Southbank Centre
Gerstein, LPO, Petrenko, RFHSaturday, 22 February 2014![]() Vasily Petrenko used his baton like a piratical rapier to galvanise the London Philharmonic violins in their flourishes of derring-do at the start of Berlioz’s Overture Le Corsaire. And the brilliance was in the quicksilver contrasts, the lightness... Read more... |
Cabell, RPO, Dutoit, Royal Festival HallThursday, 13 February 2014![]() This was the first of three Royal Festival Hall concerts during the first half of 2014 from the Royal Philharmonic Orchestra and its principal conductor Charles Dutoit, all three programmes consisting entirely of French music. The other two will be... Read more... |
Power, London Philharmonic Orchestra, Jurowski, Royal Festival HallThursday, 16 January 2014![]() Baleful prophecies were rife before the concert. Was Vladimir Jurowski right to let Mahler’s only total tragedy among his symphonies, the Sixth, share the programme with anything else, least of all a new viola concerto in which the solo instrument’s... Read more... |
Fantasio, OAE, Elder, Royal Festival HallMonday, 16 December 2013![]() Readers who recall the 1872 Paris premiere of Offenbach’s Fantasio have had 141 years to wonder when its British debut would arrive. The long wait ended yesterday when Opera Rara, that valiant and necessary company dedicated to dusting off neglected... Read more... |
El Niño, London Philharmonic Orchestra and Choir, Jurowski, Royal Festival HallSunday, 15 December 2013![]() John Adams’ millennial conflagration of musical poems about childbirth, destruction and the divine made manifest not only served as a seasonal farewell and a transcendent epilogue to the Southbank’s year of 20th-century music The Rest is Noise; it... Read more... |
Billy Bragg, Royal Festival HallMonday, 02 December 2013![]() Setting bankers, Baroness Thatcher, tax-dodging multinationals and Woody Guthrie to music? These days, it could only be a Billy Bragg gig. Reports of Bragg losing his political teeth, based on slightly guarded reviews of his latest album, Tooth... Read more... |
György and Márta Kurtág, Queen Elizabeth HallMonday, 02 December 2013![]() There was a strange moment at the end of yesterday's recital when, having exhausted their repertoire, octogenarians György and Márta Kurtág began to look around anxiously, wondering what more they could offer us. They eyed each other, then us,... Read more... |
Arild Andersen Quintet and Reijseger/Fraanje/Sylla, QEHSunday, 17 November 2013![]() Five minutes into this concert, at that stage a polite cello and piano duo, there was a raucous bellowing from the rear, so loud that the front stalls leapt. The delicate cello spiccato continued, despite the persistent bellowing. Gradually, the... Read more... |
Boris Giltburg, Queen Elizabeth HallFriday, 15 November 2013Among the diaspora of younger-generation Russian or Russian-trained pianists, there are at least four whose intellect and poetry match their technique. Three whose craft was honed at the Moscow or St Petersburg Conservatories – Yevgeny Sudbin,... Read more... |
Philip Glass/Steve Reich, Royal Festival HallMonday, 11 November 2013![]() The Southbank’s artistic director Jude Kelly was out in force at this penultimate weekend of The Rest is Noise festival, delivering little triumphalist, Ryan Air-like fanfares, reminding us how pioneering they had been to programme composers... Read more... |
Moser, London Philharmonic Orchestra, Michail Jurowski, Royal Festival HallThursday, 31 October 2013![]() Imagine how discombobulated the audience must have felt at the 1962 premiere of Shostakovich’s most outlandish monster symphony, the Fourth, 26 years after its withdrawal at the rehearsal stage. Those of us hearing its natural successor, Schnittke’s... Read more... |
Frank Zappa's 200 Motels, Royal Festival HallWednesday, 30 October 2013One of the joys of the Southbank Centre’s year-long The Rest Is Noise series has been the opportunity to hear some unusual period pieces among the more standard repertoire. In the case of 200 Motels it is a concert premiere for a genre-bending work... Read more... |
