comedians
Adam Sweeting
“I’ve remained a vital presence on the fringes of TV Land,” argues Alan Partridge in an interview with Radio Times, the man whose latest claim to… well, not fame, but at least he has been presenting Mid Morning Matters on North Norfolk Digital. For this new series, Partridge has been hauled out of the low-rent regional twilight zone where somebody called Jenny does the station’s accounts in an exercise book to provide sickness cover on the anodyne BBC TV magazine show, This Time.On the This Time sofa he’s joined by Jennie Gresham (Susannah Fielding), who keeps the show rolling along with a Read more ...
Owen Richards
Oh I do like to be beside the seaside – well perhaps not, if Jellyfish is anything to go by. Set in Margate, this independent feature paints a picture of a town and people that have been left behind. Cut from the same cloth as Ken Loach’s I, Daniel Blake, it tells the story of Sarah (Liv Hill), a young carer barely able to balance school, work and her homelife. Told with heart and nuanced performances, Jellyfish makes the most of its modest budget.Sarah is crushed with responsibility, juggling classes with looking after her two younger siblings and a part-time job at the local arcades. Mum Read more ...
Veronica Lee
The first line of this show is “I'm the guy who you meet right after you come out of a long-term relationship.” On the night I see The Guy Who..., Adam Riches has three tries with it before he meets his target, a woman who has been dumped by a long-standing boyfriend.His character, whose name we never learn, is reading the Sunday papers – “the physical edition!” – with reading glasses placed artistically in his mouth as he ponders what he has just read, while we take our seats in this funky bar in King's Cross. He's super woke, super cool and super suave. But he's also super dangerous.He Read more ...
Markie Robson-Scott
If you’ve ever had an argument with a neighbour, watch Under the Tree and take notes. This mesmerising story of a dispute over a tree blocking the sun in a next-door garden is based, says Icelandic director Hafsteinn Gunnar Sigurðsson, on an actual domestic conflict, though surely one with less cataclysmic consequences. But trees are relatively rare in Iceland and the summer is short, so too much shade is no laughing matter.Although billed as a suburban satire, the film is much darker and more complex than that, with death, loss, sex and broken relationships examined with a dispassionate wit Read more ...
Owen Richards
There’s no one right way to grieve. It cuts through everyone differently, whether reverting to childhood traits or out-of-character impulses. The person you lose might mean one thing to you, and something completely different to someone else; it can hit you both differently, and equally hard. In Sky Atlantic’s new import Kidding, Jim Carrey blurs the line between reality and fiction as his character Mr. Pickles deals with bereavement the only way he knows how: through television.Mr. Jeff Pickles is a TV national treasure, a cross between Mr. Rogers and Sesame Street. For 30 years, he and his Read more ...
Thomas H. Green
Life has sped up so, so much in the 82 years since My Man Godfrey appeared. The narrative pacing of many Hollywood films from that era seems painfully slow to modern viewers. My Man Godfrey, on the other hand, watched here in the company of a 15-year-old, has not lost a jot of its wild pacing, or indeed its zany vitality and arch commentary on economic disparity (the latter especially welcome as society increasingly gears itself towards ensuring the rich become more so while the rest of us flail).It was a big hit at the time, nominated for six Oscars, including all the acting ones (although Read more ...
David Kettle
 Coriolanus Vanishes ★★★★ Writer and director David Leddy was himself the original solo performer in his Coriolanus Vanishes when it premiered in Glasgow in 2017. But in this powerful, visually stunning outing as part of the Traverse’s very strong festival programme this year, its actor is Irene Allan. It’s a change of gender that casts the work in an entirely new light (and in fact, you can’t help but imagine Leddy’s fragmented monologue from a male perspective), but one that simultaneously changes nothing.As with so much of his work, Leddy’s Coriolanus Vanishes dovetails the Read more ...
Katherine Waters
One space, one person, one story, one voice – the monologue is theatre distilled, the purest form of entertainment. On a stage of packing boxes and boards, over the course of just over an hour, Paterson Joseph relays and plays the life of Charles Ignatius Sancho, the first British man of African origin to vote.As befits any good piece of bombast set in the 18th century, The Author opens Act One. In actual fact, the author is Paterson Joseph himself, who, having written himself, performs himself – a fictionalised, larger-than-life, theatrical simulacrum. He explains, “Politics wasn’t Read more ...
Veronica Lee
For her past few shows, Sarah Kendall's stock in trade has been intricately crafted stories that mix fact and fiction, drawing on her childhood in Newcastle, New South Wales, and observations about the world she now lives in. Her latest show, One-Seventeen, continues in that vein, and this time she has threaded in some deeply personal material.The narrative moves back and forth between her childhood and her life today in south London as a married mother of two. Kendall tells us she's a mixture of her histrionic mother (whose cartoonish voice is superbly rendered here) and her scientist, facts Read more ...
Thomas H. Green
Gob Squad is a “seven-headed” Anglo-German arts collective who specialise in multimedia performance. Beginning in Nottingham in 1994 and now based in Berlin, their work ranges from site-specific to installation and film but, more recently, mainly theatre. They major in using technology to “make connections with places outside the theatre or to create different spaces inside the theatre where we can talk to the audience in quite intimate ways”. Recent works include War and Peace and My Square Lady. For the Brighton Festival they're presenting Gob Squad’s Creation (Pictures for Dorian), based Read more ...
Thomas H. Green
Seth Kriebel, 45, is a performer, much of whose work involves audience participation. He is bringing the show A House Repeated to the Brighton Festival 2018 between 6th and 11th May. Of American origin, born and raised near Philadelphia, Kriebel moved to the UK in 2001 and, over the last few years, has achieved increasing profile and success with shows such as Beowulf, The Unbuilt Room and We This Way.THOMAS H GREEN: Was your background in the States arts-orientated?SETH KRIEBEL: This is always difficult to try and contextualise for a British audience. Where I’m from is roughly equivalent to Read more ...
David Benedict
“What angel wakes me from my flowery bed?” Hang on a minute, Tytania, there are no flowers. Instead, as Britten’s ominously low strings slither and tremble up and down the scale, the curtain rises on a huge, near-acidic emerald green hilly slope lying against a seemingly fathomless International Klein Blue cyclorama broken only by a glowing crescent moon. Except it’s not just a hill: it’s also a giant bed; the perfect bed, in fact, in which to spend one wonderful midsummer’s night. This physical metaphor is both central to and typical of director Robert Carsen and designer Michael Levine’s Read more ...