book reviews and features
Christopher Clark: Prisoners of Time review - from Kaiser Bill to Dominic Cummings
Friday, 13 August 2021
Historians seldom make the news themselves. However, Christopher Clark – the Australian-born Regius Professor of History at Cambridge University – hogged headlines and filled op-ed pages in... Read more... |
Thora Hjörleifsdóttir: Magma review - love burns in debut novel from Iceland
Tuesday, 03 August 2021
Thora Hjörleifsdóttir’s Magma is certainly not an easy read. It describes, in short chapters... Read more... |
10 Questions for novelist Mieko Kawakami
Tuesday, 27 July 2021
Mieko Kawakami sits firmly amongst the Japanese literati for her sharp and pensive depictions of life in... Read more... |
Samantha Walton: Everybody Needs Beauty review - the well of the world
Tuesday, 20 July 2021
In the opening poem of Samantha Walton's 2018 collection, Self Heal, the speaker is on the tube, that evergreen metaphor of capital's specific barrelling momentum. The tube "will... Read more... |
Test Signal: Northern Anthology of New Writing review – core writing from England's regions
Friday, 16 July 2021
“On the Ordinance Survey map, it has no name”, writes Andrew Michael Hurley, of the wood that nevertheless gives its name to his essay. “Clavicle Wood” provides the first chapter in the ... Read more... |
Adam Mars-Jones: Batlava Lake review - pride and prejudice in the Kosovo War
Friday, 16 July 2021
For a slim book of some 100 pages, Batlava Lake by Adam Mars-Jones is deceptively meandering. The novella is narrated by Barry Ashton, an engineer attached to the British Army troops... Read more... |
Danielle Evans: The Office of Historical Corrections review - what happens when history comes knocking
Wednesday, 16 June 2021
There’s something refreshing about fiction you can easily trace back to the question “what if... Read more... |
Anna Neima: The Utopians review – after horror, six quests for the good life
Tuesday, 15 June 2021
Not long after the Nazis came to power, Eberhard Arnold sent a manifesto to Adolf Hitler. The Protestant preacher urged the dictator to “embrace universal love”. With his wife Emmy, Eberhard had... Read more... |
Victoria Mas: The Mad Women's Ball review - compelling plot meets disquieting history
Tuesday, 15 June 2021
To this day, if you take a stroll down Paris’ Boulevard de l’Hôpital, you’ll come across an imposing building: the... Read more... |
Extract: David Lan's As If By Chance
Monday, 14 June 2021
In June 2001 the London Festival of International Theatre brought Amir Nizar Zuabi’s Alive from ... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
The Deep Blue Sea, Theatre Royal Haymarket review - Tamsin G...
The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...
Magic Farm review - numpties from the Nineties
There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...
The Great Escape Festival 2025, Brighton review - a dip into...
As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...
theartsdesk Q&A: Zoë Telford on playing a stressed-out p...
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...
Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...
It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...
Good One review - a life lesson in the wild with her dad and...
Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...
E.1027 - Eileen Gray and the House by the Sea review - dull...
It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...
Album: Rico Nasty - LETHAL
Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...