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Tom Birchenough

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Articles By Tom Birchenough

'We are bowled over!' Thank you for your messages of love and support

Friday, 14 November 2025 Read more...

Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force

Monday, 19 August 2024 Read more...

The Hot Wing King, National Theatre review - high kitchen-stove comedy, with sides of drama

Saturday, 20 July 2024 Read more...

Crossing review - a richly human journey of discovery

Saturday, 20 July 2024 Read more...

Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravado

Thursday, 23 May 2024 Read more...

Something in the Air, Jermyn Street Theatre review - evocative London mood music

Tuesday, 25 October 2022 Read more...

Meeting Gorbachev review - Werner Herzog offers a swansong tribute

Wednesday, 31 August 2022 Read more...

Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama

Monday, 27 June 2022 Read more...

Jitney, Old Vic review - a directorial delight

Saturday, 18 June 2022 Read more...

Lava, Soho Theatre review - silences, secrets and lies

Friday, 22 April 2022 Read more...

'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise

Monday, 11 April 2022 Read more...

The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls short

Wednesday, 06 April 2022 Read more...

Peggy For You, Hampstead Theatre review - comedic gold, and a splinter of ice, from Tamsin Greig

Tuesday, 21 December 2021 Read more...

Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight

Monday, 06 December 2021 Read more...

A Merchant of Venice, Playground Theatre review - Shylock supreme in a pared-down production

Thursday, 18 November 2021 Read more...

'Night, Mother, Hampstead Theatre review - despair in sotto-voce

Tuesday, 02 November 2021 Read more...

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latest in today

'We are bowled over!' Thank you for your messages... ...
Hedda, Orange Tree Theatre review - a monument reimagined, p...

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film...

The Assembled Parties, Hampstead review - a rarity, a well-m...

There’s a line in the late Richard Greenberg’s 2013 play that refers to a recently elected showbiz type turned politician who sports...

theartsdesk Q&A: director Stefano Sollima on the relevan...

In his celebrated TV-series Gomorrah (based on the bestseller of the same name by author Roberto Saviano) Italian director...

Blu-ray: Wendy and Lucy

Wendy and Lucy is a road movie with a...

The Monster of Florence, Netflix review - dramatisation of n...

The problem with making...

Music Reissues Weekly: Joe Meek - A Curious Mind

A curious mind, indeed. Outer space, and what may be there. Communicating with those in the hereafter. Spooks, vampires and other horror film...

Bizet in 150th anniversary year: rich and rare French offeri...

Georges Bizet was born on this day in 1838. He died at the tragically early age of 36, 150 years ago, and the anniversary year has brought forth...

Pop Will Eat Itself, O2 Institute, Birmingham review - Poppi...

As the Poppies’ set at Birmingham’s O2 Academy drew to an end on Friday night, co-vocalist Mary Byker barked into his microphone: “Reform is on...

Janine Harouni, Soho Theatre review - families and surviving...

Write about what you know, they say. And just as her previous show was about imminent motherhood (she performed the show while heavily...