Scotland
Edinburgh Fringe 2019 reviews: Sea Sick / Vigil / When the Birds ComeSaturday, 10 August 2019
Sea Sick CanadaHub ★★★★ She’s not a performer, Alanna Mitchell tells us. She’s a writer and journalist. But what she’s discovered about climate change, and specifically about its effects on the world’s oceans, has... Read more... |
Edinburgh Fringe 2019 reviews: Deer Woman / Pathetic Fallacy / Blind DateFriday, 09 August 2019
Deer Woman CanadaHub ★★★ You can feel the fury emanating from the stage in Tara Beagan’s incendiary solo play. Fury at the thousands of Indigenous Canadian women and girls who have gone missing in recent decades, abducted... Read more... |
Edinburgh Fringe 2019 review: BirthFriday, 09 August 2019
Physical theatre company Theatre Re are virtually Fringe royalty these days, with a several-year history of fine shows under their belts, plus success internationally and at the London Mime Festival. And judging by their assured and richly resonant... Read more... |
Edinburgh Fringe 2019 review: Crocodile FeverThursday, 08 August 2019
Chekhov famously pronounced that if you’re going to bring a gun on stage, you’ve got to use it. Is the same true for a chainsaw? To discover the answer, just head along to Meghan Tyler’s wild, over-the-top, gruesome Crocodile Fever at the... Read more... |
Edinburgh International Festival 2019 review: La repriseWednesday, 07 August 2019
Who’d have thought a play about a homophobic hate crime could be so much fun? Well, maybe that’s overstating things a little. But there are certainly lighter moments in La reprise, provocative Swiss-born director Milo Rau’s production with his... Read more... |
Edinburgh Festival 2019 review: Rich Kids - A History of Shopping Malls in TehranTuesday, 06 August 2019
You can’t question Javaad Alipoor’s ambition. Ancient Mesopotamian empires, geological layers of chicken bones, the half-life of polysterene cups, Thomas Gainsborough, Susan Sontag, Iranian political history, gold iPhones, mallwave – all that and... Read more... |
Edinburgh Festival 2019 reviews: Below the Blanket / Samson Young: Real MusicTuesday, 06 August 2019
Below the Blanket ★★★★ There’s a deep vein of melancholy running through Glasgow producing house Cryptic’s promenade installation Below the Blanket, which currently occupies several sites across Edinburgh’s Royal Botanic Garden.... Read more... |
Edinburgh Festival 2019 reviews: Enough / SplicedMonday, 05 August 2019
Enough ★★★★ Immaculately turned out in winning smiles, navy and nylon, cabin crew Jane and Toni dispense comforting reassurance and flirty glances to passengers at 30,000 feet. Down on the ground, though, they’re juggling kids... Read more... |
CD: Karine Polwart - Karine Polwart's Scottish SongbookMonday, 29 July 2019
As a recent exhibition at the National Museum of Scotland showed, attempting to tell the history of Scottish popular music in an afternoon – or on one single album – is no mean feat. Though Karine Polwart’s Scottish Songbook covers project spans... Read more... |
Classical CDs Weekly: Brahms, Sibelius, Thomas WilsonSaturday, 27 July 2019
Brahms: The Piano Quartets The Primrose Piano Quartet (Meridian)Schoenberg complained that performances of Brahms’s G minor Piano Quartet never pleased him (“the better the pianist, the louder he plays and you hear nothing from the strings”).... Read more... |
Tell It to the Bees review - taboo love in 1950s ScotlandSaturday, 20 July 2019
In Tell It to the Bees, sex is aberrant unless it’s conducted by a straight married couple. Since Annabel Jankel’s low-key drama is set in a grim Scottish mill town in 1952, you can add “white” to that dictum. We’re in the land of John Knox here and... Read more... |
Peter Gynt, National Theatre review - towering protagonist, middle-way productionThursday, 11 July 2019
Like Hamlet and both parts of Goethe's Faust, with which it shares the highest peak of poetic drama, Ibsen's Peer Gynt is very long, timeless enough to resonate in a contemporary setting and sufficiently ambiguous in its mythic treatment of the... Read more... |
