The Way Way Back | reviews, news & interviews
The Way Way Back
The Way Way Back
A witty and perceptive coming-of-age story from the writers of The Descendants

Coming-of-age films have frequently featured inebriated antics and ill-advised hook-ups, but it's usually the teenagers behaving badly. The Way Way Back sees a family decamp to an East Coast beach house for a summer vacation described witheringly by one teen as "Spring Break for adults". The film is the directorial debut of Nat Faxon and Jim Rash (two of the Oscar-winning screenwriters of The Descendants), who also pen the excellent screenplay and take supporting roles.
Duncan (Liam James) is a painfully shy 14-year-old from Albany who hangs uncomfortably in his own skin and can't seem to shrink enough to avoid attracting attention. His adolescent's lot is compounded by the presence of his mother's boyfriend, Trent (Steve Carell, playing against type), a passive-aggressive bully with a daughter from a previous marriage, Steph (Zoe Levin). Though her taste in men is questionable, Duncan's mother Pam (Toni Collette) at least seems sweet. When this new, ill-fitting family arrive at Trent's summer house, they set down amongst regular holidaymakers Betty (a fantastically exuberant Allison Janney, pictured below right) and Kip and Joan (Rob Corddry and Amanda Peet).
 Although his initial interactions are resoundingly awkward, Duncan lucks out when he's befriended by the man-child manager of the Water Wizz Park, Owen (a reliably fizzy Sam Rockwell), who gives Duncan a job away from the judgemental stare of his soon-to-be-stepdad and the concerned glances of his mum. He's able to cut loose, bust some awful moves and find out who he really is. There's even a flicker of possible romance with Susanna (AnnaSophia Robb), Betty's slightly older daughter who she describes as "a walking mood".
Although his initial interactions are resoundingly awkward, Duncan lucks out when he's befriended by the man-child manager of the Water Wizz Park, Owen (a reliably fizzy Sam Rockwell), who gives Duncan a job away from the judgemental stare of his soon-to-be-stepdad and the concerned glances of his mum. He's able to cut loose, bust some awful moves and find out who he really is. There's even a flicker of possible romance with Susanna (AnnaSophia Robb), Betty's slightly older daughter who she describes as "a walking mood".
The Way Way Back is far from preachy but it doesn't shy away from showing the toll that the adults' hedonism takes on the kids and their own relationships. Betty might be a hoot but she's clearly a woman with issues - she relays her niece's rape as just another piece of thrilling gossip and makes her son Peter (River Alexander) wear an eye-patch so that he doesn't make others feel uncomfortable. Even Owen, the loveliest big kid of them all, is risking his relationship with colleague Caitlin (Maya Rudolph) by refusing to take his job - or indeed anything - seriously.
Faxon and Rash (better known to fans of TV's Community as Dean Pelton) penned the screenplay nearly a decade ago and in 2007 it appeared on the Black List - an annual poll of the best unproduced screenplays in Hollywood. It's nicely handled directorially but this is largely a triumph of terrific, primarily comedic writing which reaches its potential thanks to a precision-picked ensemble. The Way Way Back will appeal to those looking for Little Miss Sunshine-esque family dysfunction or Adventureland-style summer of discovery angst - there are elements that are familiar but it still feels as fresh and welcome as a summer's breeze.
rating
Explore topics
Share this article
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £49,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Film
 theartsdesk Q&A: director Kelly Reichardt on 'The Mastermind' and reliving the 1970s
  
  
    
      The independent filmmaker discusses her intimate heist movie
  
  
    
      theartsdesk Q&A: director Kelly Reichardt on 'The Mastermind' and reliving the 1970s
  
  
    
      The independent filmmaker discusses her intimate heist movie
  
     Blu-ray: Wendy and Lucy
  
  
    
      Down-and-out in rural Oregon: Kelly Reichardt's third feature packs a huge punch
  
  
    
