DVD: The Sun in a Net

Striking 1962 Slovak pic ushered in Czech New Wave

There’s black-and-white style aplenty in Štefan Uher’s The Sun in a Net, an elliptical look at a youthful boy-girl relationship that intermingles with a whole range of themes left open for the viewer’s interpretation. Heralding the better-known Czech New Wave and rather ignored in the aftermath of that movement, it earned opposition from the authorities in its time, but impresses today for its filmic rather than social edginess.

It’s a story of young lovers and their families: Fayolo (Marián Bielik) and Bela (Jana Beláková) meet on the roof of their Bratislava apartment block, both to sunbathe and wait for a solar eclipse (duly interpreted in a negative light by the Communists). Light itself is an element that features symbolically in a film that touches on sight and blindness: Bela’s mother is blind, playing hauntingly with overtones of Bergman (actress Eliška Nosáľová, pictured below right), while the main younger characters are discovering carefree life more à-la Truffaut.

When Fayolo volunteers for the summer harvest camp, not least to redeem his father’s status with the authorities, he enters a new relationship, as does Bela back in the city. You might expect the harvesting scenes to have their own Socialist Realist attractions, but actually the collective farm is run down (a depiction that earned official disapproval), and the main interest to be found is in the faces of the locals, duly recorded by Fayolo, who’s an obsessive photographer with a particular fascination with hands.

Uher, who was allowed to go on making films in the period of normalisation that followed 1968, began in documentaries, but out of this apparently simple story from writer Alfonz Bednár, he weaved a film of real nuance and complexity. Cinematography by Stanislav Szomolányi is as inventive as anything being shot in Europe at the time, while Rudolf Pavlichek’s sound score impresses even more. This Second Run release comes in a superbly crisp restored version, with an extra interview with, appropriately, Peter Strickland of Berberian Sound Studio fame.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
It earned opposition from the authorities in its time, but impresses today for its filmic rather than social edginess

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

The actor resurfaces in a moody, assured film about a man lost in a wood
Clint Bentley creates a mini history of cultural change through the life of a logger in Idaho
A magnetic Jennifer Lawrence dominates Lynne Ramsay's dark psychological drama
Emma Stone and Jesse Plemons excel in a marvellously deranged black comedy
The independent filmmaker discusses her intimate heist movie
Down-and-out in rural Oregon: Kelly Reichardt's third feature packs a huge punch
Josh O'Connor is perfect casting as a cocky middle-class American adrift in the 1970s
Sundance winner chronicles a death that should have been prevented
Love twinkles in the gloom of Marcel Carné’s fogbound French poetic realist classic
Guillermo del Toro is fitfully inspired, but often lost in long-held ambitions
New films from Park Chan-wook, Gianfranco Rosi, François Ozon, Ildikó Enyedi and more