book reviews and features
Colin Herd and Maria Sledmere: Cocoa and Nothing review - arts of sinking
Saturday, 01 April 2023
In his mock-poetic manual Peri-Bathos (1728), Alexander Pope opens by describing the afflictions which beset inhabitants of the lower Parnassus. The aristocracy living further up the... Read more... |
Seraphina Madsen: Aurora review - the tarot won’t save us
Tuesday, 28 March 2023
“There is another world… a way of perceiving that is chaotic and awesome and terrifying,” announces Seraphina Madsen’s cigarillo-smoking, telepathic cat. Lecturing a teenage coven on the art... Read more... |
Margaret Atwood: Old Babes in the Wood review - bookending the short story
Tuesday, 14 March 2023
Margaret Atwood has been writing for sixty years now, and, with her latest publication, she has given us a book... Read more... |
Janet Malcolm: Still Pictures - On Photography and Memory review - a rare glimpse at a guarded personal history
Saturday, 11 March 2023
For almost half a century, from the mid-1960s until her death in 2021, Janet Malcolm was a staff writer on the New Yorker where her meticulous reporting and provocatively strong opinions... Read more... |
Nicole Flattery: Nothing Special review - returning to the Factory
Wednesday, 08 March 2023
It seems that Andy Warhol’s Factory – silver-dusted and populated with tragic, drug-addicted minor... Read more... |
Will Harris: Brother Poem review - writing the poems that could have been
Saturday, 04 March 2023
You shouldn’t always judge a book by its cover, but you can get pretty far with an epigraph. The epigraph to Will Harris’s new collection, Brother Poem (following his T. S. Eliot Prize-... Read more... |
Disbelief - 100 Russian Anti-War Poems (ed. Julia Nemirovskaya) review - writing battle-lines
Thursday, 23 February 2023
On 24th February 2022, when Vladimir Putin launched his “special military operation”, life in Ukraine changed abruptly and in a brutal fashion. Soon the impact of the war was felt around the world... Read more... |
Sally Adee: We Are Electric review - currents that run through us all
Friday, 17 February 2023
All the things going on with me as I type this – fingers moving keys, eye and brain registering characters on my screen, thoughts that will (I hope) generate the next lot of characters – rely on... Read more... |
Extract: The Northern Silence - Journeys in Nordic Music and Culture by Andrew Mellor
Wednesday, 15 February 2023
“Silence,” Andrew Mellor contends, “is more prominent in the northernmost reaches of Europe.” Yet it is more like a texture or an apprehension of vacancy than a state of true soundlessness:... Read more... |
'I let it emerge': an interview with Fiona Benson on the cusp of the TS Eliot Prize announcement
Friday, 20 January 2023
Fiona Benson’s new collection of poems, Ephemeron (Jonathan Cape, 2022), tries to capture those things that are always moving out of grasp. It does this through four sections: the first... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Parsifal, Glyndebourne review - the music flies up, the dram...
There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...
The Bombing of Pan Am 103, BBC One review - new dramatisatio...
The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...
Ballet to Broadway: Wheeldon Works, Royal Ballet review - th...
Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...
Album: Robert Forster - Strawberries
“Tell me what you see” invites Robert Forster during “Tell it Back to me.” The album’s eight songs do not, however, necessarily say what Forster...
Music Reissues Weekly: Chapterhouse - White House Demos
Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...
Songlines Encounters, Kings Place review - West African and...
Songlines Encounters is your round-the-world ticket to great...
The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...
The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...
The Brightening Air, Old Vic review - Chekhov jostles Conor...
It's one thing to be indebted to a playwright, as Tom Stoppard and Harold Pinter have been at different times to Beckett, or Sondheim's latest...
Magic Farm review - numpties from the Nineties
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...