thu 21/11/2024

science

Joy review - the birth pangs of in vitro fertilisation

Marie Curie excepted, movies about female scientists remain scarce, not just because STEM careers and Nobel Prizes still favour men. Now comes the British-made Joy, which explores women’s contributions to a decades-long quest to cure infertility....

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Music from Pole to Pole, Clark, City of London Sinfonia, Smith Square Hall review - talk of clouds, music to match

It’s not often that a classical music concert offers to take you beyond the stratosphere and back, but this intriguing evening from the City of London Sinfonia did precisely that with considerable élan. All too frequently there’s a considerable gap...

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Fly Me to the Moon review - NASA gets a Madison Avenue makeover

It’s over 50 years since men last landed on our orbiting space-neighbour, but director Greg Berlanti's Fly Me to the Moon transports us back to the feverish days in 1969 when Apollo 11 was about to tackle the feat for the first time. The film’s...

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Kelly Clancy: Playing with Reality - How Games Shape Our World review - how far games go back

For a couple of decades, the free video game America’s Army was a powerful recruitment aid for the US military. More than a shoot-em-up, players might find themselves dressing virtual wounds, struggling to co-ordinate tactics with their squad, and...

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Marie Curie, Charing Cross Theatre review - like polonium, best left undiscovered

There are many women whose outstanding science was attributed to men or simply devalued to the point of obscurity, but recent interest in the likes of DNA pioneer Rosalind Franklin and NASA’s Katherine Johnson has given credit where credit is due....

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Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also suns a little while back, cosmically speaking, or a few hundred of our human years ago. Ever since, in...

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Dorian Lynskey: Everything Must Go review - it's the end of the world as we know it

According to REM in 1987, “It’s the end of the world as we know it”. And while they sang about topical preoccupations – hurricanes, wildfires and plane crashes – they were really just varying a theme that has been around since at least St John of...

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Tom Chatfield: Wise Animals review - on the changing world

Consider a chimp peeling a stick which it will poke into a termite nest. It strikes us as a human gesture. Our primate cousin is fashioning a tool. Just as important, the peeled stick implies a narrative. Chimp is hungry, will deploy this neat aid...

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Brian Klaas: Fluke review - why things happen, and can we stop them?

One day in the early 90s I accepted the offer of a lift from a friend to a university open day I hadn’t been planning to go to. I ended up attending that university and there met my wife, and if I hadn’t done that my life would have been very...

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Poor Things review - other-worldly adaptation of Alasdair Gray's novel

Following their award-scooping collaboration on 2018’s The Favourite, Emma Stone and director Yorgos Lanthimos return with this mind-bending adaptation of Alasdair Gray’s eponymous novel. Also on board is screenwriter Tony McNamara, who wrote (with...

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Caspar Henderson: A Book of Noises - Notes on the Auraculous review - a call to ears

Have you ever considered the sheer range of sounds? You may think of deliberate human efforts to move the air: music and song, poetry or baby talk, cries and whispers. Other human-made noises come to mind: sirens, bells, fireworks; the hum of the...

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Octopolis, Hampstead Theatre review - blue, blue, electric blue

How many hearts does an octopus have? Answer: three. This pub quiz clincher is just one of the many fascinating facts that emerge from Octopolis, Marek Horn’s engrossing 100-minute two-hander which explores the relationship between humans and...

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