new music reviews
Singles & Downloads 6
Thomas H. Green
Wiley, master of both grime and pop
Wiley, Electric Boogaloo (Back Yard)

Erratic and spiky where his old mucker Dizzee Rascal has been slick and unerring in his rise to the top, East Londoner Richard "Wiley" Cowie has managed several massive pop-dance hits while remaining thoroughly entangled in the edgier, more aggro grime music scene which he helped to invent. This is very much on the pop-dance side of his output, with every mid-1990s club-energising trick in the book thrown into the mix - but it is done with huge élan, and there is enough of Wiley's wildcard persona audible in his raps about getting stuck into the dancefloor rather than lurking by the bar like a celebrity, to raise it well above the generic.
theartsdesk at Sónar festival, Barcelona
Joe Muggs
Local Catalan band Bradien hold their own among the international avant garde

In retrospect, deciding on a quick in-and-out trip to the Sónar festival was a slightly silly idea. Not because there was any problem with the event, or with getting there, or because I had any difficulty chucking an all-nighter then making it to my plane at 11am, though. Quite the opposite: it was a silly idea because a small taster of one of the best-organised music festivals I have ever been to could only make me deeply hacked off that I wasn't going to be there for the whole thing.

Richard Thompson and Loudon Wainwright III, Royal Festival Hall
david.cheal

It takes quite something to be able to hold the attention of a packed Royal Festival Hall with nothing but an acoustic guitar, a piano, and a bunch of songs.

Richard Thompson, One Thousand Years, Royal Festival Hall
Russ Coffey

Richard Thompson’s appointment as curator of Meltdown 2010 split opinion at theartsdesk. I was one of those who hoped the hoary old maverick would exhilarate with daring new acts. Others feared it would just be a folk-in. In the end the program contained Iranian punk, some folk and a whole lot of Thompson himself. He's offered film scores, a new show, and a collaboration. And this afternoon he turned “cover band”, romping through 818 years of songwriting.

Ed Harcourt, Wilton's Music Hall
Adam Sweeting
Multi-layered songwriter Ed Harcourt gives it some Heathcliff
If the audience at Wilton's charmingly archaic music hall were feeling depressed by the bleak comedy of the England "performance" against Algeria, a whirl around the musical block in the company of Ed Harcourt was the perfect antidote. Critics feel compelled to categorise everything, and Harcourt has been compared to all and sundry, from Brian Wilson to Harry Nilsson to Tom Waits. But the great thing about Ed is that, despite being the 74 billionth singer-songwriter to walk the face of the earth, he manages to be a one-off, apparently sweet and soothing one minute, sending out pulsating waves of gothic gloom the next.
Steve Winwood: English Soul, BBC Four
Adam Sweeting

Almost like an inverted echo of Stevie Wonder over in Detroit, Little Stevie Winwood was a Brummie teen prodigy who scored an early dose of stardom with the Spencer Davis Group at age 15. Raved over for his amazing soulful vocals and effortless instrumental skills, he went on to form Traffic before joining “supergroup” Blind Faith with Eric Clapton.

The Duckworth Lewis Method, Queen Elizabeth Hall
bruce.dessau

There cannot be many famous rock songs that mention cricket. Roy Harper's poetic "When an Old Cricketer Leaves the Crease" springs immediately to mind. And 10cc's "Dreadlock Holiday". And then the trail goes fairly cold. Until 2009, when The Divine Comedy’s Neil Hannon and Tommy Walsh of Pugwash collaborated on their inspired Duckworth Lewis Method concept album.

BeauSoleil, Queen Elizabeth Hall
david.cheal
Custodians of Cajun culture: BeauSoleil
Our story begins in the early 1970s, when a young fiddler from Louisiana named Michael Doucet was making rock music. Then one day he heard a song by Fairport Convention: “Cajun Woman” (from the band’s Unhalfbricking album). He was shocked and delighted that an English group should be taking an interest in a strand of music that seemed to be fading into obscurity. In a sort of Proustian moment, he inhaled the fragrance of “Cajun Woman”, his interest in the music of his native region was awakened, and Doucet began to immerse himself in the folk music of France and of his home state, where French music and culture have survived ever since the influx in the mid-18th century of Arcadian settlers (Cadiens; hence Cajun) from Nova Scotia.
Willie Nelson & Family, The Playhouse, Edinburgh
graeme.thomson

A few years ago I wrote a book about Willie Nelson. Keith Richards supplied the introduction – a Kafkaesque saga which deserves a book in itself - during which he opined that Willie had a severe case of “white line fever”. This (for once) had nothing to do with exotic Peruvian powders and everything to do with the odd compulsion that keeps a man in his late seventies on the road for nine months of each year, rattling around the world in a bus while his wife and kids make hay in Hawaii.

The Miserable Rich, St Giles in the Fields
Russ Coffey

If you thought Chamber Pop was dead, think again. The Divine Comedy are back with a new album, Rufus Wainwright is playing Meltdown, and The Leisure Society are gradually building up a cabinet of awards. The genre may sometimes come over as the musical equivalent of David Mitchell in Lawrence Llewellyn-Bowen’s clothes; but over-educated young men, it would seem, will not be easily be distracted from expressing their ironic observations.