Scotland
Edinburgh Festival 2018 reviews: Underground Railroad Game / On the ExhaleFriday, 10 August 2018![]() Underground Railroad Game ★★★★★ The game of the show’s title is a fun educational exercise on the US Civil War devised by Teacher Caroline and Teacher Stuart at Hanover Middle School, with the aim of bringing alive the flight of... Read more... |
Edinburgh Festival 2018 reviews: Ulster American / Cold BloodMonday, 06 August 2018![]() Ulster American ★★★★★ David Ireland’s brand new, brutally incendiary black comedy gleefully tosses a grenade into any lazy liberal sensibilities at the festival (and, let’s face it, there are plenty of those). Race, gender, rape, prejudice... Read more... |
Pagliacci, Scottish Opera review - roll up, roll up for opera like never before!Monday, 30 July 2018![]() Yes it’s opera, but not as you know it. The circus-tent style structure, pitched on the grounds of Seedhill sports complex and dubbed "Paisley Opera House", was home this weekend to Scottish Opera's incredible, immersive production of Leoncavallo’s... Read more... |
Classical CDs Weekly: Sverre Indris Joner, John McLeod, Poulenc, StravinskySaturday, 21 July 2018![]() Sverre Indris Joner: Con cierto toque de tango Henning Kraggerud (violin), Norwegian Radio Orchestra/Sverre Indris Joner, with Tango for 3 (Lawo Classics)Sverre Indris Joner is described in this disc’s notes as “the doyen of Latin American... Read more... |
Ariadne auf Naxos, Opera Holland Park - stylish staging, world-class singingWednesday, 18 July 2018![]() "When the new god approaches, we surrender, struck dumb". Especially if, for the singer of those words, popular entertainer Zerbinetta, the “new god” takes the shape of same-sex love. Director and designer Antony McDonald locates the real “mystery... Read more... |
Postcards from the 48% review - wistful memorial to forgotten valuesSaturday, 07 July 2018![]() Writer and director David Nicholas Wilkinson felt moved to make his reflective, rather melancholy documentary on the 48% who voted to remain in the EU, he says, because nobody else was making one. When it came to funding the project, not a single... Read more... |
theartsdesk at the East Neuk Festival 2018 - Bach as bedrockFriday, 06 July 2018![]() There is a tide in the best-planned festivals that comes in and out almost imperceptibly, bringing with it changes as the days move on. Put it down to the kind of perfect planning that discards any one rigid theme, and to forging long-term links... Read more... |
theartsdesk in Orkney: St Magnus Festival 2018 - choral music to the foreSaturday, 30 June 2018![]() With – unusually – no visiting orchestra at this year’s St Magnus International Festival in far-flung Orkney (the fall-out from delayed funding confirmations, we’re assured), there was a danger that the annual midsummer event might have felt a... Read more... |
The Prime of Miss Jean Brodie, Donmar Warehouse review - Lia Williams makes an iconic role her ownThursday, 14 June 2018![]() Lia Williams can be said to have been in her prime ever since the double-whammy several decades ago when she appeared onstage in fairly quick succession in Oleanna and then the original, and unsurpassable, production of Skylight. But she's rarely... Read more... |
RSNO, Oundjian, Usher Hall, Edinburgh review - ending on a high in MahlerMonday, 04 June 2018![]() Marking his departure as the Royal Scottish National Orchestra's Music Director after six years, Peter Oundjian definitely left on a high, conducting a gripping, visceral performance of Mahler’s last completed symphony. Its beginnings were glassy... Read more... |
Malcolm Middleton, Brighton Festival review - mordant brillianceFriday, 25 May 2018![]() Before starting this review a decision was taken: that the over-used description of singer-songwriter Malcolm Middleton as a “Scottish miserablist” would not appear. However, this has proved impossible. Middleton is renowned, to the coterie who... Read more... |
Karen Cargill, Simon Lepper, Wigmore Hall review - opulence within boundsFriday, 25 May 2018![]() Singing satirist Anna Russell placed the French chanson in her category of songs for singers "with no voice but tremendous artistry". Mezzo Karen Cargill has tremendous artistry but also a very great voice indeed, a mysterious gift which makes her... Read more... |
