France
Andrew Todd
The vast Avignon Festival is not a neatly curated sequence of works which can be experienced - like certain art biennales or the Proms - as if on a conveyor belt. There are 50 productions in the official “In” during three weeks, and more than a thousand shows - mostly dross - in the “Off” fringe. The festival’s directors - Vincent Baudriller and Hortense Archambault - are probably the only people to “get” the whole thing, but even they are bound to be surprised because some works evolve down to the wire (Romeo Castellucci’s presentation, for one, bears scant relation to his programme notes or Read more ...
igor.toronyilalic
How silly an armchair looks in the Royal Albert Hall - like a rubber duck floating in the Pacific. Yet how right it was for those behind this excellent semi- staged Proms performance of Debussy's Pelléas et Mélisande to try to recreate a bit of fin-de-siècle intimacy for this most intensely intimate of operas. And how appropriate also for there to be a couch on stage in a work that is, and has always been, a psychoanalyst's dream.But it wasn't just the furniture that suggested that we were being given entry to an interior world. Everything about the way this symbolist drama played Read more ...
Jasper Rees
Massive commercial success usually buys an actor the right to bring a pet project to fruition. The Artist had not yet conquered the planet when The Players was cooked up. But its release in the UK – simultaneously in cinemas and on DVD, which says it all – is of note mainly because it features Jean Dujardin. Teamed with Gilles Lellouche, the two stubbly middle-aged roués explore the corridors and back passages of playing away, French style.The film’s original title is less euphemistic: Les infidèles is an adultery palimpsest whose original French poster (pictured right) caused a storm in a PC Read more ...
Peter Culshaw
With Euro 2012 about to end and the Olympics looming, we'll be hearing an awful lot of national anthems over the next couple of months. Don't we all agree that the majority of them are inadequate - often being turgid tunes with no reference to the culture of the countries involved? Isn't it about time we had some alternatives? Here are a few suggestions.United KingdomAnthem: God Save the QueenThe obvious alternative for Team GB would be "Jerusalem". Athletes could also sing along to the stirring strains of "Anarchy in the UK" by the Sex Pistols. Another possibility was suggested by Read more ...
Kieron Tyler
Claude François doesn’t have the hipster cachet of Serge Gainsbourg, but he did lead an extraordinary life and died young. He also wrote “Comme d’habitude” which was Anglicised to become “My Way”. His live shows were spectacular, the women he married, dated and flirted with were striking, he had tax debts, a father who rejected him and his chosen career, and a mother addicted to gambling. It’s more than enough to fuel this two-and-a-half hour biopic.But Cloclo isn’t going to lead to an Anglophone embracing of François – universally known by the nickname Cloclo. However strong the image, his Read more ...
joe.muggs
It's a nervous beginning. This is the first ever presentation of the first proper album by one of the lynchpins of British underground music, and the soundsystem isn't right. Record label personnel and friends are flung across Paris to requisition new loudspeakers, while the invited audience drinks mojitos. After all this, it would be deeply embarrassing if the record turned out to be bad.Spoiler warning: once the right speakers turn up, the record proves not to be bad. In fact it is stupendous. It was never guaranteed, but the project did have promise. The idea of one of the founding fathers Read more ...
igor.toronyilalic
The repertoire of the OAE is creeping away from the 18th century and into the 20th with such unashamed eagerness, it wouldn't be at all surprising to see them throwing up an urtext edition of "Hit Me Baby One More Time" in a few seasons. Last night, we got 20th-century French impressionism, including a work that was premiered in 1933. Some might call this expansion into the last century bold. Others greedy. But in the hands of their guest conductor, Sir Simon Rattle, it's also never anything less than fascinating.Though it doesn't immediately tally on paper, the match-up made Read more ...
Matt Wolf
Productions at the life-changing Globe to Globe sequence of international takes on the Bard have had numerous points of origin, from shows conceived directly for the event to reprises of stagings that in the case of the Brazilian Romeo and Juliet was decades old. So why shouldn't France of all countries deliver a Much Ado About Nothing straight from the charcuterie? Here was arguably Shakespeare's most affecting and nuanced comedy served up with funny voices, exaggerated gestures and an extra helping of jambon. In the end, the play still delivered the goods: it's Much Ado, after all Read more ...
Demetrios Matheou
The 65th edition of the Festival de Cannes opens today, with Wes Anderson’s latest slice of leftfield whimsy, Moonrise Kingdom, and continues for almost two weeks of frantic film-going, star-spotting, wheeler-dealing and beach partying. For these days in May a usually somnolent seaside town becomes the cinema city that never sleeps.Cannes is still the world’s leading film festival, for good reason: the best directors in the world want their films to premiere here; everyone else has to wait in line. Of course, the festival doesn’t always deliver – one can never know. But this year’s selection Read more ...
Kieron Tyler
The release of Jean Vigo’s wonderful L’Atalante on DVD is cause enough to celebrate, but the arrival of everything he committed to film in one place is more than that – it commemorates this special filmmaker’s genius and humanity. Zero de Conduite and L’Atalante are thrilling films, whatever their context and influence on the French New Wave. They need to be seen.This double DVD set, L'Atalante and the Films of Jean Vigo, includes A Propos de Nice (1930), Taris (1931), Zero de Conduite (1933) and L’Atalante (1934). The films are supplemented by the incredible Nouvelle Vague-flavoured Read more ...
Graham Fuller
“Atmosphère…atmosphère,” the tart played by Arletty barks at her boyfriend-pimp on a canal bridge in Marcel Carné’s 1938 Hôtel du Nord. She was furious with him for wanting to go fishing for a change of ambience, but the famous line – which later prompted the star to launch a perfume called Atmosphère for charity – might have been screenwriter Henri Jeanson’s insider dig at Carné’s Le Quai des brumes (Port of Shadows), which had been released to rapturous acclaim and huge business earlier in the year. Unfolding on the dank, fogbound streets and jetties of charcoal-smudged Le Havre – and Read more ...