sat 03/05/2025

TV drama

Against the Law, BBC Two review - uplifting and deeply moving

The thing almost no one remembers about the great Nora Ephron/Rob Reiner 1989 romcom When Harry Met Sally is that the love story is intercut with real couples talking to camera about the mechanics and longevity of their true-life loves. It shouldn’t...

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Fearless, Series Finale, ITV review - big build-up to an anticlimax

It was a coup by ITV to get Homeland writer Patrick Harbinson to pen this paranoid-conspiracy series, and rather droll to get Helen McCrory (wife of Homeland’s Damian Lewis) to play the lead. Yet even though the story of high-minded human rights...

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Game of Thrones, Series 7, Sky Atlantic review – slow, but it's just the beginning

If nothing else, Game of Thrones has surely been the greatest boon to the British acting profession since they invented tights and greasepaint. Part of the fun is trying to think of somebody who hasn’t been in it yet. So far we haven’t seen Maggie...

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I Know Who You Are, BBC Four review - preposterous but hypnotic

All’s fair in love and law in I Know Who You Are. BBC Four’s latest Euro-import hails from Spain and, as per the channel’s practice, is coming at you in intense double doses, two 70-minute episodes every Saturday night. Already it’s hard to imagine...

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'I were crap at school': Jodie Whittaker, the new Doctor Who

“Jodie is a remarkable young woman. She’s game. She’s a good actress, and she’s willing.” So said Peter O’Toole of the first female Doctor Who. Jodie Whittaker, born in 1982, is best known for Broadchurch on the small screen and Attack the Block on...

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Orange Is the New Black, Season 5, Netflix review - counterpoint in a three-day prison riot

Rippling outward from the initial story of a seemingly nice WASP woman who finds herself having to adapt in a women's prison, Orange Is the New Black quickly developed into the most multilayered, almost indigestibly rich of American TV dramas. By...

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GLOW, Netflix review - not quite comedy or drama

How much plotting went into GLOW? It has been gussied up by the people who brought you the jumbo Netflix hit Orange Is the New Black. Both shows are based on a true story and feature women of all ethnicities bitching and slapping in a contained...

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Broken, BBC One series finale review - Seán Bean's quiet immensity

The Catholic Church hasn’t enjoyed a good press on screen lately. Nuns punished Irishwomen for their pregnancies in Philomena. Priests interfered with altar boys in Spotlight. And in The Young Pope a Vatican fixated on conservatism and casuistry...

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Melvyn Bragg on TV, BBC Two review – too many talking heads, too little action

Presumably it seemed like a good idea at the time. Broadcasting juggernaut Lord Bragg would undertake a sweeping survey of the way that television has transformed our lives and reflected British society in the last 70-odd years, soaring over dramas...

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Chance, Universal review – Hugh Laurie is reborn as a film-noir shrink

Hugh Laurie, in his new role of forensic neuropsychiatrist Eldon Chance, tells us that he works with those who are “mutilated by life”, and we soon see that Chance himself falls into that category. He’s in the midst of a divorce, he only sees his...

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Ripper Street, BBC Two, Series 5 review – apocalypse looms in Victorian Whitechapel

There has always been an air of incipient doom hovering over Ripper Street, since the show is more of a laboratory of lost souls than a mere detective drama. Now, as it embarks on its fifth and final season, there’s every reason to suppose that the...

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Murdered For Being Different, BBC Three review - unbearable but unmissable

Heaven alone knows we've pressing anxieties enough to preoccupy us, but if you have the emotional bandwidth to accommodate more, the iPlayer can oblige. Available now on BBC Three is the latest in what now becomes a trilogy of heartrending dramas...

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