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fri 13/03/2026
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'We are bowled over!' Thank you for your messages of love and support
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
The Tasters review - spring greens time for Hitler
Do we really care what Hitler liked to eat? Well, here’s a film that does, so I can reveal an answer. Typical meals might have included…
The Black Crowes journey back to 1973 on ‘A Pound of Feathers’
After a career of constant line-up churn, the video for recent single “Profane Prophecy” would suggest that the Black Crowes are now down…
The Love that Remains review - regret, joy and giant rooster nightmares
The Icelandic director Hlynur Pálmason follows up Godland with an equally striking film, this one about a moribund marriage. It’s a living…
David Hockney, Serpentine North review - step into digital darkness
My walk through Hyde Park was an absolute joy. Spring is in the air, the weeping willow is in leaf (pictured below right: photo by S.K),…
theartsdesk Q&A: actor Ella Bruccoleri on playing The Other Bennet Sister
Fans of Call the Midwife (which is currently “taking a break” after the conclusion of Series 15) will no doubt recall, with a nostalgic…
On 'Play Me' Kim Gordon may have got caught in a trap...
For anyone to create a whole, new, recognisable – and kick-ass – musical style in this day and age is no small achievement. To do so as you…
Bach's St John Passion, Monteverdi Choir, English Baroque Soloists, Whelan, St-Martin-in-the-Fields review - high drama, fine detail
My last St John Passion arrived during the Proms in the vast hanger of the Royal Albert Hall, where the impeccable, discreet musicianship…
Hayes, The Common Ground Ensemble, Koko review - a whirligig of exuberance and joy
To watch Martin Hayes play the Irish fiddle is like watching a man possessed by his music. As his bow flickers across the strings the…
The Holy Rosenbergs, Menier Chocolate Factory review - still timely and thought-provoking
The Middle East is on fire – again. So Ryan Craig’s brilliantly provocative play, The Holy Rosenbergs, is more relevant than ever. Near the…

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