Scotland
Lewis Capaldi, SSE Hydro, Glasgow review - triumphant homecoming from Brit-conquering heroFriday, 06 March 2020
Critical and commercial success haven’t gone to the head of Lewis Capaldi. The 23-year-old opened his first of two sold-out nights at Glasgow’s 14,000-capacity enormodrome – booked when he was yet to release his debut album – with a video montage... Read more... |
SCO, Emelyanychev, Usher Hall, Edinburgh review - Beethoven at too insistent a lickFriday, 06 March 2020
Fast is fine in Beethoven, so long as you find breathing-spaces, expressive lines and crisp articulation within it. The Scottish Chamber Orchestra's febrile new chief conductor, Maxim Emelyanychev, started the "Pastoral" Symphony last night with a... Read more... |
Nixon in China, Scottish Opera - musical chatter, poetic banalitySaturday, 29 February 2020
Scotland was at the cutting edge of culture in 1988, when the Edinburgh International Festival hosted the UK premiere of Nixon in China in the Houston Grand Opera production at the cavernous Playhouse. John Adams’ first opera, documenting the... Read more... |
Jonas Brothers, SSE Hydro, Glasgow - reunited siblings look to the future with slick showFriday, 07 February 2020
No matter how much the Jonas Brothers try, they can’t totally escape the mouse. Commercials for new Disney TV shows flashed up onscreen not long before the siblings took to the stage, and although the trio’s days of appearing in such fare are long... Read more... |
Celtic Connections 2020, Glasgow review - Yorkston/Thorne/Khan and Roaming Roots Revue celebrate joy of collaborationMonday, 03 February 2020
While there’s usually something for everybody on the Celtic Connections festival programme, where Glasgow’s midwinter festival tends to shine is in its collaborations and special events. Over the past 18 days the city has hosted folk icon Peggy... Read more... |
Classical CDs Weekly: William Mathias, Vaughan Williams, Judith WeirSaturday, 01 February 2020
William Mathias: Choral Music St John’s Voices, The Gentlemen of St John’s, Graham Walker (director) (Naxos)I've a soft spot for neglected instruments, so any CD which includes a credit for chime bars is all right with me. Here they're... Read more... |
Francine Toon: Pine review – trauma and terror in the HighlandsSunday, 12 January 2020
Supernatural and Gothic stories have always haunted the misty borderlands between high and popular culture. The finest manage to hover between page-turning genre tales and what counts as respectable or “literary” fiction. This place in a perpetual... Read more... |
Deadwater Fell, Channel 4 review - dark murder mystery in a Scottish villageSaturday, 11 January 2020
An idyllic Scottish classroom full of happy children making sponge paintings of flowers with two enthusiastic young teachers – clearly, doom is in the air. Here comes that sense of dread again a little later at a ceilidh in a village hall, with... Read more... |
Traces, Alibi review - pedigree cast battles implausible plotWednesday, 11 December 2019
Alibi is usually your one-stop shop for re-runs of Father Brown or Death in Paradise, so well done them for commissioning this new murder mystery. It comes with a glittering pedigree, having been created by actor-turned-writer Amelia Bullmore (Scott... Read more... |
The Party's Just Beginning review - a formidable debutSaturday, 30 November 2019
For an actor, there are few bigger risks than writing and directing your own film. Securing funding is pretty easy if you’re a household name, like Karen Gillan is, but that doesn’t mean your script is any good or your vision holds water. At their... Read more... |
The Amber Light review - tales, songs and dramsMonday, 25 November 2019
A documentary about celebration, fellowship, and the comforting afterglow of cherished memories. What better way to spend a cold late-Autumn evening? Such is the effect of this charming, low-key investigation into the story of Scotch. Rich with... Read more... |
The Lumineers, SSE Hydro, Glasgow review - a stomping but exhausting nightSaturday, 23 November 2019
There was something fitting about the Lumineers entrance in Glasgow. As “Gimme Shelter” blared around the SSE Hydro, lights pulsating over the crowd, it was drummer Jeremiah Fraites who took the stage and started the opening beat of “Sleep On The... Read more... |
