20th century
How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedy
Gary Naylor
It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs dry up. When it comes to humour, as is the case with mothers, it’s each to their own.It’s an unusual production right from the off when the playwright, who is also a main character, is also acting himself too – but not entirely, as there’s a pre-teen and post-teen version of him too, played by different actors. Got all that? When you add his Read more ...
Sarah Kent
The Bloomsbury group’s habit of non-binary bed-hopping has frequently attracted more attention than the artworks they produced. But in their Vanessa Bell retrospective, the MK Gallery has steered blissfully clear of salacious tittle tattle. Thankfully, this allows one to focus on Bell’s paintings and designs rather than her complicated domestic life.The first picture you encounter was painted during a family holiday in Cornwall and dates back to 1900, the year before Bell became a student at the Royal Academy. Two thatched cottages cling to a steep slope by the sea. Punctuated only by the Read more ...
Robert Beale
Of all the inventive and enterprising things Manchester Collective do, it’s most often been the playing of a string ensemble led from first desk by Rakhi Singh that’s been the most fundamentally rewarding.Last night’s concert was further confirmation of that. The formula for other outfits to introduce new music has often been three (or four) standards, with one novelty sandwiched in, on the spoonful-of-sugar principle. The Collective do it differently: they give you three or four novelties, with one standard inserted for recognizability. And in this case the standard (Tchaikovsky’s Serenade Read more ...
Gary Naylor
Merchant bankers then eh? It’s not a slang term of abuse for nothing, as the middlemen collecting the crumbs off the cake (in Sherman McCoy’’s analogy from The Bonfire of the Vanities) have a reputation for living high on the hog off the ideas and industry of others. They’re the typess who might work as a subject for a cynical musical, but in a straight drama?Stefano Massini's play, adapted by Ben Power, never quite loses that vacuum at its centre, as it tells the story of The American Dream for the umpteenth time, sidestepping some inconvenient truths (also for the umpteenth time), while Read more ...
French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-running
Gary Naylor
It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but still frothing, humourless defenders clogging up Twitter and radio phone-ins even today. So it’s probably timely for Gallic-Gang Productions to resurrect Jean (La Cage aux Folles) Poiret’s farce Fefe de Broadway, adapted as French Toast.It’s 1977 and English theatre director, Simon Monk (Ché Walker wearing Jeremy Clarkson’s hair and bearing the public schoolboy’s sense of entitlement), is down on his luck, needing a hit. He lands on a musical version Read more ...
Robert Beale
Two splendid pieces of orchestral virtuosity began and finished the second Saturday concert by the BBC Philharmonic under John Storgårds at the Bridgewater Hall. It was given the title of “Mischief and Magic”, an apt summary.For mischief we had Richard Strauss’s Till Eulenspiegel’s Merry Pranks, perhaps the most perfect of his orchestral tone poems in that it not only tells a story but is beautifully shaped and balanced as an extended classical rondo.The episodes were given their folklore-based descriptions by Strauss (“Through the market he rides”, “Dressed as a priest he oozes unction”, “ Read more ...
Sarah Kent
In September 1899, Claude Monet booked into a room at the Savoy Hotel. From there he had a good view of Waterloo Bridge and the south bank beyond. Setting up his easel on a balcony, he began a series of paintings of the river and the buildings on its banks. So entranced was he by the river that, over the next three years, he came back twice to continue working on a series that would mushroom to over 100 canvases.Waterloo Bridge, Overcast 1903 (main picture) shows the bridge packed with pedestrians and horse-drawn, double decker buses picked out in flicks of yellow and red. Making their way Read more ...
Jack Barron
Last year, Wendy Cope’s poem, "The Orange", went viral on TikTok. I’m not totally certain how a poem goes viral, but it did – and there’s nothing we can do about it.In fact, Faber & Faber actively did something about it and released a selection of Cope’s poems in a slim, transportable volume: perfect commuter fodder. It turns out that this was the beginning of a series, and we now have a similarly slim and comparably portable selection of Stevie Smith poems, gathered under the title of her most well-known work, Not Waving But Drowning.Of course, we only have two in the series so far, but Read more ...
Gary Naylor
The clue is in the title – not Then in America or Over There in America or even a more apposite, if more misleading, Now in America, but an urgent, pin you to the wall and stick a finger in your face, Here in America.Pre-Trump 2.0, David Edgar’s new play tells us (at least twice, Edgar not shy of driving home a point) that we can learn from past trauma in order to guide current behaviour. So, 300 million+ Americans are to draw on Stanislavski's Method in the polling booths come November?The memories Edgar conjures are from the 1950s, when the House Un-American Activities Committee went Read more ...
Robert Beale
The first piece by Grace-Evangeline Mason I heard was six years ago, a simple song in a multi-composer “Manchester Peace Song Cycle” performed at the Royal Northern College of Music when she was studying there.It was striking because of its eloquent melody and evocation of child-like joy. Subsequent experience has confirmed the impression that she writes music that immediately communicates, that is often about something, rather than abstract (and she’s not afraid to tell us that), and that it does what it says on the tin.Her ABLAZE THE MOON, premiered by the BBC Philharmonic in the 2023 Read more ...
Gary Naylor
Iconic is a word the meaning of which is moving from the religious world into popular culture – win a reality TV show dressed as a teapot, and you can be sure that your 15 minutes of fame will be labelled iconic across social media. Not quite what Andrei Rublev had in mind 600 years ago.That said, few would deny that descriptor to the London Underground Map, not just a highly effective tool to navigate an ever-more complicated city, but perhaps the symbol of the metropolis. For something so ubiquitous and so useful, it is a surprisingly abstract work, owing more to Mondrian than Mercator Read more ...
Robert Beale
A little piece of musical history was made last night at Manchester Chamber Concerts Society’s season-opening concert. Two of the greatest pianists of their generation, who met at the Royal Northern College of Music, celebrated the 50th anniversary of their first collaboration there. Peter Donohoe and Martin Roscoe played duets for two pianos: they’ve done it throughout their careers, and in Donohoe’s case with other celebrated partners. But there was a special chemistry between the two old friends that made for a magical evening.Their first appearance on the same platform was actually Read more ...