Film
graham.rickson
Slovak director Eduard Grečner wrote the first draft of a screenplay for Dragon’s Return (Drak sa vracia) in 1956 but didn’t have the confidence to direct it, this adaptation of a novella by the Slovak author Dobroslav Chrobák that he finally realised 12 years later.An elderly but spritely Grečner appears in one of this disc’s bonus features and there’s a fascinating 2015 interview with him transcribed in Second Run’s booklet, Grečner recalling his efforts to convey the author’s rich prose in cinematic form. Dragon’s Return is indeed visually spectacular, the rocky landscapes and Read more ...
Saskia Baron
Was it lockdown that did it? Forcing filmmakers to sit at home, contemplate their lives, and conclude that just as soon as the masks came off, it was time to shine a light on their youth?Since Covid struck, we’ve seen Kenneth Branagh’s growing-up-in-the-Troubles memoir Belfast, Richard Linklater’s nostalgic animation Apollo 10 1/2 : A Space Age Childhood, and The Souvenir Part II, in which Joanna Hogg mines her film student days yet again.There's also Charlotte Wells’s superb debut Aftersun that looks back from a grown daughter's perspective on a Turkish package Read more ...
Graham Fuller
The New York-based Scottish writer-director Charlotte Wells's feature debut Aftersun is a sublime example of how an opaque style can be wedded to an ambiguous storytelling technique without cost to psychological truth. Though the movie is minimalistic on every level except its retrospective late Nineties Turkish seacoast setting, which Wells resists exploiting too pictorially, her mastery of film language is so uncanny as to make exposition almost redundant. Nothing much happens in Aftersun beyond a pre-teen’s first kiss and what might or might not be her young father’s first or second Read more ...
Markie Robson-Scott
A fine cast, starring Ralph Fiennes as a deranged super-chef along with Anya Taylor-Joy, Nicholas Hoult, Janet McTeer, Rob Yang and an exclusive restaurant serving horror as a main course – it sounds deliciously promising. But although there are some arresting images, this black comedy doesn’t quite deliver.Directed by Mark Mylod with a script by Will Tracy (both have worked on episodes of Succession) and Seth Reiss, the dialogue is disappointing, the plotting inconsistent and it’s hard to care about any of the characters. If you want culinary drama, Boiling Point and The Bear are far more Read more ...
Nick Hasted
Chadwick Boseman’s T’Challa dies off-screen of an undisclosed disease, suffering “in silence” notes sister Shuri (Letitia Wright), actor and role as one at the end. Lost after one, uniquely iconic full-length film, recasting and digital resurrection was rejected by shocked writer-director Ryan Coogler, even as he ripped his sequel script up.Mourning is intermittent in Black Panther: Wakanda Forever, with a ghost-wind whistling over a Marvel Studios emblem given over to Boseman. The strength of Coogler’s initial Afrofuturist vision is shown by T’Challa’s funeral, led by white-robed women Read more ...
Nick Hasted
“Two-percent movie-making and 98% hustling,” Orson Welles sighed not long before his death in 1985. “It’s no way to spend a life.” His 1962 film of Franz Kafka’s The Trial was his penultimate full-scale completed feature, only 1965’s Chimes at Midnight similarly allowing him a regular director’s resources during his last quarter-century (the fraudulent documentary F for Fake from 1973 was later conjured from scraps with filmic legerdemain).Kafka’s paranoid tale, written as World War One began, and predictive of the totalitarian mindset which would murder his own family in the Holocaust, sees Read more ...
Shelley Roden
The projection screen reflects light onto the Foley stage. I can just make out the edges of the built-in cement and metal surfaces around the floor’s perimeter and the large dirt pit centre stage. Bamboo poles, a hockey stick, and a shovel poke out from storage bins to my right. The corner of a car hood winks from underneath a furniture blanket. These tools wait their turn to become something other than what they were originally designed for. There is a stillness in this repurposed garage the size of a small aircraft hangar. The cue begins. I focus on the screen watching Read more ...
Graham Fuller
Holidaying in Europe with his wife Lisa and friends in August 1938, David Kurtz of Flatbush, Brooklyn, whose family left Poland in 1892 when he was four, returned to his hometown of Nasielsk (population 7,000), 33 miles north-west of Warsaw. There, as an amateur cameraman, he unwittingly made a brief away-from-home movie that would prove to have unimaginable emotional power.With his new 16mm Ciné-Kodak camera, Kurtz recorded three minutes of footage in his old Jewish community around the Nasielsk town square. People poured outdoors or lingered where they were to be filmed. Many of them were Read more ...
Nick Hasted
Living begins with a ravishing immersion in vintage footage of a lost world, primary colours popping on a Fifties summer’s day in Piccadilly. Emilie Levienaise-Farrouch’s opulent score adds to the poignancy of an orderly, comfortable England: the country which has slowed the heartbeat and buried the soul of Williams (Bill Nighy), a civil servant called Mr. Zombie behind his back.South African director Oliver Hermanus’s last film, Moffie, dealt with two gay soldiers suffering under the apartheid army’s brutish order; screenwriter Kazuo Ishiguro’s novel Remains of the Day inspired perhaps the Read more ...
Jasper Rees
Leslie Phillips would have known for half a century that at his death, which was announced yesterday, the obituaries would lead with one thing only. However much serious work he did in the theatre and on screen, he is forever handcuffed to the skirt-chaser he gave us in sundry Carry Ons and Doctor films and London bus movies. Although he was to reach the age of 98, he already felt very senior when I met him at his home in his mid-seventies. He was very keen to stress that his abilities stretched beyond delivering a famous catchphrase and luring girls into an open-top sports car.Those famous Read more ...
Saskia Baron
How many excellent comedies involving the Nazis are there? To Be or Not To Be, The Great Dictator and perhaps The Producers, but Jojo Rabbit was a mess and My Neighbour Adolf is no better.And it’s also hard to know who the intended audience is for this curious co-production between Poland and Israel (where its Russian-born director Leonid Prudovsky lives). It was filmed in Colombia and most of its dialogue is in English. After a nostalgic pre-title scene involving a Jewish family gathering together to take a group photograph in pre-Holocaust Poland Read more ...
Graham Fuller
Under the umbrella Maniacal Mayhem, 1951's The Strange Door has been released on Blu-ray by Eureka Classics with two scarier Boris Karloff movies, The Invisible Ray (1936) and Black Friday (1940). It features one of Karloff’s least maniacal turns – as an abused, dungeon-dwelling servant loyal to his sadistic master’s imprisoned brother (Paul Cavanagh) and beautiful niece (Sally Forrest).The Strange Door, though, is all about Charles Laughton, whose lip-smacking portrayal of the villain, Sire Alain de Maletroit, is one of his fruitiest. Few directors could rein in Laughton when he’d got Read more ...