mon 09/12/2019

love

The Boy Friend, Menier Chocolate Factory review - fun but featherweight

There’s slight (White Christmas, to name but one) and then there’s The Boy Friend, a period musical so unabashedly vaporous that if you sneeze, it might blow away. All credit then to the Menier Chocolate Factory for anchoring Sandy Wilson’s...

Read more...

Ophelia review - tragic no more

Ophelia is one of Shakespeare’s most iconic yet underdeveloped dramatic roles. A sweet and naïve girl, she’s driven mad by Hamlet’s wavering affections and her father’s death. She was often the subject of paintings, yet rarely of novels until the...

Read more...

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.After the Wedding ★★★★ Starry cast bring gravitas to knotty drama...

Read more...

Mrs Peachum's Guide to Love and Marriage, Mid Wales Opera review - scaled down seediness, with a swing

The Beggar’s Opera: does any piece of music theatre promise more fun and deliver more tedium? Yes, it was the satirical smash of 1728; yes, it inspired Brecht and Weill; yes, with its combination of popular melodies and a topical script it was...

Read more...

Marriage Story review - superior weepie

Forty years after the classic, multi-Oscar winning Kramer v Kramer comes another divorce drama involving two young Americans and a son caught in the crossfire. And this one is even better. Marriage Story is a sublime film, a...

Read more...

CD: Keane - Cause And Effect

Keane were always the best of that post-millennium Coldplay crowd. Tim Rice-Oxley showed adult craft in his lyrics and keyboard textures on their 5 million-selling debut, Hopes and Fears, where the small-town specificity of Battle, Sussex’s biggest...

Read more...

Fleabag, Wyndham's Theatre review - superb swansong for modern classic

We're saying goodbye to a much treasured friend. Fleabag will live on, of course – other actresses have and will inhabit the role – but Phoebe Waller-Bridge, its creator, has said this short run at Wyndham's Theatre is the last time she will perform...

Read more...

The Souvenir review – Joanna Hogg's most emotionally wrenching film yet

Joanna Hogg’s melancholy autobiographical drama The Souvenir cuts too close to the bone. That’s a compliment: like Sally Rooney’s equally unsettling first novel Conversations With Friends, Hogg’s movie almost forces the viewer to relive that...

Read more...

A Faithful Man review - an atypical romance

There were some early warning signs that A Faithful Man might be another box-ticking French romcom. The poster of two women kissing one man, his bemused look in the middle. The lethargic narration referencing childhood and the mysteries of the...

Read more...

Photograph review - a fresh take on old love stories

“Movies are all the same,” says one character in Photograph, the latest film from India independent director, Ritesh Batra. It’s true, the plot feels familiar, but if stories are all the same, it’s how you play with the form that makes a film a...

Read more...

A Midsummer Night's Dream, Shakespeare's Globe – blazing-coloured, kick-ass carnival

Welcome to A Midsummer Night’s Dream as carnival – a blazing-coloured, hot-rhythmed, kick-ass take in which Oberon appears at one point as a blinged-up Elizabeth I and Puck exerts his powers as a flash-mob. Last month the glitter-ball hedonism of...

Read more...

Cannes 2019: Pain and Glory review - a dour, semi-autobiographical portrait

There’s a touch of Fellini’s 8 ½ in Pedro Almodóvar’s latest film. It’s a forlorn, confessional tale, with Antonio Banderas starring as Salvador Mallo, a director in the latter stages of his career. His character acts as a cypher for Almodóvar,...

Read more...
Subscribe to love