New music
Guy Oddy
On her latest Melody’s Echo Chamber album, Unclouded, gentle Gallic psychedelicist, Melody Prochet wastes absolutely no time in setting out her stall, making clear her chosen style right from the first bars of opening track “The House That Doesn’t Exist”. Featuring spaced out, dream pop sounds with airy, helium-tinged vocals, a shuffling groove and an orchestral backing – and it’s, without a doubt, a beautiful accompaniment to drifting off into the distant stratosphere.Prochet has released three previous albums in her Melody’s Echo Chamber guise, some to great acclaim – particularly the self- Read more ...
Liz Thomson
On a rainswept Monday, “Miss American Idol 1956”, as Judy Collins likes to introduce herself these days, drew a near-capacity crowd to the Union Chapel, Islington, for an intimate concert that felt at times as if it were in a large living room. She’s 86 now, wearing a pixie cut instead of her once-signature rock-star mane, but the eyes that so entranced Stephen Stills are no less blue and she’s still doing what she's done so gloriously for some 65 years. It was, she reflected, 1965 when she made her British debut, with Tom Paxton, and she’s been a regular visitor ever since. In the Read more ...
Kieron Tyler
The voice is fluting, translucent. The melodies it carries are linear yet sinuous, their rise and fall akin to undulating terrain. The instrumentation – acoustic guitar, bass guitar, some keyboards – is unobtrusive. Spíra is about the voice. It is also timeless – sounding as if it were recorded at any point in the last 60 years.However, getting to grips with what is being sung is less straightforward as the lyrics of Spíra are in Icelandic – a demonstration of the bond of trust between non-Anglophone songwriters and listeners who are not from their home territory or do not speak their Read more ...
Mark Kidel
The feelgood vibe that made Dreadzone famous nourishes a sensibility that reaches beyond time and space. Their music, originally honed in the early 1990s, hasn’t aged one bit, and as they drove an enthusiastic crowd of devoted followers to something near ecstasy in Bristol last Saturday, every glorious moment felt as good as new. Part of a musical movement that fed into a party culture held together by substances that encouraged an open heart and collective communion, the live experience always brought out the best in them. Although MC Spee has had his share of health problems and came Read more ...
Thomas H. Green
The Last Dinner Party’s second album, From the Pyre, is one of this year’s most enjoyable. Its lead single, “This is the Killer Speaking”, is a belter that’ll be around for years. Their musical and pop chops are hard to argue with. They’re a band who can put on a show which combines theatrical opulence and rockin’ zest. I’ve seen them do it. Tonight, however, they undermine themselves during the latter half by sabotaging the concert’s forward momentum Things start well. The quintet, accompanied by a male drummer introduced as “Luca”, appear on a stage set akin to a ruined church Read more ...
Kieron Tyler
Axis: Bold As Love, the second album by The Jimi Hendrix Experience, was released in the UK during the first week of December 1967. In America, it came out in January 1968. Now, it is the subject of a multi-disc box set titled Bold As Love.Why this puzzling new title – “Bold as Love” is the track closing the album – has been chosen is unknown. No reason for losing the word “Axis” is given in the accompanying book, or in the promotional material: which describes this as a “box set containing [the] landmark 1967 album Axis: Bold As Love.”
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Jonathan Geddes
When Yard Act headlined the O2 Academy in Glasgow back in 2023, they might have thought returning there as a support act would indicate a career that had taken a wrong turn. That’s where they found themselves on this jaunt with the Hives, though the reality was less a reflection of their status as a band and simply that what was announced as an arena tour for the Swedish garage rockers had been downgraded to a more modest setting. Not that the Leeds quartet seemed affected by it. Singer James Smith was typically verbose as ever, praising his band, their music and Glasgow itself before Read more ...
peter.quinn
Named after and dedicated to his wife, filmmaker and director Shiraz Fradi, Tunisian vocalist and oud maestro Dhafer Youssef's first album as leader on the ACT label is a thing of great beauty.Youssef leads a dynamic ensemble featuring pianist Daniel García, trumpeter Mario Rom, bassist Swaéli Mbappé, and drummer Tao Ehrlich. Guitarist Nguyên Lê joins as a special guest on four tracks, enriching the textural palette with his distinctive guitar work and sound design. The album's delicate, chamber jazz-inspired aesthetic creates an intimate space that showcases the depth and versatility of Read more ...
Guy Oddy
Even people who are unfamiliar with Kneecap’s sharp but raucous music may well be aware of the legal issues that have beset the Irish-English bilingual rappers over the last eighteen months. As support for the oppressed people of Palestine has caused them no end of grief in the UK, the USA and beyond.Fortunately, this has done nothing to tame this mouthy and opinionated trio, and with a partisan crowd which included many who loudly proclaimed themselves to be part of Birmingham’s Irish community, they dedicated “Get Your Brits Out” to “all the paedophiles in the Royal Family”. Similarly, Read more ...
Jonathan Geddes
According to legend, Glasgow can be a tough place for a support band a crowd do not warm to. Therefore brotherly duo Faux Real were perhaps taking a risk when they elected to bound into the audience during the first number in their Wet Leg support slot. It was greeted with mostly puzzlement from early attendees, but when they repeated the trick 30 minutes later - finding space and sprinting towards each other before jumping into the air with high kicks - the reaction was much more enthusiastic. The pair had mixed up synth-heavy pop of varying quality with relentless, hard working Read more ...
Tim Cumming
Detroit musician, Blue Note artist and expressive saxophonist Dave McMurray’s fourth album for the label, I Love Life Even When I’m Hurting, sets out to celebrate his home town, and his own life, and life in general. Warren Zevon once said wisely: “Enjoy every sandwich.” McMurray would likely enjoy the whole loaf. The phrase “I love Life Even When I’m Hurting” was seeded and conceived in the wake of a lonely death of a friend who had succumbed in body and spirit to a long, isolating illness. Out of that pain comes the fuel of resilience – a fuel that ignites his music and sax-playing too.“Man Read more ...
Thomas H. Green
Jimmy Cliff (b 1948) is one of Jamaican music’s biggest names. Raised in the countryside, he went to Kingston in his teens and persuaded record shop owner Leslie Kong to record him. The resulting song, “Hurricane Hattie”, was the first of a string of local hits but in the late Sixties he moved to London and, working with Chris Blackwell’s Island Records, his songs such as “Wonderful World, Beautiful People” and “Vietnam”, the latter a favourite of Bob Dylan, reached a far wider audience, becoming hits in Europe.In 1972 Cliff played the lead role in the film The Harder They Come, about a Read more ...