a Dream, has probably played its part too.Petty himself, now bearded and almost Read more ...
Adam Sweeting
The world is awash with rock docs, most of them not very good, but it's best to think of Under African Skies as merely a superb piece of film-making. Marking the 25th anniversary of Paul Simon's Graceland, and included on DVD with the album's special reissue package, it's a gripping exploration of how Simon went to South Africa searching for fresh inspiration, made possibly the most memorable album of his career, but found himself embroiled in the poisonous politics of apartheid.Looking back a quarter of a century later, and 18 years after Nelson Mandela was sworn in as South Africa's Read more ...
Kieron Tyler
Some things just don’t need saying. “If you know the chorus to this one, please join in” comes the invitation from the stage just before “Dreadlock Holiday”. On the final date of 10cc’s 40th anniversary tour it was unlikely that anyone at the Royal Albert Hall didn’t know the chorus. Actually, it’s unlikely that anyone, anywhere, doesn’t know the chorus.Many of 10cc’s songs are so well known, so ubiquitous, they’re like a magnolia paint job. But, boy they’re good. Last night strung “Wall Street Shuffle”, “The Things We Do for Love”, “Good Morning Judge”, I’m Mandy, Fly Me”, “Life Is a Read more ...