soul music
joe.muggs
The noise in the international mainstream in recent years might be about dance-pop, hip hop beefs and the serious balladry of Taylor, Billie and Lana – yet at the same time, R&B has been strange, brilliant, ultra-popular, but generated a tiny fraction of the column inches and “discourse”.Jhene Aiko, Tinashe, SZA, H.E.R., Mahalia: these are radical artists, each making fascinating music that generates billions of streams, yet certainly in the UK they’re generating micro-fractions of the column inches that their contemporaries in other genres are. The reaction to SZA’s Glastonbury Read more ...
joe.muggs
As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm, that’s pretty nice”, now it was more “mmmmmmm, that’s pretty niiiiiice!” That’s not just a suble distinction, either. It was a fundamental shift in how and where the music was hitting mentally, emotionally and physiologically. It went from being a slickly pleasant mood enhancer to something that made my shoulders drop, my chest expand, my limbs loosen, my attention let go of distractions zoom in on what was happenning in the moment. Read more ...
joe.muggs
This is a reviewer’s nightmare: it’s literally just Khruangbin doing what Khruangbin do. As ever, the Texan trio are rolling out laid-back psychedelic spaghetti western Tex-Mex country-soul-funk groove after laid-back psychedelic spaghetti western Tex-Mex country-soul-funk groove, all drenched in the usual hazy reverb that practically demand you start drawing for adjectives like “sun-bleached” and talk about big skies and desert landscapes. The instrumentation is, as ever, all super-trad too. Bass, drums, guitar and just tiny wisps of Hammond organ and vocal are recorded in lovingly analogue Read more ...
Thomas H. Green
Dee C Lee was born Diane Sealy in London in 1961. She is best known for her 1985 hit “See the Day”, later covered by Girls Aloud, and for being in two of the Eighties' most notable pop acts, The Style Council and WHAM!. But she was also prolifically involved in multiple other musical projects, and now has a new album appearing, Just Something, her first in over 25 years.Lee’s first break came through talking her way into working with the British soul outfit Central Line, who had a couple of US club hits in 1981. From here, EMI picked her up as a session singer and, alongside Shirlie Holliman Read more ...
Kieron Tyler
A few records changed music. One such was “The Love I Lost (Part 1)” by Harold Melvin & The Bluenotes. Issued as a single by the Philadelphia International label in August 1973, its release introduced what would become a major characteristic of disco music. This was the first time a particular groove was heard; the percussive use of the drum kit’s cymbals with an emphasis on the hi-hat.The inventor of this soon-to-be ubiquitous signifier was Earl Young, a studio-based drummer who since around Autumn 1971 was regularly booked by Philadelphia International producers and songwriters Kenny Read more ...
peter.quinn
Released yesterday to coincide with International Women’s Day, The Sisterhood will surely prove to be one of the brightest jewels in Sarah Jane Morris’s varicoloured discography.A labour of love which Morris has been contemplating for two decades, the album presents a tribute to “my ten singers, my essential lodestars”, as she puts it, acknowledging and honouring female artists past and present who have inspired her own musical journey. Wonderfully arranged and stylistically diverse, Morris and her co-writer/co-producer Tony Rémy pull off a remarkable feat of crafting 10 songs which tell each Read more ...
Kieron Tyler
Back in 1979, Koko operated as The Music Machine. As such, the Camden Town venue lent its name to the film Music Machine, marketed as the British equivalent of Saturday Night Fever. Buying into this vision of the North London setting as a hot-bed of dance-floor action required a suspension of belief: at the time, the then-grubby Music Machine’s staple bookings were metal, punk, post-punk and the emerging Two-Tone bands. This was no disco.Flash forward to 2024, and the New York-based Say She She are headlining the recently refurbished Koko. With their roots in late Sixties soul, mid-Seventies Read more ...
joe.muggs
Paloma Faith is pretty much the dictionary definition of “full-on”. Always in elaborate hairdos and outré ruffles, big of personality and big of voice, she enthuses and emotes with firehose intensity at any opportunity. So it comes as no surprise that her big breakup album doesn’t pull any punches. Like, really: this is a record which features at its most climactic point, a song called “Eat Shit and Die.”That song – a big production number soul shoutalong which practically demands a Busby Berkley style visual with a cast of hundreds plus fireworks and fountains – is actually a bucketload of Read more ...
Kieron Tyler
The album opens with “In my Head.” The lead instrument is an electric piano, over which a quavering, clenched voice sings. The closest comparison is Pearls Before Swine’s Tom Rapp, a similarly idiosyncratic singer. As the stately song unfolds, stabbing strings complement interjections from a soul-styled brass section.Melodically, “In my Head” has a resemblance to “Piece of My Heart," which Erma Franklin issued as single in 1967 and Janis Joplin thenceforth made her own. The intimations of soul music point to one aspect of where South Atlantic Blues is coming from, but Scott Fagan’s first Read more ...
joe.muggs
It was a year of bleak and brutal conflict, ugly and stupid imposition of power, overt Fascism in the mainstream public sphere, decay of infrastructure and apocalyptic weather. So what better than a record of total pleasure? And Janelle Monáe’s fourth album in 13 years really does do exactly what it says on the tin, in every possible ways. Over 14 songs in just 32 minutes, it positively glows with self-confidence, satsifaction, in-the-moment joy, and deeply felt sensualism.And by sensualism I mean complete filth. Its appeal, though, is not just titillation, not by a long shot – and it’s not Read more ...
Tim Cumming
The cat in the hat with the mellifluous voice delivers his Christmas Wish for the festive season, his first Christmas album, and it sounds more or less as you would imagine it – tasteful, discreet, soulful, reined in, but richly expressive, and celebrating the spirit of a sharing, caring Christmas.It comes with some fine orchestral settings arranged by album producer Troy Miller, recording with the Kingdom Orchestra at Abbey Road, while Porter and his excellent band – pianist Chip Crawford, bassist Jahmal Nichols, drummer Emmanuel Harrold, saxophonist Tivon Pennicott and Ondre Pivec on Read more ...
Miranda Heggie
Fresh from winning this year’s Scottish Album of the Year Award – for the third time no less! – Young Fathers gave a spectacular performance on Tuesday night on their home turf, at Edinburgh’s Usher Hall. Sure, it seems odd that a competition that’s only been running ten years has been won three times by a band who’ve released four albums.Listen to the albums though and you’ll get it. See Young Fathers live and you’ll realise why this is one of the most exciting bands making music right now not just in Scotland, nor even the UK, but internationally. This is a group who are always creating Read more ...