Books
Charlie Stone
Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and sculptures of young girls clad in the uniform of the dance are signs of an artistic obsession that spanned a remarkable artistic career. One work in particular – a sculpture of a young ballet dancer in a rest position – cemented his reputation as a pioneering spirit, unafraid of provoking controversy in the pursuit of perfection. It is this sculpture and the story behind it that Camille Laurens explores in Little Dancer Aged Fourteen, whose immersive translation by Willard Wood conveys a deeply Read more ...
Katherine Waters
In July 1966, Tahar Ben Jelloun’s life changed. As punishment for participating in a peaceful student demonstration against the authoritarian King Hassan II of Morocco, he was detained and sent to a military encampment at El Hajeb, “a village where there are only soldiers,” to undergo military training.For the next year and a half, Ben Jelloun, a leftist political prisoner and supposed military recruit, served time in a prison camp. There he, along with other political prisoners, was subjected to conditions marked by “savagery, stupidity, and degradation”. The toll was physical and Read more ...
India Lewis
The Museum of Whales is an unfolding: a slow process of describing a country, its people, and its past through its esoteric and bizarre museums. The book is structured into galleries and cabinets, like the museums it describes, and the text is accompanied by often mysterious line drawings with their own key at the end. There are just a few museums that are the main focus, beginning with the Icelandic Phallological Museum, which is just as delightfully and childishly funny as it sounds. Greene is very good at gentle humour, with a particularly memorable description of "necropants" (you’ll have Read more ...
Boyd Tonkin
The Greek philosopher Zeno’s paradoxes, which have plagued thinkers for around 2500 years, tell us that super-speedy Achilles can never outrun the tortoise and that an arrow in flight must always occupy a fixed position at intervals of time – and so can never hit its target. My introduction to these favourite brain-tanglers came when, as an easily overawed teenager, I went to see Tom Stoppard’s play Jumpers and learned that, thanks to that arrested arrow, “Saint Sebastian died of fright”. Stoppard doesn’t take a bow in Joseph Mazur’s far-reaching and idea-crammed tour of the meanings we Read more ...
Jessica Payn
The epigraph chosen for Holiday Heart locates the book within the tense of an “afterwards”: not passion, but what follows, the wakeful lull and wide-eyed studying of another, in which scrutiny supplants desire: “Afterwards, when we have slept, paradise-comaed and woken, we lie a long time looking at each other.” It’s a poem by Sharon Olds called ‘The Knowing’, a title appropriate to Margarita García Robayo’s central characters, Lucía and Pablo, a married couple who have been together for nineteen years, who are in their different ways difficult to like, and who are fully familiar with the Read more ...
Boyd Tonkin
History, as protestors around the world currently insist, can be the art of forgetting – and erasure – as much as of memory. Although it explores a single incident from a century ago, Yuri Herrera’s brief, forensic but quietly impassioned account of a Mexican mining disaster may speak directly to the movements that now seek to reclaim a buried past from beneath official records. Over his three previous novels, above all in the award-winning Signs Preceding the End of the World, the author has poured the molten conflict and change of contemporary Mexico (and Latin America) into individual Read more ...
theartsdesk
Holiday heart, instead of sentimental love discovered on vacation, describes a faltering organ, overloaded from excess consumption: a heart at risk. In Margarita Garcia Robayo’s brilliantly observant, often sardonically pitched novel, the heart provides both a metaphor for the deterioration of the marriage of Lucia and Pablo, affluent Colombians who have made their lives and raised their children in the US, and the material fact of Pablo's diagnosis: the catalyst for the holiday on which Lucia takes her children. The subtle book that follows reflects on marriage, identity, nationality, and Read more ...
Boyd Tonkin
Some things really never change. After a blatant cheat perpetrated by a well-connected lout, one of the humblest pilgrims in Matthew Kneale’s band reminds us that “rich folks’ justice is a penny to pay, poor folks’ justice is dangling from a rope”. But then, as we all know, “The worst churl gets off light if he has a fine name.” By this point, Kneale’s pilgrim crew have reached the snowy Alps, and the final stretch beckons on the long, weary and sometimes perilous route that takes this company from their homes in the English shires towards the holy sites of Rome. The year is 1289, Read more ...
Daniel Baksi
Moyra Davey’s biographical note, included in Fitzcarraldo Editions’ copy of Index Cards, describes “a New York-based artist whose work comprises the fields of photography, film and writing.” It is a useful aperture into the Toronto-born artist’s varied oeuvre, and to the book itself. Davey’s latest collection of essays touches on each of these forms, and more: it features passages on motherhood, Davey’s close friends, the artistic process, and the more banal questions – to paraphrase: how to manage one’s fridge?“The Fridge“ is the first excerpt in a video transcript of Fifty Minutes (2006), “ Read more ...
Charlie Stone
Keiichiro Hirano’s A Man has all the trappings of a gripping detective story: a bereaved wife, a dead man whose name belongs to someone else, mysterious coded letters, a lawyer intent on uncovering the truth. Together with a wilfully understated title, however, these features belie a deeply thoughtful novel whose mystery premise gives way to an examination of the most profound questions of identity and artistic creation. In a work so rooted in Japanese cultural history, the questions posed by the author become distinctly literary, moving ultimately to address the very practice of novel- Read more ...
Marina Vaizey
John Grisham is a brand, in the sense that the reader relies on some sense of what the product is going to be. He is well up in the millions of sales, along with other writers under the “thriller/mystery” umbrella – Michael Connelly, David Baldacci, Ken Follett and Harlan Coben, to name but four. Still, as eagerly as his fans may await their yearly fix, he always manages to surprise.Scores of popular authors have had other professional lives which they mine for verisimilitude, and so with Grisham: a significant proportion of his novels (forty-four in all now) have made superbly imaginative Read more ...
Jessica Payn
Maria Reva’s humorously gloomy debut collection, centring on the inhabitants of a block of stuffy apartments in Soviet (and post-Soviet) Ukraine, starts, predictably enough, with Lenin. Instead of an austere symbol of ideology, he’s a statue who “squinted into the smoggy distance. Winter’s first snowflakes settled on its shoulders like dandruff.” A clumsy figure, whimsically at one with the amplified dreariness around him, he fits comfortably within the brisk, deadpan comedy of the stories that follow. By the end of the book, he’s been reduced to “a concrete pedestal”. “Only his feet remain Read more ...