Shakespeare
McGregor/Spuck, Ballett Zürich, Edinburgh PlayhouseFriday, 28 August 2015
New Edinburgh Festival director Fergus Linehan has made it clear he wants to offer things people actually want to see. So including Wayne McGregor - prolific, popular, energetically self-promoting doyen of contemporary dance - in the dance... Read more... |
Hamlet, BarbicanWednesday, 26 August 2015
The set turns out to be the thing now that Benedict Cumberbatch's star turn in Hamlet has finally arrived, trailing in its wake a level of expectation, hysteria and scrutiny that might well have made many a lesser actor head for the hills. None... Read more... |
Richard II, Shakespeare's GlobeFriday, 24 July 2015
The earthy contact with groundlings that Shakespeare’s Globe offers in its stagings makes a comical but telling context for Richard II, a play largely about political point-scoring between kings. The people whose interests lie so remote, in reality... Read more... |
theartsdesk Q&A: Actor Roger ReesSunday, 12 July 2015
Roger Rees, whose death at the age of 71 was announced yesterday, never intended to act. He trained at the Slade and made extra money painting theatrical scenery. One day a director asked if he’d like to act, and he laid down his brush. The second... Read more... |
Falstaff, Royal OperaTuesday, 07 July 2015
It may only be a revival, but this is what the Royal Opera does best, above all in fielding a living legend of a Falstaff for Verdi's last masterpiece who’d probably be beyond the pockets of many other houses. Italian baritone, masterchef and... Read more... |
Measure for Measure, Shakespeare's GlobeFriday, 03 July 2015
If Simon McBurney’s Measure for Measure for the National Theatre and Declan Donnellan’s recent Cheek By Jowl production mined deep for darkness, Dominic Dromgoole’s for the Globe is content to skim the play’s sunny surface – the comedy manqué that... Read more... |
NYCC, NYJO, Southwark CathedralFriday, 03 July 2015
Cleopatra in her barge gliding down the nave of Southwark Cathedral? Only figuratively, in the hypnotic “Half the Fun” movement of Duke Ellington’s constantly surprising Shakespeare compendium Such Sweet Thunder. Still, it wouldn’t be that much... Read more... |
King Lear, Northern Broadsides, TouringMonday, 25 May 2015
Jonathan Miller’s new King Lear is rustic to its core, spoken in broad Northern accents, and the whole production could be packed onto a travelling theatre’s wagon and taken around Britain pulled by a couple of shire horses.Yet rather than cost the... Read more... |
As You Like It, Shakespeare's GlobeThursday, 21 May 2015
The Forest of Arden takes many forms, but in Blanche McIntyre’s meticulously purist production, it’s strictly a state of mind – no leafy bowers in sight. Here, the unspoken can be voiced, the bounds of gender and class broken, and courtly... Read more... |
The Merchant of Venice, Shakespeare's GlobeFriday, 01 May 2015
There’s a certainty, a reassurance that comes with attending a Globe show. You know that however bad things get, however bloodied the stage at final curtain, however bruised the relationships on stage, everyone – corpses and all – will rise and come... Read more... |
Measure for Measure, Cheek by Jowl/Pushkin Theatre, BarbicanFriday, 17 April 2015
Russia isn’t the only country where violations of personal freedoms and censorship seem to be mounting by the day, but it’s surely the most confused: ask any of the persecutors what they hope to achieve, and you won’t get a convincing answer. Moral... Read more... |
Romeo and Juliet, Tobacco Factory, BristolThursday, 26 February 2015
Teen spirit explodes time and time again in the intimate space of Bristol’s Tobacco Factory, with piercing electronic sounds, fierce lighting and a torrent of high-energy movement. The frenetic pace of Baz Luhrman’s film has left its mark on... Read more... |
