book reviews and features
Lavinia Greenlaw: In the City of Love’s Sleep review - curated lives
Sunday, 23 September 2018
|
Olga Tokarczuk: Drive Your Plow over the Bones of the Dead review - on vengeful nature
Sunday, 09 September 2018
In a small town on the Polish-Czech border where the mobile signal wanders between countries’ operators and only three inhabitants stick it out through the winter, animals are wreaking a terrible... Read more... |
Michael Hughes: Country review - epic troubles
Sunday, 02 September 2018
Michael Hughes’ second novel, superimposing the post-96 Troubles on the story of The Iliad, rides a wave of Homeric re-tellings, with Pat Barker and Colm Tóibín having recently... Read more... |
Yuval Noah Harari: 21 Lessons for the 21st Century review - a sceptic's optimism?
Sunday, 26 August 2018
The bestseller Sapiens (2011, first published in English in 2014) by the hitherto little-known Israeli academic Yuval Noah Harari has sold enormously well, and justly so: recommended by... Read more... |
P.E.Caquet: The Bell of Treason review - the sacrifice of Czechoslovakia
Sunday, 26 August 2018
It was 80 years ago next month that Neville Chamberlain returned with the good news of peace in our time... Read more... |
h 100 Awards: Publishing and Writing - other stories, other voices
Monday, 20 August 2018
If history repeats itself, better hope that it corrects its mistakes as well. This year’s nominations for the... Read more... |
Roger Scruton: Music as an Art review - how to listen?
Sunday, 19 August 2018
Hegel, Kant, David Hume, Nietzsche, Schopenhauer, Leibniz are all adduced, referred to, and paraphrased, and that’s just for starters. Add Rameau, Schubert, Beethoven, Benjamin Britten and the... Read more... |
Annie Ernaux: The Years, review - time’s flow
Sunday, 05 August 2018
“When you were our age, how did you imagine your life? What did you hope for?” It is a video of a classroom south-east of the Périphérique separating Paris from the working-class suburbs. The... Read more... |
Rachel Heng: Suicide Club review - skin-deep dystopia
Sunday, 29 July 2018
When Lea is nervous she picks at the skin near the nail of her thumb. When she draws blood the wound repairs instantly because she is a member of the Second Wave endowed with SmartBlood™ and... Read more... |
Stella Tillyard: The Great Level review – reason and passion in the Fens and Virginia
Sunday, 22 July 2018
The Fens of East Anglia, and the lonely coasts that skirt them, usually sit well below the horizon of mainstream culture. Yet when England’s flatlands and their maritime margins do find a literary... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck...
A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and,...
Donohoe, RPO, Brabbins, Cadogan Hall review - rarely heard B...
The name Arthur Bliss always summoned up for me the image of a fuddy-duddy old buffer writing boring music. But as I’ve discovered his work over...
Album: Gigspanner Big Band - Turnstone
For lovers of British folk from the 1970s on, Peter Knight is a potent force – renowned for his years with Steeleye Span, in their 1970s heyday...
All the Happy Things, Soho Theatre review - deep feelings, b...
The mind is its own place, and in itself can make a heaven of hell, a hell of heaven. Or words to that effect. This quote from Milton’s ...
London Choral Sinfonia, Waldron, Smith Square Hall review -...
The London Choral Sinfonia are a very impressive group, a professional choir who are churning out terrific recordings at a breakneck pace – I...
The Forsythe Programme, English National Ballet review - bra...
It’s hard to think of anyone even half as persistent as William Forsythe in changing the conversation around ballet. The American...
Manic Street Preachers, Barrowland, Glasgow review - elder s...
As you might expect from a Manic Street Preachers gig, literary influences were never far away. A DH Lawrence quote was prominently displayed on...
DVD/Blu-ray: In a Year of 13 Moons
A longshot of transgender Elvira (Volker Spengler) circled by gay men, assignation turning to assault as dawn mist rises from Frankfurt’s Main...