Classical music
Miranda Heggie
Songs of Wars I Have Seen is an hour-long through=composed work by contemporary German composer Heiner Goebbels which combines the music of 17th century composer Matthew Locke, the text from the wartime diaries of American Jewish writer Gertude Stein and Goebbels’s own ingenious musical and dramatic ideas.First commissioned by the Southbank Centre and premiered in 2007, the work in this Scottish outing is a collaboration between the Royal Scottish National Orchestra and Baroque ensemble Dunedin Consort, with players from both on stage. The composer’s direction is that women are at the front Read more ...
David Lang
I wouldn’t say that I am super religious, but I am definitely religion-curious. It is a big part of my family background, and, to be honest, a big part of the history of my chosen field, Western classical music. For the past 1000 years, the church has been the most powerful commissioner of Western music, and its most active employer of musicians.Because of this, much of our foundational repertoire is explicitly on the subject of how music helps a listener get in the mood for a religious experience. And that is interesting to me.Music and religion are intertwined, not just because of Read more ...
David Nice
Poetry came an honourable second to sharp rhythms and lurid definition in this choreographic poem of a concert. You don’t get more tumultuous applause after an opener than with Ravel’s La Valse played like this. Vienna may have nearly collapsed after World War One, but the Scheherazade of Fazil Say’s 1001 Nights Violin Concerto lives to see a bright dawn, and Rachmaninov cries “Alliluya’ to whirling demons in his swansong Symphonic Dances.Once again, there’s no doubt that the London Symphony Orchestra has made the right choice in Antonio Pappano, this season titled its Music Director Read more ...
Robert Beale
Ben Gernon’s relationship with the BBC Philharmonic has been a richly rewarding one over the close-on seven years since his appointment as their principal guest conductor began, and indeed subsequently. The impression gained on his first Bridgewater Hall concert with them back in 2017 – that one of his instincts is to give an orchestra what it needs and then let the players do what they do best – was again clear in this programme of popular repertoire works which he took over from an indisposed Mark Wigglesworth.And as a brass player himself by background, he takes some care over the Read more ...
David Nice
Promising on paper, dazzling in practice: with a superlative soloist and conductor, this programme just soared on wings of philosophy-into-music. The spotlighting of NSO co-leader Elaine Clark provided another thread, from the opening chant of Linda Buckley‘s Fall Approaches through the keen dialogues with collegial Baiba Skride in Bernstein’s dazzling Serenade to the Viennese-waltz Dance Song of Strauss’s Also sprach Zarathustra.Clark's fellow strings joined her – the violinist pictured below – in a flight brilliantly marshalled and focused by Diego Matheuz, due to conduct next Friday's Read more ...
Bernard Hughes
If there’s a better name for a vocal group than Roomful of Teeth I have yet to come across it. But if it conjures up images of brash, in-your-face showbiz the reality couldn’t be more different.This hip Grammy-winning American ensemble bill themselves as a “band” and their pieces as “tunes” – although there are precious few conventional tunes in their repertoire – and present themselves in a low-key, un-histrionic manner, setting out to “mine the expressive potential of the human voice” through largely self-commissioned music.At Milton Court on Saturday their repertoire included music by Read more ...
Miranda Heggie
In a fusion of musical traditions both eastern and western, old and new, Scottish Ensemble were joined by virtuoso sitarist and composer Jasdeep Singh Degun for an evocative performance of Degun’s own work plus reimagined music by Terry Riley and Hildegard von Bingen at Edinburgh’s Queen’s Hall.Opening with Veer, from Degun’s 2022 album Anomaly, Degun’s sitar playing is instantly arresting, against a pulsating pedal from the lower strings. As the piece progresses, pizzicato strings create unexpected harmonies and the work progresses through interesting tonal shifts. The musical metamorphosis Read more ...
Robert Beale
Continuing the retrospective aspect of his final season as music director of the Hallé, Sir Mark Elder returned last night to Ravel’s Daphnis et Chloé, the work with which he opened the orchestra’s 2014-15 Manchester series to such memorable effect.That was the fulfilment of a long-held ambition, he said at the time, and, with the Hallé Choir joining the orchestra for the performance of this “choreographic symphony”, it was no doubt equally satisfying to bring it back in all its glory.But the invigorating exploration of orchestral repertoire that has marked his time with the Hallé was present Read more ...
Robert Beale
The Basel Chamber Orchestra’s 21 string players on tour are an extraordinary set of musicians. Not only did they begin their programme in Manchester with Vaughan Williams’ Fantasia on a Theme by Thomas Tallis, requiring at times one-to-a-part playing to accomplish its multi-voice textures, but eight of them put down their instruments and transformed into a choir for the piece that followed.That was for Heinz Holliger’s Eisblumen, written for seven strings plus four vocal parts: Bach’s chorale “Komm, O Tod” is heard beneath the very un-Bachian string writing. It was realised with delicacy and Read more ...
Robert Beale
The opening concert of a new season often tends to be a statement of intent, and this was John Storgårds’ opener of the first full season since he was appointed chief conductor of the BBC Philharmonic. He’s hardly a newcomer to them, though, since he has been principal guest conductor (latterly chief guest) for nearly 12 years now. The mutual respect and trust are clear.This programme, however, began with a fanfare and continued with something rich and something rare (not in that order).The fanfare was in Janáček’s Sinfonietta, not unfamiliar as a piece to make an impression with (it’s coming Read more ...
Bernard Hughes
It was great to see Kings Place full on Saturday night for I Fagiolini’s take on the Monteverdi Vespers, added, rock’n’roll style, as an “additional date due to public demand” after the Friday show sold out. And it was superb. Hearing the Vespers, often sung by a large choir, here performed by small forces (including the period instruments of the English Cornett and Sackbut Ensemble) in the clean acoustic of Hall One was completely engrossing, and I can’t remember when I last experienced time passing so fast in a concert.The Vespers were published in 1610, possibly a calling-card in a bid by Read more ...
graham.rickson
Grażyna Bacewicz: Piano Concerto, Concerto for Two Pianos, Music for Strings, Trumpets and Percussion Peter Jablonski, Elisabeth Brauß (pianos), Finnish Radio Symphony Orchestra/Nicholas Collon (Ondine)Grażyna Bacewicz packed an incredible amount into her relatively short lifespan, and besides the composing, performing and teaching, she found time to study Hindu poetry and write four novels. The earliest piece in this anthology gives us a sense of her restless energy: the six-minute Overture composed in 1943 while Poland was under German occupation and premiered in September 1945. It’s Read more ...