Russia
Mutter, London Symphony Orchestra, Gergiev, Barbican HallMonday, 28 November 2011
Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season... Read more... |
Eugene Onegin, English National OperaSunday, 13 November 2011
What’s not to love about Tchaikovsky’s candid, lyric scenes drawn from Pushkin’s masterly verse novel? ENO’s advance publicity summed it up neatly by promising “lost love, tragedy, regret”. We’ve most of us been there. That does mean that... Read more... |
theartsdesk in Moscow: Nikolai Ge at the Tretyakov GallerySunday, 06 November 2011
The Nikolai Ge retrospective at Moscow’s Tretyakov Gallery marks the 180th anniversary of the artist’s birth – not the kind of round centenary or bicentenary landmark that often brings such projects to fruition. But the show is literally a... Read more... |
Unreported World: Vlad's Army, Channel 4Saturday, 05 November 2011
The next time you find yourself mumbling unkind words about the apathetic youth of today, or else deriding the muddle-headed protests of twonkish Charlie Gilmour types, stop and think about the Nashi. A right-wing Russian youth organisation... Read more... |
Collaborators, National TheatreWednesday, 02 November 2011
“Smackhead, groin doctor and smut-scribe”: that’s one way in which writer Mikhail Bulgakov is described in John Hodge’s debut stage drama. A kind of wild fantasia spun around incidents from Soviet history, the piece goes on to show how Bulgakov –... Read more... |
The Queen of Spades, Opera NorthSunday, 23 October 2011
This new production, Opera North’s first, sounds fantastic – Tchaikovsky’s lurid colours are brilliantly painted, and the compact dimensions of the Grand Theatre mean that the big orchestral tuttis have a devastating impact. Richard Farnes’s... Read more... |
Dmitri Hvorostovsky, Ivari Ilja, Barbican HallSaturday, 22 October 2011
Tchaikovsky songs, the most obvious missing link in Olga Borodina's all-Russian programme a couple of Fridays back, formed a spare but unforgettable apex to this second recital in the Barbican's Great Performers series. That in itself, and unusual... Read more... |
DVD: Kozintsev's Hamlet and King LearTuesday, 18 October 2011
Forget Branagh and Mel Gibson, set aside thoughts of Olivier: Innokenti Smoktunovsky is the most original Hamlet you'll see on screen. As for King Lear, don't bother with Peter Brook's woeful attempts to be the British Eisenstein in a true... Read more... |
The Queen of Spades, Arcola TheatreTuesday, 18 October 2011
Russia’s Shakespeare, Alexander Pushkin, has enjoyed imaginative treatment on the British stage and screen. Brighton Theatre’s now-legendary Vanity conjured the world of the verse-novel Eugene Onegin vividly with three actors and minimal props. More... Read more... |
Andsnes, BBCSO, Bělohlávek, Barbican HallThursday, 13 October 2011
Pundits have always yoked architecture and Bruckner together, touting void and mass at the expense of the dynamic experience music ought to be. Abbado and his Lucerne Festival Orchestra favoured sinuous instability in the Fifth Symphony earlier this... Read more... |
Olga Borodina, Dmitri Yefimov, Barbican HallSaturday, 08 October 2011
In Italian opera, where lustrous Verdi mezzos are rare indeed, Olga Borodina tends to a first-the-music-then-the-words approach. In Russian song, the sole focus of last night's Barbican recital until the second encore, her classy, naturally... Read more... |
Leiferkus, LPO, Jurowski, Royal Festival HallThursday, 22 September 2011
How odd that Musorgsky, a composer sanctified beyond his very individual deserts for making social statements in his art, should be feted by an orchestra, or rather an orchestral management, which says music and politics don't mix. They clearly have... Read more... |
