Film
Sebastian Scotney
Wilderness has close-ups. And intimacy. And glorious empty beaches. A couple – John (James Barnes) and Alice (Katharine Davenport) – first meet outside the back door of a jazz club. They become completely infatuated with each other. We see them heading off to a seaside cottage in a 1960s Volvo sports car. And then, gradually as we find out more about them, they also learn more about each other.So, in an early scene, John says: “What comes after besotted?” And Alice replies: “Won’t we always be besotted?” The illusions, the "bubble" of their ignorance about each other and their desire for Read more ...
graham.rickson
Released in 1970, David Greene’s I Start Counting is as much an examination of childhood innocence as a psychological thriller. Fans of 1960s architecture will also find plenty to enjoy - never has Bracknell looked so good on film, with starring roles given to the town’s Point Royal flats and St Joseph’s Church. Adapted from Audrey Erskine Lindop’s novel, the plot reads like a Home Counties retread of Hitchcock’s Shadow of a Doubt. Here, 15-year-old Wynne (Jenny Agutter, in an early starring role), has a crush on her older stepbrother George (Bryan Marshall), who she comes to suspect of being Read more ...
Owen Richards
Sound of Metal has been a long time coming. Director and writer Darius Marder faced years of delays ranging from casting changes to the whole world shutting down. Was it worth the wait? Well, six Academy Award nominations including Best Film certainly suggest it was.The film follows Riz Ahmed and Olivia Cooke as Ruben and Lou, band members and lovers living the ideal rock'n'roll lifestyle. But when Ruben starts to suffer major hearing loss, it's clear their co-dependent relationship is built on shaky foundations. To avoid falling back into addiction, Ruben must isolate himself in an AA Read more ...
Saskia Baron
All is harmony as another day breaks in paradise. Kong yawns and stretches luxuriously, his furry brown musculature surely paying homage to Burt Reynolds’ iconic yet discreet Playgirl centrefold. Bobby Vinton croons Over the Seas over invisible speakers as the giant ape showers in a waterfall. If only Godzilla vs. Kong had continued in this genre, a relaxing portrait of life in an Eden where a lonely primordial primate’s main problem is that he can’t get trousers to fit him. But sadly this is not that kind of film. Kong’s nemesis, Godzilla, that scaly creature who has Read more ...
Tom Baily
The Drifters remakes the romance crime genre by placing the main themes of rebellion and freedom in the context of the race and migration divisions of present day Britain. It is a noble mission for a debut by British director Benjamin Bond. Sadly, this film never gets close to succeeding in either developing a unique aesthetic, or engaging robustly in politics.We begin in an English language class in London, where the Parisian waitress Fanny (Lucie Bourdeu) and African migrant Koffee (Jonathan Ajayi) meet and quickly fall in love. They are both escaping pasts of suffering. Fanny has a Read more ...
Demetrios Matheou
Whether he’s making documentaries or dramas, director Kevin Macdonald has an eye for the bleak moments in our history, and a dynamic way of recreating them, from the Oscar-winning doc Four Days in September, about the Munich massacre, to the fictionalised account of the Ugandan dictator Idi Amin, The Last King of Scotland, which at times played like a horror film.Compared to those, The Mauritanian feels pretty conventional, a tale of righteous lawyers and their ill-treated client, amid the well-trod US malfeasance in its War on Terror. Yet there’s no denying the almost Read more ...
graham.rickson
Silent Action makes for a snappier title than the original La polizia accusa: il Servizio Segreto uccide, though the frenzied action in Sergio Martino’s 1975 thriller is anything but silent. The film opens with the grisly murders of three Italian army officials, the third and bloodiest showing us the unconscious victim placed on a railway line and decapitated by an oncoming train. On the case is Luc Merenda’s improbably good-looking Inspector Solmi, all flowing locks and chiselled features. Solmi’s smooth features are deceptive; he’s a foul-mouthed maverick and good with his fists.Sit through Read more ...
mark.kidel
The problem with much neo-noir is that it’s ersatz – too self referential for its own good. Peter Medak’s noir is as dark as it gets, but the hell he portrays is a shade too knowing, tainted with irony and excess.Romeo is Bleeding (1994) showcases a slimline and youthful Gary Oldman. He's always good on screen, here as Jack Grimaldi, a cop so bent that he hardly remembers what it is to be straight. His opponent is the best thing in the movie: Swedish actress Lena Olin as a ruthless and sizzlingly sexy hit-woman. Medak is good at erotic tension, and the scenes in which the über-sadistic hired Read more ...
Tom Birchenough
Spanish director Fernando Trueba’s Memories of My Father adapts the Colombian writer Héctor Abad Faciolince’s 2006 family memoir, which was published in English as Oblivion: the Spanish-language title of both book and film, El Olvido Que Seremos (“Forgotten We’ll Be”), more literally catches the mood of the writer’s tribute to his father, Héctor Abad Gómez, a doctor and prominent social reformer who was murdered by paramilitaries in his native town of Medellin in 1987.The writer realised that, two decades after his father’s death, his achievements were starting to be forgotten, even in close Read more ...
Sarah Kent
It’s a dog’s life, this lockdown; if only I could meet my friends whenever I want to and roam around freely without obeying these annoying restrictions! Stray is a documentary about the street dogs of Turkey in which film-maker Elizabeth Lo plays with our preconceptions about the relative merits of life as a dog and a person, especially now that our freedoms are being curtailed and our lives controlled more than ever.Shot mainly in Istanbul, her pavement-level view of the city suggests, in fact, that feral dogs may have something to teach us about freedom, choice and independence. For Read more ...
Matt Wolf
It can't be easy maintaining dignity when everyone in your vicinity is losing theirs. But that's the position in which the inimitable Judi Dench finds herself in Six Minutes to Midnight, a bewildering movie in which star and co-author, Eddie Izzard, spends a lot of time running hither and yon even as the film itself refuses to budge.Based on the tantalising existence of an English finishing school for daughters of German higher-ups and the like that shut its doors in 1939 just prior to England's entry into World War Two, the director Andy Goddard's quasi-thriller suggests The Read more ...
Graham Fuller
The late Weimar-era film Mädchen in Uniform (1931) was visionary – a delicate Queer love story set in a repressive girls’ boarding school that denounced the Prussian militarist creed as dehumanising. Like The Blue Angel (1930), another German early talkie classic in which sexual energy confronts authoritarianism, Leontine Sagan’s film contained intimations of Nazism. Foreshadowing the Hitler Youth, the schoolboys who unwittingly steer their complacently bourgeois master toward sexual humiliation and death in The Blue Angel have less corruptible counterparts in the daughters of poor Read more ...