book reviews and features
Heather McCalden: The Observable Universe review - reflections from a damaged life
Tuesday, 16 April 2024
Artist and writer, Heather McCalden, has produced her first book-length work. The Observable Universe examines, variously, her familial history, the death of her parents to AIDS, and the... Read more... |
Dorian Lynskey: Everything Must Go review - it's the end of the world as we know it
Wednesday, 10 April 2024
According to REM in 1987, “It’s the end of the world as we know it”. And while they sang about topical preoccupations – hurricanes, wildfires and plane crashes – they were really just varying a... Read more... |
Andrew O'Hagan: Caledonian Road review - London's Dickensian return
Tuesday, 02 April 2024
Andrew O’Hagan’s new novel, Caledonian Road, feels very much intended to be an epic, or at the very... Read more... |
Annie Jacobsen: Nuclear War: A Scenario review - on the inconceivable
Friday, 29 March 2024
"[A]n unimaginably beautiful day": this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to change, unimaginably, as the city was blitzed by... Read more... |
Anna Reid: A Nasty Little War - The West's Fight to Reverse the Russian Revolution review - home truths
Friday, 01 March 2024
During the Cold War, US presidents often claimed that the West and the Soviet Union had never fought one another directly. This observation... Read more... |
Tom Chatfield: Wise Animals review - on the changing world
Thursday, 22 February 2024
Consider a chimp peeling a stick which it will poke into a termite nest. It strikes us as a human gesture. Our primate cousin is fashioning a tool. Just as important, the peeled stick implies a... Read more... |
Sheila Heti: Alphabetical Diaries review - an A-Z of inner life
Tuesday, 20 February 2024
After a first read of the blurb for Sheila Heti’s Alphabetical Diaries, you might be forgiven for assuming that this is merely a gimmick. The book does what it says on the tin: each... Read more... |
David Harsent: Skin review - our strange surfaces
Saturday, 17 February 2024
David Harsent has won a lot of prizes. From the Eric Gregory to the T. S. Eliot, he has carved out a literary career positively glittering... Read more... |
Brian Klaas: Fluke review - why things happen, and can we stop them?
Saturday, 27 January 2024
One day in the early 90s I accepted the offer of a lift from a friend to a university open day I hadn’t been planning to go to. I ended up attending that university and there met my wife, and if I... Read more... |
Richard Schoch: Shakespeare's House review - nothing ill in such a temple
Thursday, 25 January 2024
Richard Schoch, in the subtitle of his new book on Shakespeare’s House, promises something big: “a window onto his life and legacy.” To the disgruntled reader – pushed to the brink... Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Music Reissues Weekly: New York Dolls - Showdown At The Merc...
“A band you’re gonna like, whether you like it or not.” The proclamation in the press ads for the New York Dolls’ debut album acknowledged they...
Flight Risk review - the sky's the limit for Michelle D...
Director Mel Gibson probably made Flight...
Presence review – Soderbergh’s haunted camera
The camera is the ghost in Steven Soderbergh’s 35th feature, waiting in a vacant house for its buyers, ambitious Rebecca (Lucy Liu, ...
Cymbeline, Sam Wanamaker Playhouse review - pagan women figh...
There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a...
An Interrogation, Hampstead Theatre review - police procedur...
In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks...
Album: ALT BLK ERA - Rave Immortal
The utopian messiness of 1990s dance music culture is now so far...
The Lonely Londoners, Kiln Theatre review - Windrush Generat...
As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin...
Gigashvili, Hallé, Cox, Bridgewater Hall, Manchester review...
There was excellent music making in the Hallé concert in Manchester last night, and there was self-admitted “noise”. Briefly, the two coincided in...
Album: Ludovico Einaudi - The Summer Portraits
Nine billion streams a year. That’s the sheer scale on which the music of Ludovico Einaudi reaches audiences. The Italian, who will be 70 this...