Classical music
Nico Muhly
Writing for two pianos is something that – until last year – I had not attempted. I was contacted by Katya Apekisheva and Charles Owen, two pianists who have performed as a duo for many years, asking me to compose a duet for them to perform at the inaugural London Piano Festival. I met Charles back in 2014 when he performed my pieces A Hudson Cycle and Fast Stuff in New York. Time constraints led me to restructure and rewrite an existing piece in my portfolio, Fast Cycles, which I wrote for the late John Scott. Writing for two pianos was easy, as I know a Read more ...
Peter Culshaw
We’re in Gdańsk for the launch of the I, Culture Orchestra (sounds like an Apple product, someone points out). The new outfit has Sir Neville Marriner as guest conductor, at 87, still on sparkling form. The orchestra has brought together young musicians from across Eastern Europe “to encourage better cultural understanding” between Poland, Belarus, Ukraine, Moldova, Georgia, Armenia and Azerbaijan. New music specialist Pavel Kotla is the artistic director and co-conductor (pictured below, with Sir Neville) – he has championed works by the likes of Charlotte Bray and Ian Vine as part Read more ...
graham.rickson
Berlioz: Symphonie Fantastique, Rameau: Suite de Hippolyte et Aricie Swedish Radio Symphony Orchestra/Daniel Harding (Harmonia Mundi)This is my new favourite Symphonie Fantastique on modern instruments, and it should be yours too. Daniel Harding doesn’t smooth over the music’s rougher edges. Bass trombone pedals blast out with refreshing inhibition, and the ball scene’s four harps are especially telling. Everything sounds superb (sample the church bell in the last movement), and Harding knits everything together with an impressive sureness of intent. A glance at the track timings shows that Read more ...
Helen Wallace
The Symphony of Psalms, which ended the Philharmonia’s Stravinsky series last night, is an indelible masterpiece, silencing the tired but persistent accusation that Stravinsky’s music is clever but cold. Abstract it may be, but suffused with an exile’s deep longing, spritual hope rising in harmonies of heart-stopping consolation until that final, revelatory C major chord. This performance (with three Swedish choirs) was of focused beauty and searing sincerity; I have never heard better. Its radical scoring sounded afresh, while spine-tingling intonation and conductor Esa-Pekka Salonen’s Read more ...
David Kettle
One of two Danish Thomases at the head of BBC bands (compatriot Thomas Søndergård is at the helm of the BBC National Orchestra of Wales), Thomas Dausgaard joins the Glasgow-based BBC Scottish Symphony Orchestra as chief conductor this season.Dausgaard follows in the rather illustrious footsteps of Donald Runnicles (who becomes the Orchestra's conductor emeritus), and joins a high-flying team of Ilan Volkov as principal guest and composer-conductor Matthias Pintscher as artist-in-association.Runnicles has left, as they say, big shoes to fill. But Dausgaard is out to make his mark with a Read more ...
Glyn Môn Hughes
The new season at the Royal Liverpool Philharmonic is focusing on revolutionaries. Bach, Beethoven and Berlioz all feature strongly over the next few months, as will Stravinsky and – where else but Liverpool? – The Beatles.The RLPO has another reason to celebrate, too. It’s 10 years since Vasily Petrenko took up the baton as chief conductor of the orchestra and much has changed in that decade, not least the edgily confident way in which Petrenko and the RLPO explore the repertoire. The start of the 11th season with Petrenko at the helm presented audiences with something of a marathon: all Read more ...
Sebastian Scotney
This year, Valery Gergiev is marking the Prokofiev 125th anniversary with concerts and projects in no fewer than 17 countries. Yet much of last night’s concert, the first of a three-night stint in London, made this whole endeavour feel more like a duty than either an imperative – or a pleasure. The buzz that was around in London concerning the Mariinsky (then the Kirov) in the mid-Nineties, when they dazzled audiences in unfamiliar repertoire, has long gone. Gergiev himself is now very familiar indeed: he'll be popping back here within two months to conduct Prokofiev again, with the LSO Read more ...
David Nice
Stravinsky's music, chameleonic yet always itself, offers so many lines of thought. One struck me immediately with the descending, even harp notes and tender, veiled strings at the start of his 1947 ballet Orpheus last night: the inexorable beat of time is so often pitted against an expressive, human voice. Esa-Pekka Salonen, who started out as a rhythm and textures man, now gets the humanity too. This triptych of three Greek myths startlingly revisited offered other dualities, giving him and the Philharmonia the chance to move constantly between heaven, hell and somewhere in between.It’s the Read more ...
Steven Isserlis
All musicians have particular musical passions, composers, styles or genres to which they are irresistibly drawn. I have many – almost too many at times; but among the most enduring is my love for the music, writing and personality of Robert Schumann. Another important aspect of my musical life – another passion, in fact - is the work I get to do with young musicians.Writing (co-writing) this book has given me an opportunity to combine these passions/pleasures, by taking Schumann’s own invaluable advice for the young musicians of his day, and updating it in order to render it more accessible Read more ...
David Kettle
It’s just a short trip down the A1 from Edinburgh. But East Lothian – with its big skies, wide-open spaces, empty beaches and seemingly inexhaustable supply of quaint, historic villages – feels like a long, long way from the Scottish capital. Especially from the heaving, hectic Edinburgh of the August festivals season – which East Lothian’s Lammermuir Festival follows by just a couple of weeks, managing to maintain the momentum of artistic endeavour, but also providing a far more reflective, considered antidote.The East Lothian festival takes its name from the surprisingly wild Lammermuir Read more ...
Gavin Dixon
Vladimir Jurowski began his latest season as Principal Conductor of the London Philharmonic with a typically bold and adventurous programme. At its core were the two Szymanowski violin concertos performed by Nicola Benedetti, and these were framed by Debussy’s Prélude à l'après-midi d'un faune and Bartók’s The Miraculous Mandarin Suite. The two concertos are stylistically distinct, the First impressionistic, the Second folk-influenced, so the pairings were apt. As ever, Jurowski delivered supple, well-crafted performances, and Benedetti shone, but the Read more ...
graham.rickson
Copland: Orchestral Works Volume 2 Jonathan Scott (organ),BBC Philharmonic Orchestra/John Wilson (Chandos)This disc is a welcome reminder that Aaron Copland’s populist, diatonic ballet scores only tell half the story; the early and late stages in his career contain music which is far less ingratiating. Pieces like the Symphony for Organ and Orchestra, first performed in 1925 and the source of a much-repeated quote from conductor Walter Damrosch that if Copland could write a piece like this aged 23, “within five years he will be ready to commit murder!” It isn’t an organ concerto, the Read more ...