Strauss
Ismene Brown
Richard Strauss’s 1909 opera Elektra is a diabolical piece of work - less an opera than an event determined to cut its mark. A vast orchestra of 112 players unleashes a two-hour tsunami of sound across the stage, on which female voices are buffeted like pieces of driftwood, shrieking of mothers who murder husbands, daughters who want to murder mothers, rivers of blood, flayed horses, dogs, bodies. Subtle it isn’t. Loud it is. In the hands of Valery Gergiev and London Symphony Orchestra this week, pulverisingly loud.Can you easily believe that Strauss’s next opera was that fountain of Read more ...
edward.seckerson
Wigmore Hall does not always take kindly to big voices; it’s an easy hall to over-sing. But when the singer is the American soprano Christine Brewer and the sound so open, so rich and effulgent, hall and voice become one resonance. It’s almost as if Wigmore is selective in its response. It warms to the right voice in the right music. Brewer in Strauss is about as right as it gets. And besides, regardless of the venue, Brewer has never sung to be heard; she sings to be understood.This BBC Lunchtime Concert began at the beginning of Strauss’ life in song with Zueignung, generally sung at the Read more ...
David Nice
Seeking the snows of yesteryear, I remember a time when John Schlesinger's Covent Garden Rosenkavalier filled every moment of Hugo von Hofmannsthal's rococo libretto and Richard Strauss's jewel-studded score with life and meaning. 25 years on, its creator is no more, a revival director (Andrew Sinclair) fails to pull a dramatically variable cast together and many startling new productions have shown more readiness to engage with the opera's Viennese time machine - that's to say, any era between the 1740s and the present day - and with greater panache.A strictly period Read more ...
edward.seckerson
One sure (but expensive) way of luring Zubin Mehta to London is to hire the Vienna Philharmonic, too. He and the orchestra go way back to a time when the Indian-born superstar’s smouldering good looks might have suggested Bollywood as a more likely destination than the Vienna Conservatoire. But only the most precociously gifted 20-something conductor offers up Bruckner’s 9th Symphony for his first recording with the illustrious Philharmonic. And quite a fist of it he made, too. I still return to it from time to time.Forty-something years on there’s an air of luxurious well-being about Mehta Read more ...