tue 30/04/2024

West End

Olga Koch, Soho Theatre review - personal, political and playful

Olga Koch – born in Russia to ethnic German parents, multilingual and now living in London – might fit into the group that Theresa May once dismissed as “citizens of nowhere”, whatever that phrase means. But Koch turns that on its head in her new...

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Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

Let it snow! The Broadway musical adaptation of the Disney film behemoth Frozen premiered back in 2018 and now, following Covid delays, a rejigged version finally makes its home in the West End – to the delight of the army of miniature Elsas in...

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2:22 A Ghost Story, Noël Coward Theatre review - unconvincing, sporadically amusing genre play

Danny Robins tells us what we’re in for with his title, so we’re warned. And it’s not long before we get the “things that go bump in the night”, the creaking floorboards, the “I know this sounds crazy, but…” because they’re the essential components...

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The Windsors: Endgame, Prince of Wales Theatre review - fitfully pointed fun

Opposite the playhouse where the sometimes-wild royal comedy The Windsors: Endgame has just opened is the Bubba Gump Shrimp Company seafood restaurant. The eatery is of course inspired by Robert Zemeckis's hit 1994 film Forrest Gump, ...

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Wonderville, Palace Theatre review - magic and illusion family show

Variety is a form of entertainment most usually seen on Saturday night television these days, but Wonderville is an attempt to bring it back into the West End. It's mostly a magic and illusion show, with a hefty slice of comedy, a bit of song and...

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ANNA X, Harold Pinter Theatre review - lacking in substance

There just isn’t enough there, with ANNA X. Daniel Raggett’s production is the third and final of the RE:EMERGE season at the Harold Pinter Theatre, with Emma Corrin of Lady Di fame in the lead. The graphic design – the brightly-striped faces of...

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Hairspray, London Coliseum review - brighter and more welcome than ever

A revival of a multi-award winning musical, with a big star or two, may look like a safe choice to re-open London’s largest theatre, the Coliseum, but there was a tingle of jeopardy in the air, exemplified when the show catches you by surprise...

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J'Ouvert, Harold Pinter Theatre review - formless yet fabulous

A welcome West End upgrade is the order of the day at J'Ouvert, the debut play from Yasmin Joseph whose 2019 premiere at South London's Theatre 503 additionally marked the directing debut of the actress Rebekah Murrell. And now here it is, all but...

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Jimmy Carr, Palace Theatre review - rape gags and risible claims

What to make of Jimmy Carr? He’s a fantastic gag writer and experienced stand-up who has made a hugely successful career on television. And yet... as Terribly Funny makes clear, you have to share what he calls his dark and edgy humour - or, as he...

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Mark Thomas, Soho Theatre review - new state-of-the-nation show

Mark Thomas comes on stage unannounced. It's not a show of humility – rather, he told us, amused at his own mistake, that his hearing isn't what it used to be and he had misheard his music cue. It was a modest start to his new show 50 Things About...

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A Christmas Carol, Dominion Theatre review - brash and bustling and snowy, too

The twelve days of Christmas have nothing on the flotilla of Christmas Carols jostling for view this season, each of which is substantially different enough from the next so as to give Dickens's 1843 story its prismatic due. Hailing from Broadway,...

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The Comeback, Noël Coward Theatre review - frantic farce with touches of vaudeville

Ben Ashenden and Alex Owen together form The Pin, a sketch duo who have won much critical acclaim and full houses in the Edinburgh Fringe shows. They have also added a huge social media following in 2020 with their lockdown skits spoofing the new...

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