Reviews
David Benedict
“Has it ever occurred to you that flippancy might cover a very real embarrassment?" Elyot's response to fulminating Victor is a line of defence – and since he has run off with Victor's wife Amanda he has a good deal of defending to do. But the line is also Coward’s statement of intent. It's a direction as to how Private Lives works and is the key to why it’s not just his funniest and finest play but one of the greatest in the language. Disobey it – as much of Jonathan Kent’s overheated Chichester Festival Theatre production does – at your peril.The delicious flippancy is the (relatively) easy Read more ...
aleks.sierz
The West End seems to be recession-proof, with rising profits, rising ticket prices and few empty theatres. But is this because commercial theatre is becoming increasingly formulaic? How about this for a recipe: take a tried and tested play by a national treasure, cast it with a celebrity or two and make sure that the evening is no great strain on the audience. Yes, that might work. But is this the case with this current revival of Ayckbourn’s thesp-fest?At first sight, perhaps. It stars EastEnders’s Nigel Harman plus the super-personable Rob Brydon and has a solid supporting cast, while the Read more ...
Mark Sanderson
At boarding school in the mid-1970s Matron – a grey-haired, sharp-beaked stick of a woman who put the fear of God into us – would often remark: “Remember, boys, always be polite to the lower orders.” She was referring to the army of cleaning and kitchen staff who kept the lino lethally polished and our stomachs full of stodge. It was as if the swinging Sixties had never happened. Even when the power was cut off during the winter of discontent there was always plenty of hired help to light the candles.Such archaic sentiment, even though the peasants have revolted, can still be found in leafy Read more ...
graham.rickson
Frank Bridge: Orchestral Works BBC National Orchestra of Wales/Richard Hickox (Chandos)Frank Bridge’s reputation has endured through the advocacy of his most famous pupil, Benjamin Britten. Britten revived several of Bridge’s large scale works in the 1960s and even credited his teacher with inspiring his own pacifist sentiments. So you’re curious as to whether Bridge’s music would have endured at all without the Britten connection. Listening to this comprehensive Chandos set, Bridge’s position as a shadowy transitional figure comes into sharper focus, the early Edwardiana yielding to a Read more ...
Thomas H. Green
There they are! It's The Beach Boys! They're playing "Wouldn't It Be Nice", halfway through their second set of the evening and it blossoms with harmonic beauty, with pop's finest, most glorious ambition. Sure, in the shadows behind them there are a bunch of session musicians carrying them. Particularly in the first half those guys made damn sure there was such a wall of vocals it would be hard to detect any flaws in the ageing voices (mostly around 70) of the original Beach Boys.Now, however, they're in their stride. They may be relics from another era but it's hard to over-estimate the Read more ...
sheila.johnston
Never quite at the top of the Shakespearean canon, Much Ado About Nothing now seems more vital and adaptable than ever – and vastly darker than, say, Kenneth Branagh’s sun-kissed screen romp acknowledged back in 1993. The cult director Joss Whedon unveiled his low-budget, film noir version earlier this month at the Toronto Film Festival to rave reviews.Meanwhile Iqbal Khan’s new stage production set in contemporary Delhi underlines the sexual anxiety coursing through the play beneath the frothy surface: the obsessive references to cuckoldry, the fear of female infidelity and the fine line Read more ...
bruce.dessau
Now I think I've seen it all. After a storming two-hour set Ultravox returned to the stage for a celebratory twin-pronged past-meets-present encore of "Dancing with Tears in My Eyes" and "Contact". At the very end, during a touching, soft-spoken moment, a female fan in an animal mask clambered onstage and appeared to drop a bowl of greeny-yellow gunk, possibly custard, on Midge Ure's head. The woman was bundled off and a towel cleaned up the dapper vocalist, but the crude incident was in breathtakingly stark contrast to the glistening gig that had preceded it.Ultravox was always an intriguing Read more ...
Marina Vaizey
On the evidence of this Serpentine exhibition of huge sculptures, small sculptures, photographs, drawings, watercolours and prints, the German artist Thomas Schütte is obsessed, but obsessed, with faces. It is billed as the first show to focus entirely on his portraiture, of himself, his friends, and from the imagination. And the focus helps the visitor to grasp how playfully serious – or seriously playful – the artist is. He shows us he can do any idiom in various media. He can distort representation making faces almost unbearably malleable. Are these people menacing, sneering, Read more ...
stephen.walsh
Samuel Johnson’s description of opera as an exotic and irrational entertainment might well have been written after a performance of Borodin’s Prince Igor, give or take a hundred years or so. Of all great operas – and it is one – this must be one of the most colourful and most confused. Which is no doubt why it is very seldom staged, and why I thought it worthwhile to go to Hamburg to catch up with David Pountney’s new production at the Staatsoper in the city of Brahms, who was born in the same year as Borodin and never even tried to write an opera. Borodin, by contrast, tried for 18 years, Read more ...
Helen K Parker
It’s been a good month for lovers of bootylicious action games, where the swag is plentiful and the guns are ridiculous. With its novel Grindhouse aesthetic, Borderlands 2 comes hot on the heels of last week’s similarly loot-obsessed Torchlight II, replacing that game’s swords and skeletons with sniper rifles and caterwauling midgets. It also has one of the best, most stylish opening sequences I’ve seen in a game for a long time.Lured by the call of the charismatic and treacherous Handsome Jack, your character (be it the weapon-obsessed Gunzerker, the sneaky Assassin, the magical Siren or the Read more ...
Jasper Rees
Mostly thanks to Armando Iannucci, we are currently spoilt for political satire. Between the two of them Veep and The Thick of It have Westminster and Washington running for cover: to use that gratingly pious phrase, they speak truth to power. One behemoth that Iannucci has yet to bring down is the befuddling, clusterfucked idiocy of the American electoral machine. Its cynicism has lately been exposed in George Clooney’s The Ides of March, but that was about a candidate for the Democrat presidential nomination who was too good to be true. What of Republicans lower down the pecking order?Step Read more ...
David Nice
Dissatisfied housewives who eventually stand by their men joined jewelled hands in a divine evening of operatic decadence. Suppressed Bianca all but steps over the body of her strangled lover to get at the muscles of her killer husband in Zemlinsky’s A Florentine Tragedy, taking its cue from the deep purple imagery of Oscar Wilde’s story. And in Richard Strauss’s Die Frau ohne Schatten (The Woman without a Shadow), the Dyer’s Wife readily gives up her dreams of sacrificing motherhood and taking up with a fantasy toyboy when domestic violence looms. Dodgy premises both, and unlikely subjects Read more ...