LFF 2013: Mystery Road

Ivan Sen's smouldering evocation of some shameful Australian history

share this article

Aaron Pedersen as Jay Swan: an Aboriginal Philip Marlowe?

Awful crimes are being committed in an Australian outback town: young girls murdered, and dumped in culverts. But what makes it worse for Aboriginal detective Jay Swan (Aaron Pedersen), newly returned to his small hometown from the city, is the barely coded and bare-faced racism he encounters, from his cop colleagues most of all; the sense that these girls, because they’re Aboriginal too, don’t matter. They’re just expendable pawns in bigger, evil games being played out in eerie countryside, and the parched streets of an Aboriginal part of town which looks like it’s been left in the sun to die.

Ivan Sen’s crime film builds its quietly angry grip on Pederson’s charismatic and watchful performance, which mixes masculine strength, loneliness and sheathed fury. He has a cowboy’s white hat and swagger. But as he doggedly knocks on thin doors in his old community, he could be Philip Marlowe too, a knight walking down mean streets.

'Who are the wild dogs? The wild dogs are us'

Director Sen, previously known for social realist films, and writer, cinematographer, editor and composer here too, shows masterful command of genre. He frames the action in dramatic big country John Ford would envy, and peoples the frame with sharply drawn eccentrics, from Jack Thompson’s dog-mourning recluse to Hugo Weaving’s double-talking detective. Mystery Road has the evil, epic sweep of LA Confidential, but a grimmer grasp on reality, burning a long trail of TNT to a final, point-blank showdown.

The LFF screening I attended was made more memorable by the iconic Australian actor Jack Thompson’s Q&A afterwards. He explained the real crimes his Aboriginal writer-director was thinking of; why his film repeatedly passes a place called Massacre Creek, an unexceptional sort of name in Australia marking, Thompson said, “where we set out to eliminate these people.” Most powerfully, someone from the town where Mystery Road is set stood up to tell “Jack” (the right familiarity for a man every Australian has grown up watching) that he had Aboriginal schoolmates. Then one day, he didn’t. The Stolen Generation, spirited away. “Who are the wild dogs?” Thompson asked, of animals repeatedly mentioned but never seen in Mystery Road. “The wild dogs are us.”

Add comment

The content of this field is kept private and will not be shown publicly.
'Mystery Road' has the evil, epic sweep of 'LA Confidential', but a grimmer grasp on reality

rating

4

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

Bob Odenkirk stars in a fast and furious Eastern Western
Lee Sang-il’s handling of this intriguing subject is conventional but compelling
Magnificent Czech coming-of-age epic, set in the dying days of World War Two
James Cameron co-directs a sometimes bland account of an important star and her fans
A teenage girl uncovers Spanish ghosts in a lyrical tribute to a lost generation
The 34-year-old actor drank a double dose of disorientation playing a man out of time in Mark Jenkin's ghost story
Top-tier Kurosawa melds visual beauty with moral clarity
... as well as Ridley Scott, Jacques Audiard, Julia Ducourneau and Charles Aznavour
A sleaze-free celebration of Michael Jackson before the fall
A fishing boat falls through time in Mark Jenkin's immersive, haunted tale
Messiaen’s 'Turangalîla' well played, but overwhelmed by a trivialising animation
Another Petzold heroine tries on a different identity in his latest mesmerising drama