fri 26/09/2025

Tom Birchenough

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Articles By Tom Birchenough

'We are bowled over!' Thank you for your messages of love and support

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Antony and Cleopatra, Shakespeare's Globe review - Egypt in sign language, Rome in pale force

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The Hot Wing King, National Theatre review - high kitchen-stove comedy, with sides of drama

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Crossing review - a richly human journey of discovery

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Richard III, Shakespeare's Globe review - Michelle Terry riffs with punk bravado

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Something in the Air, Jermyn Street Theatre review - evocative London mood music

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Meeting Gorbachev review - Werner Herzog offers a swansong tribute

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Mad House, Ambassadors Theatre review - David Harbour is magnificent in Theresa Rebeck's family drama

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Jitney, Old Vic review - a directorial delight

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Lava, Soho Theatre review - silences, secrets and lies

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'Daddy' A Melodrama, Almeida Theatre review - production exuberance carries a new play of promise

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The Fever Syndrome, Hampstead Theatre review - ambitious family drama falls short

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Peggy For You, Hampstead Theatre review - comedic gold, and a splinter of ice, from Tamsin Greig

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Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight

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A Merchant of Venice, Playground Theatre review - Shylock supreme in a pared-down production

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'Night, Mother, Hampstead Theatre review - despair in sotto-voce

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One of the great moments of Private Eye magazine’s fustiness in recent years was putting Mariah Carey in Pseud’s Corner, for the quote about how...

Entertaining Mr Sloane, Young Vic review - funny, flawed but...

Playwright Joe Orton was a merry prankster. His main work – such as Loot (1965) and What the Butler Saw...

Helleur-Simcock, Hallé, Wong, Bridgewater Hall, Manchester r...

Rachel Helleur-Simcock’s first appearance with the Hallé after appointment as leader of its cello section was auspicious – she became the soloist...

Tosca, Royal Opera review - Ailyn Pérez steps in as the most...

Forget Anna Netrebko, if you ever gave the Russian Scarpia’s former cultural ambassador much thought (theartsdesk wouldn’t). It should be...

iD-Reloaded, Cirque Éloize, Marlowe Theatre, Canterbury revi...

It was the absence of performing animals that defined it in the 1980s, but contemporary...

Bacchae, National Theatre review - cheeky, uneven version of...

The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be...

Album: Solar Eyes - Live Freaky! Die Freaky!

Solar Eyes are an indie dance two-piece from Birmingham’s Hall Green. With a sound that binds together psychedelic guitars, foot stomping beats...

Slow Horses, Series 5, Apple TV+ review - terror, trauma and...

Fifth time around, Slow Horses continues to show the rest of the field a clean pair of heels. Or hooves. The adventures of Jackson Lamb (...