Books
Lutz Seiler: Pitch & Glint review - real verse powerMonday, 04 September 2023
Reading the torrent of press-releases and blurbs on the many – and ever-growing – contemporary poetry collections over time, one starts to notice a distinct recurrence of certain buzzwords: searing is a regular participant, as is honest, and urgent... Read more... |
Zadie Smith: The Fraud review - the trials we inheritFriday, 01 September 2023
Zadie Smith’s latest novel, The Fraud, is her first venture into historical fiction – a fiction based on a factual trial and a real, forgotten Victorian author. While the premise is interesting and the story is engaging in itself, this book perhaps... Read more... |
Caitlin Merrett King: Always Open Always Closed review - looking for an approach while trying to do the approachTuesday, 22 August 2023
Always Open Always Closed is Caitlin Merrett King’s first published work of fiction, and it begins paratactically, with a list of displacements:MS REAL FEELS POSITIONLESS At her desk in the studio (not as often as she would like) or at the kitchen... Read more... |
Marie Darrieussecq: Sleepless review - in search of lost sleepThursday, 17 August 2023
“I lost sleep.” So begins Marie Darrieussecq’s elegantly fitful book, Sleepless, now perceptively translated into English by Penny Hueston. The sentence, suspended against the page’s whiteness, a clause unto itself, is simple, short, and... Read more... |
Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedyTuesday, 15 August 2023
Cole the Magnificent is a picaresque, fantastical tale of the life (or lives) of a man, Cole, following his adventures as he progresses through a mythical pre-Norman Britain, from adolescence to old age, and beyond. It is episodic and poetic, by... Read more... |
Masha Karp: George Orwell and Russia review - dystopia's realityThursday, 10 August 2023
The war in Ukraine, which Russia’s President Vladimir Putin insists on calling a “special military operation”, may have given fresh urgency to George Orwell’s warning in Nineteen Eighty-Four of the dangers of totalitarian newspeak. Yet, as Masha... Read more... |
Henry Hoke: Open Throat review - if a lion could speakWednesday, 09 August 2023
I approached Henry Hoke’s fifth book, Open Throat, with some trepidation. A slim novel (156 pages), it seemed, at first glance, to be an over-intellectualised prose-cum-poetical text about a mountain lion.But the novel was so much more: an odd but... Read more... |
First Person: Marc Burrows on getting to know Sir Terry PratchettTuesday, 01 August 2023
In a very real sense, Terry Pratchett taught me how to write. I first came across his work when I was 12 years old, in the early 90s.My parents had been given copies of two of the earliest books in his Discworld series, Guards! Guards! and The... Read more... |
Lorrie Moore: I am Homeless If This is Not My Home review - between this world and the nextThursday, 27 July 2023
Lorrie Moore’s brief but haunting I Am Homeless If This Is Not My Home is a bizarre, unsettling read. At times it’s a road trip, at others a romance, then supernatural horror, Greek tragedy, or an epistolary short story nestled within the larger... Read more... |
Nick Laird: Up Late review - attention lapsesTuesday, 18 July 2023
A few pages before the titular poem of Up Late, Nick Laird describes a haircut in a bathroom mirror, and finds a possible art form reflected back: "something like a poem / glances back / from the deep inside." The lines are broadly representative of... Read more... |
Extract: Bacon in Moscow by James BirchFriday, 07 July 2023
In 1988, James Birch – curator, art dealer, and gallery owner – took Francis Bacon to Moscow. It was, as he writes, "an unimaginable intrusion of Western Culture into the heart of the Soviet system". At a time of powerful political tension and... Read more... |
Fiona Maddocks: Goodbye Russia - Rachmaninoff in Exile review - an affectionate biographical portraitWednesday, 28 June 2023
In 1917, in the face of the Bolshevik revolution closing in on his country estate, Rachmaninoff fled Russia, never to return. He was 44, at his peak as composer, pianist and conductor, but spent the rest of his life in exile in the US and... Read more... |
