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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Manchester Collective, RNCM review - exploring new territory
Manchester Collective, now very much a part of the establishment world of new music, are still enlarging their territory. For this set, performed...
Henry Gee: The Decline and Fall of the Human Empire - Why Ou...
Henry Gee’s previous book, A Brief History of Life on Earth, made an interestingly downbeat read for a title that won the UK...
All Happy Families review - unhappy in their own way
Director Haroula Rose’s gentle, good-hearted new comedy-drama All Happy Families takes its title from the famous first sentence...
Album: The Loft - Everything Changes, Everything Stays The S...
“Sitting on a sofa, cigarettes and beer, ten years disappear…agreeing to agree, just to get along.” By going into the difficulties of...
Black Bag review - lies, spies and unpleasant surprises
Michael Fassbender recently starred in Paramount+’s rather laborious spy drama The Agency, but here he finds himself at the centre of a...
Weather Girl, Soho Theatre review - the apocalypse as surrea...
Can Francesca Moody do it again? Fleabag’s producer has brought Weather Girl to London, after a successful run at...
Clueless: The Musical, Trafalgar Studios review - a perfectl...
Before there was Barbie: The Movie, before there was Legally Blonde, there was Clueless, the Valley Girl movie that...
Album: Jason Isbell - Foxes in the Snow
America – the pro-wrestling-ass nation, the ultimate society of the spectacle – famously likes things big, and modern country and western music...
Bavouzet, BBCSO, Stasevska, Barbican review - ardent souls i...
Not to be overshadowed by the adrenalin charges of the Budapest Festival Orchestra the previous evening, the BBC Symphony Orchestra and its...