world music
graeme.thomson
I am talking to Toumani Diabaté on a phone line into Bamako that, as he explains with an audible shrug, sometimes works and sometimes doesn’t. He was due in London a couple of weeks ago to promote Ali & Toumani, his album of duets with the late, great Malian guitarist Ali Farka Touré, but was struck down with malaria at the eleventh hour. It rather puts the standard rock star bleating about "stress and exhaustion" to shame. “At the last minute I had packed my suitcase but I started to vomit and malaria came, it was really bad,” he says. “Thank God, thank God, today I’m getting better." Read more ...
graeme.thomson
Geoffrey Gurrumul Yunupingu is an unlikely star. A 39-year-old blind singer and multi-instrumentalist from Elcho Island, a remote indigenous community off the coast of Australia’s Northern Territory, Gurrumul’s eponymous solo album was Britain’s best selling world music album of 2009.Now, in what has become standard practice for million-selling pop monsters like Lady Gaga's The Fame and Amy Winehouse's Back to Black but is surely a first for a record of sparse Aboriginal spirituals, a year after its initial release the album is to be reissued in expanded 'deluxe' form.
It’s easy to hear why Read more ...
howard.male
I used to argue that there was no such thing as a World Music style, in the sense that, say, indie music or trad jazz are fairly sonically delineated. But now I’m not so sure. Over the past decade or so, most cosmopolitan cities in the world have probably produced at least one band with a line-up that invariably includes an accordion player, a double bassist (rather than a bass guitarist), a violinist (just the one), maybe a horn player or two, and a multi-lingual vocalist.These earnest, impassioned groups of musicians will generally endeavour to create a new, exciting sound from their joint Read more ...
theartsdesk
This round-up of the freshest new music and most well-ripened classics we could find in November features everything from Miles Davis to Kraftwerk, Norah Jones to the actual Pope, via Toms Petty and Waits, Dubstep and related bass-driven electronica from Portugal, Angola, Denmark and Tanzania, and the soundtrack to Life On Earth. Our reviewers this month are Robert Sandall, Peter Culshaw, Adam Sweeting, Joe Muggs, Thomas H Green, Howard Male and Marcus O'Dair.
CD of the Month
Tom Waits, Glitter and Doom Live (Anti)
by Robert Sandall
When I saw Tom Waits at the Hammersmith Odeon (now the Read more ...
Joe Muggs
I have seen Roberto Fonseca play before – in Havana backing Omara Portuondo and in London with the incomparable Ibrahim Ferrer - so although I was well aware of his ferocious talent I had no idea of how he would fare as a solo star. And I have seen plenty of jazz before, including Latin-style jazz – but only in venues the size of pub function rooms, generally full of nicotine-stained old men, so I had some trepidation about how it would come over in a venue as clean and swanky as the Royal Festival Hall.
But before Fonseca's “jazz Cubano” came the young, cosmopolitan and – let's be frank Read more ...