Scotland
theartsdesk
Physically reduced he may have been, but his talents were as expansive as ever, and more than capable of holding a small room captivated with just voice and guitar. Whereas in recent years Leven has released a somewhat bewildering range of music under a variety of noms de plume, often mixing his tales of Serbian prostitutes, Earls Court cab drivers and damaged Dundonian bar-stool philosophers with ironically cheap and synthetic musical textures, on stage he was a far warmer proposition.His live act is as much about the yarns as the songs, and Leven offered up rambling reflections on the “ Read more ...
Tom Birchenough
There’s something elemental in Elizabeth Mitchell and Brek Taylor’s Island – a small-scale British independent film that scores highly on performances and more than relishes the visuals of its setting.The landscapes, shot mainly on the Isle of Mull, are glorious, and speak for the mood of the film’s heroine Nikki (Natalie Press): the emotional undercurrents of the script seem as tempestuous as local nature, especially the surrounding sea. The directors don’t hurry to bring a trace of explanation to their story (based on the novel by Jane Rogers), but it gradually becomes apparent that this Read more ...
geoff brown
Leonard Tanner, my old choirmaster, used to say that Brahms was a composer with his feet in three different camps: the Baroque period, the Classical period, and the Romantic. Possibly he had a fourth leg too, poking into the music of the future. Composers adept at these multiple postures filled Thursday’s sometimes lustrous orchestral Prom given by the BBC Scottish Symphony Orchestra and their chief conductor Donald Runnicles. Brahms was represented of course (the Second Symphony); also the great nostalgist Richard Strauss, watering his old age and the wasteland of defeated Germany with his Read more ...
natalie.wheen
Getting to Mull is an improbably romantic journey to classical music-making. One can easily understand why Mendelssohn was so affected by his experiences in Scotland – and Mull. On the three-hour train journey from Glasgow one sheds the habits of everyday life: the train winds through thickets of Forestry Commission plantations, which suddenly open out into wild panoramas of mountains and lochs, or a dramatic ruined castle against the skyline. Then the ferry from Oban passes the heavily fortified Duart Castle on its crag guarding the Sound of Mull, which later will be the scene of elegant Read more ...
Jasper Rees
Thanks to her evergreen bestseller Behind the Scenes at the Museum, Kate Atkinson can call on an army of fans to buy her work whenever it appears in print. Its debut on screen is, perhaps, another matter. Will they buy the BBC’s rendition of Case Histories? Those who have not had the pleasure of reading it are less advantageously placed to grumble about hideous revisions, outrageous changes and all manner of infidelities. But even an Atkinson newbie might find it a bit rum that Scotland seems to be entirely populated by people with English accents.Welcome to the BBC casting department's Read more ...
graham.rickson
This Saturday we’ve a new recording of a famous Russian symphony played by an Italian orchestra under their London-based principal conductor. There’s a rare Shakespearean opera written in the 1950s by a Swiss master using a German text. And a Scottish composer celebrates his 60th birthday with an invigorating collection of piano and chamber works.Rory Boyle: Music for Solo Piano, Phaethon’s Dancing Lesson
James Willshire (piano), Bartholdy Trio (Delphian)
As a 12-year-old I sang in the first performance of Scottish composer Rory Boyle’s children’s opera Alfege. Dressed in grey tights and Read more ...
philip radcliffe
Has the King of Knotty Ash been usurped? I saw him embrace Shakespeare and play Malvolio here just 40 years ago. I’m talking about Ken Dodd, more used to playing the fool. Now, another upstart from Knotty Ash is even more ambitiously playing the King of Scotland. I’m talking about David Morrissey. No fool he. In Macbeth he returns to the cradle of his birth as a fledgling actor to grace the last production at the Liverpool Everyman before it closes for a two-year £28 million redevelopment.It all started for Morrissey when he turned up on spec at the Hope Street box office 25 years ago – and Read more ...
david.cheal
This is the sound of a band who want to be big. Really big. Produced by Flood (The Killers, U2 etc) and recorded in California, the second outing from Scotland’s Glasvegas bursts with epic widescreen soundscapes, its chiming guitars designed to shimmer around arenas and festivals, its throbbing, pulsing synths adding depth and drama, the heavily treated voice of James Allan pleading and hollering.Whereas last time around they sounded like The Jesus and Mary Chain, now they sound a bit like The Killers (especially on “Euphoria Take My Hand”) or like U2 (especially on “Dream Dream Dreaming”).It Read more ...
Russ Coffey
The name King Creosote conjures up an image of an old jazz player, lips cracked from cigarettes smoked and horns played. In actual fact it’s the stage name of Kenny Anderson, a prolific Scottish folk and indie singer with more than a passing resemblance to Bill Oddie. On recent form there’s every chance that he may be about to become best known for his work with indie supergroup The Burns Unit. But he’s also made more than 40 albums over 20 years, and Diamond Mine is a project where he’s looked back over and re-imagined some of the less obvious moments of his back catalogue.It’s the Read more ...
graeme.thomson
"I’m very hard to categorise,” says John Byrne (b 1940), tugging at his magnificent moustache. A restless, defiant, shape-shifting polymath who was an exponent of multimedia long before computers ruled the world, Byrne's singular career is perhaps doomed to gentle underappreciation simply because he can do so much so well. “If you’re hard to categorise they don’t like that." He peers into his coffee as though looking for something. "Whoever 'they' are.”Raised in the “Dickensian” gloom of Paisley’s Ferguslie Park estate in a family shaped by his mother’s severe mental illness, Byrne graduated Read more ...
Ismene Brown
Opera outside London flourishes in the hands of Opera North, Welsh National Opera and Scottish Opera. In 2011 the popular hits such as Carmen, The Merry Widow and La Traviata intermingle with rarer landmarks such as From the House of the Dead, Orlando and Intermezzo. Wagner has a fine showing in the North and West from Opera North and Welsh National Opera. A true rarity is Opera North's British premiere of a Polish opera on a Gogol story, The Portrait, directed by the great David Pountney, whose wonderful Cunning Little Vixen production with the late Maria Bjørnson is revived at Scottish Read more ...
Veronica Lee
Actor/director Peter Mullan describes NEDS, his third film as director (after Orphans and The Magdalene Sisters), as “personal but not autobiographical”, although it undoubtedly draws heavily on his working-class upbringing in 1970s Glasgow. He was, like his lead character John McGill, the academically gifted younger brother of a local hard man, determined to do well at school and escape the violent life he saw around him. Their father, as in the film, was a “raping, bullying alcoholic”.Actor/director Peter Mullan describes NEDS, his third film as director (after Orphans and The Magdalene Read more ...