      Blu-ray: Wendy and Lucy
  
  
    
      Down-and-out in rural Oregon: Kelly Reichardt's third feature packs a huge punch
  
     The Mastermind review - another slim but nourishing slice of Americana from Kelly Reichardt
  
  
    
      Josh O'Connor is perfect casting as a cocky middle-class American adrift in the 1970s
  
  
    
      The Mastermind review - another slim but nourishing slice of Americana from Kelly Reichardt
  
  
    
      Josh O'Connor is perfect casting as a cocky middle-class American adrift in the 1970s 
  
     Springsteen: Deliver Me From Nowhere review - the story of the Boss who isn't boss of his own head
  
  
    
      A brooding trip on the Bruce Springsteen highway of hard knocks
  
  
    
      Springsteen: Deliver Me From Nowhere review - the story of the Boss who isn't boss of his own head
  
  
    
      A brooding trip on the Bruce Springsteen highway of hard knocks
  
     The Perfect Neighbor, Netflix review - Florida found-footage documentary is a harrowing watch
  
  
    
      Sundance winner chronicles a death that should have been prevented
  
  
    
      The Perfect Neighbor, Netflix review - Florida found-footage documentary is a harrowing watch
  
  
    
      Sundance winner chronicles a death that should have been prevented
  
     Blu-ray: Le Quai des Brumes 
  
  
    
      Love twinkles in the gloom of Marcel Carné’s fogbound French poetic realist classic
  
  
    
      Blu-ray: Le Quai des Brumes 
  
  
    
      Love twinkles in the gloom of Marcel Carné’s fogbound French poetic realist classic
  
     Frankenstein review - the Prometheus of the charnel house
  
  
    
      Guillermo del Toro is fitfully inspired, but often lost in long-held ambitions
  
  
    
      Frankenstein review - the Prometheus of the charnel house
  
  
    
      Guillermo del Toro is fitfully inspired, but often lost in long-held ambitions
  
     London Film Festival 2025 - a Korean masterclass in black comedy and a Camus classic effectively realised
  
  
    
      New films from Park Chan-wook, Gianfranco Rosi, François Ozon, Ildikó Enyedi and more
  
  
    
      London Film Festival 2025 - a Korean masterclass in black comedy and a Camus classic effectively realised
  
  
    
      New films from Park Chan-wook, Gianfranco Rosi, François Ozon, Ildikó Enyedi and more
  
     After the Hunt review - muddled #MeToo provocation 
  
  
    
      Julia Roberts excels despite misfiring drama
  
  
    
      After the Hunt review - muddled #MeToo provocation 
  
  
    
      Julia Roberts excels despite misfiring drama
  
     London Film Festival 2025 - Bradley Cooper channels John Bishop, the Boss goes to Nebraska, and a French pandemic 
  
  
    
      ... not to mention Kristen Stewart's directing debut and a punchy prison drama
  
  
    
      London Film Festival 2025 - Bradley Cooper channels John Bishop, the Boss goes to Nebraska, and a French pandemic 
  
  
    
      ... not to mention Kristen Stewart's directing debut and a punchy prison drama
  
     Ballad of a Small Player review - Colin Farrell's all in as a gambler down on his luck
  
  
    
      Conclave director Edward Berger swaps the Vatican for Asia's sin city
  
  
    
      Ballad of a Small Player review - Colin Farrell's all in as a gambler down on his luck
  
  
    
      Conclave director Edward Berger swaps the Vatican for Asia's sin city
  
     London Film Festival 2025 - from paranoia in Brazil and Iran, to light relief in New York and Tuscany 
  
  
    
      'Jay Kelly' disappoints, 'It Was Just an Accident' doesn't
  
  
    
      London Film Festival 2025 - from paranoia in Brazil and Iran, to light relief in New York and Tuscany 
  
  
    
      'Jay Kelly' disappoints, 'It Was Just an Accident' doesn't
  
    
Add comment