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latest in today
Béatrice et Bénédict, Irish National Opera, National Concert...
As Fiona Shaw’s shiningly free and easy narration told us, Shakespeare’s sparring Beatrice and Benedick are merely counterpoint to a supposedly...
Alice's Adventures in Wonderland, Royal Ballet review -...
In many ways Lewis Carroll’s 1865 compendium of literary nonsense is ideal material for...
Stevie Smith: Not Waving But Drowning review - riding the wa...
Last year, Wendy Cope’s poem, "The Orange", went viral on TikTok. I’m not totally certain how a poem goes viral, but it did – and there’s nothing...
Album: Caribou - Honey
Dan Snaith’s career has been a joyous thing to watch. Almost a quarter of a century the Canadian started out as Manitoba (soon renamed to Caribou...
The Penguin, Sky Atlantic review - power, corruption, lies a...
Is there no limit to the number of times the comic book heroes and villains from Marvel and DC can be recycled? HBO’s The Penguin (...
The Cabinet Minister, Menier Chocolate Factory review - spar...
The stock of the late 19th century playwright...
Il trittico, Welsh National Opera, review - welcome back (bu...
This revival of Puccini’s Trittico a mere three and a half months after it was first shown on the Millennium Centre stage seems to bear...
Album: The Smile - Cutouts
The Smile’s second album Wall of Eyes, released in January, is a thrillingly discomfiting album by Radiohead alumni Thom Yorke and Jonny...
A Face in the Crowd, Young Vic review - lame rehash of a 195...
It’s hard to work out why Kwame-Kwei Armah chose to end his tenure at the...
Elisabeth Leonskaja, Wigmore Hall review - a universe of so...
Wonders never ceased in Elisabeth Leonskaja’s return to the Wigmore Hall. Not only did she play Schubert’s last three sonatas with all repeats and...