tue 20/05/2025

Wigmore Hall

Leonskaja/ Pires, Dumay, Meneses, Wigmore Hall

What a day for piano-lovers and Beethoven-lovers – Elisabeth Leonskaja for lunch, Maria João Pires for supper. Beethoven from both, stupendous playing from both, all in all generating a general sense of disbelief in this member of the audience...

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quartet-lab, Wigmore Hall

Musical theatre needn’t be dominated by the human voice. Instrumental dramas with an element of acting can be a good way into the wonderful world of chamber music for younger audiences, and the Wigmore Hall’s new gambit of special student tickets...

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Piau, Les Paladins, Correas, Wigmore Hall

2014 is the 250th anniversary of the death of Jean-Philippe Rameau, France’s baroque giant and maverick. To say that the UK celebrations have been muted is to put in generously, reconfirming a national trend that has long sidelined this repertoire...

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10 Questions for Soprano Sandrine Piau

French soprano Sandrine Piau, born in 1965 in a south-western suburb of Paris, has an agile, supple voice. It soars, so critics reach readily for all those bird metaphors: nightingale, sparrow, "she leaves the earth on wings of song" and so on. She...

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DiDonato, Pappano, Wigmore Hall

For the first night of its 114th season, the dear old Wiggy welcomed back its regulars after the summer break. A starry occasion like this recital by Joyce DiDonato and Sir Antonio Pappano gets booked out virtually exclusively by those patrons and...

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Simon Trpčeski, Wigmore Hall

No man is a prophet in his own land – except possibly the Macedonian pianist Simon Trpčeski. In the UK he shot to fame upon winning the London International Piano Competition in 2001 and at home he has become a national hero, his efforts rebooting...

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theartsdesk Q&A: Mezzo-soprano and Director Brigitte Fassbaender

The mezzo-soprano Brigitte Fassbaender, who will be 75 on Thursday 3 July, was unsurpassed for dramatic impact and presence in roles such as Octavian in Der Rosenkavalier and Prince Orlofsky in Die Fledermaus, during a singing career which spanned...

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Anna Prohaska, Eric Schneider, Wigmore Hall

Judging from the photos used to publicise Anna Prohaska’s new album – one of them is dancing merrily above this review – this gorgeously gifted soprano should have been singing this spin-off recital wearing an army great coat. She compromised with a...

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Neven, Eijsackers, Wigmore Hall

The rapid rise of Dutch baritone Henk Neven is easy to explain. He is blessed with instant charm and the voice, still attractively youthful in his late 30s, emerges full-toned from his slight frame with a faint, fast vibrato that lends it a...

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Shostakovich Cycle, Jerusalem Quartet, Wigmore Hall

Under what circumstances can Shostakovich’s Eighth String Quartet, the most (over)played of the 15, sound both as harrowing as it possibly can be and absolutely fresh? Well, the context helps: hearing it at the breaking heart of the fourth concert...

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Tippett Retrospective, Osborne, Heath Quartet, Wigmore Hall

For those of us who’d held fast to the generalisation that Michael Tippett went awry after 1962, it seemed emblematic that pianist Steven Osborne and the Heath Quartet were never to meet in a concert of two halves. After all, didn’t Tippett’s music...

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Miklós Perényi, András Schiff, Wigmore Hall

Miklós Perényi makes the listener re-think how a cello should sound. Forget the huge tone of the Russians - think Rostropovich or Natalia Gutman, or the attention-grabbing of Americans or even the flamboyance of the French. No floppy hair, no vanity...

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