wed 18/12/2024

Royal Ballet

The Limit, Linbury Theatre review - a dance-theatre romcom that lacks both rom and com

Imagine a world in which speech has a daily legal limit. Not a limit on what you say, but how many words it takes to say it. Now imagine how such a scenario might work as dance.Adaptations are so common on the theatre stage that the change of state...

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Anemoi / The Cellist, Royal Ballet review - a feast of music in a neat double bill

Double bills at the ballet don’t often come as neatly gift-wrapped. Each of the works in question was made just before or during lockdown, arriving at its premiere by the skin of its teeth. Each went on to win a Critics’ Circle National Dance Award...

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Don Quixote, Royal Ballet review - crazy Russian-Spanish romcom, brilliant dancing

It was Carlos Acosta’s new production of Don Quixote that launched the Royal Ballet season in the autumn of 2013, and as it does so again 10 years on, its sunny dynamism is just what the doctor ordered.Don Q, as it’s known to ballet fans, can be an...

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Untitled, 2023 / Corybantic Games / Anastasia Act III, Royal Ballet review - a magnificent end to the season

Is it a cop-out for an artist to label a piece of work “Untitled”? Painters and sculptors make a habit of it, reasoning that they want to leave the viewer free to bring to the experience what they will, unhampered and unlimited by prior information...

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Cinderella, Royal Ballet review - the first British ballet learns the language of flowers

The urge to redesign a heritage ballet is a curious one, given not just the expense but the fact that the main draw of an old ballet is the steps and the music, which stay the same whatever the stage dressing. The Royal Ballet was keen, however, to...

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'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023

As a critic, I’ve rarely felt compelled to mourn publicly about an artist. Mourning goes somewhere beyond the usual sense of loss and gratitude when someone's death has been announced. But it's the only word when the departed is one of the very few...

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Light of Passage, Royal Ballet review - a new full-evening work by Crystal Pite is eloquent and moving

Marshalling a mass of bodies around a stage is what all choreographers do. But nobody does it quite like Crystal Pite, the Canadian whose half-hour piece "Flight Pattern" – a comment on the global refugee crisis – was a hit for the Royal Ballet...

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Mayerling, Royal Ballet review - a masterpiece of storytelling, darkly gripping

Although the loss of its 96-year-old royal patron can hardly have come as a surprise, Covent Garden has been slow to register it. The gold-embroidered ERs on those luscious red velvet stage curtains remain in place, and when Wednesday night’s...

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Like Water for Chocolate, Royal Ballet review - confusing and ill-conceived

When George Balanchine said that “there are no mothers-in-law in ballet”, he wasn’t just stating the obvious. He meant that there are some things that simply cannot be expressed in dance. Emotion and nuance are a story-ballet’s native territory;...

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The Weathering/Solo Echo/DGV, Royal Ballet review - the dancer as chameleon

Of all the expectations one might have of a new ballet from a choreographer raised on street dance who has made work about the American prison system, serene loveliness isn’t one of them. The name Kyle Abraham is not  new to Royal Ballet...

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The unexpurgated Clement Crisp - in memoriam

To the international world of ballet, Clement Crisp was the British critic to fear for half a century. Crisp's dance reviews for the Financial Times – "the pink 'un" – from 1970 until 2020 were legendary for their passionate...

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The Dante Project, Royal Ballet review - a towering achievement

Unless you happen to be a student of Italian language or culture, the significance of the 14th-century poet Dante Alighieri’s insights into the human condition may have passed you by, albeit that this year marks 700 years since his death. Where...

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