New music
Matthew Wright
Bold programming always deserves credit. Last night’s Royal Albert Hall audience enjoyed an unusually piquant blend, as grunge-rocker turned soloist Chris Cornell on his Higher Truth album tour was paired with upstart bluesman Fantastic Negrito, known to his mum as Xavier Dphepaulezz, a spicier and more political performer who has invested the growling spirituality of old-time blues with an edge of punky protest. Cornell is a grizzled old-timer, but he wears the years lightly. He spent the 1990s fronting grunge pioneers Soundgarden, followed by a solo career now five albums old. Read more ...
Joe Muggs
Canadian singer/producer Jessy Lanza's records – and this one more than ever – can feel like they're mapping an alternative history, one where populist and leftfield electronic music were never separate. Two aspects dominate her sound: her crisp, clear pop vocal, and a palpable love of the sonorities of drum machines. Through every song you can hear echoing a history of electro, from its roots in Suicide, Yellow Magic Orchestra, Giorgio Moroder and Kraftwerk, on the one hand through eighties pop, new wave, Madonna, Prince and Timbaland, and on the other through the underground Detroit techno Read more ...
Kieron Tyler
Denmark is casting a shadow in a way it has not done before. The international success of Copenhagen’s Lukas Graham is unprecedented. While Aqua, The Ravonettes, Efterklang and Trentemøller are amongst the great Danes who have made international waves musically, Graham has trumped them all to become a surprise world-wide bestseller with the single “7 Years”. Whether or not his brand of streamlined pop appeals – theartsdesk declared that “7 Years’” parent album has a “shiny plasticity that carries no real weight” – it has helped generate interest in the music of Graham’s home country which has Read more ...
howard.male
When the Tuareg band Tinariwen first started to come to prominence a decade or so ago, world music purists tried to lay claim that they were purveyors of what they called "desert blues". The reason being, presumably, that the blues in their blinkered eyes was a purer, more authentic form than rock (which was what Tinariwen were really all about). But having said that, Tinariwen sound like Tanita Tikaram compared to parts of this second album from fellow Saharan desert rockers Kel Assouf (who feature Tinariwen guitarist and singer Anana Harouna). The title translates as "Surprise" and a Read more ...
Matthew Wright
Snarky Puppy make music on their own terms. Boundary-straddling is their stock in trade, from their origins between Brooklyn and Texas, their technique comprising complex orchestration and individual improv, an expansive approach to genre that spans spiky experimental to the seediest lounge-funk, and an aesthetic that’s heavily amplified but flavoured with horn-driven acoustic sound.After a series of Family Dinner albums that flouted their eclecticism with guest appearances from world music, gospel and blues stars including Lalah Hathaway, Salif Keita and Laura Mvula, for this, their 11th Read more ...
Kieron Tyler
The figures are approximate, but the Yardbirds’ first studio album has been issued on CD at least 12 separate times. With The Move, their debut album and its follow-up Shazam have each had a comparatively paltry eight outings on CD. As for vinyl editions, setting aside the UK originals in mono and stereo and contemporaneous worldwide pressings, similar quantities of reissues of the three albums have hit shops from the mid-Seventies onwards. The Move have not been afforded au courant hipster vinyl editions, but a few versions of the Yardbirds’ set have been issued over the past six or so years Read more ...
Lisa-Marie Ferla
I find myself incredibly conflicted by a musician like Gregory Porter. Is my lack of response to his effortlessly soulful voice (the “liquid spirit”, perhaps, of the 2013 Grammy-award winning album of the same name) a symptom of some sort of emotional lack, or a product of the music itself being, objectively, pretty dull? Crossover appeal thanks to last year’s hit collaboration with UK dance duo Disclosure means cross-genre review assignments, so forgive me if I’ve simply missed the point, but for an album that boasts as many as eight jazz musicians and vocalists at times, Take Me to the Read more ...
Katie Colombus
When life gives you lemons, what do you do? Well, Beyoncé took the fruits of her musical labour, those of the black women before her and those hanging between her husband's thighs, to create something pretty sharp. This is a new sound, a new music movement, a new way of hearing her music.Her sixth studio album is way more than just that. It is accompanied by a film, a "visual album" that premiered on HBO and is streamed on Jay-Z's subscription-based music service Tidal, which allows a way more kaleidoscopic, intense and profound experience.Accompanied by spoken-word Read more ...
Thomas H. Green
Debashish Bhattacharya (b 1963) is India’s leading lap steel guitar player. Equally happy in the worlds of Indian classical and West-leaning fusion music, it’s no exaggeration to say he changed the way his instrument is regarded, at home and abroad. Born in Kolkata (AKA Calcutta) to parents who were both classical singers in the gwailor tradition, he embraced both sitar and western guitar as a young child, then spent most of his twenties studying with Pandit Brij Bhushan Kabra, a master of raga slide guitar. His career since has seen him push raga slide into whole new areas, including Read more ...
Thomas H. Green
The recent Alien Day was a contrived event designed to sell as much tat related to the Alien film franchise as possible. However, it had one intriguing side effect. Seventy-five copies of the soundtrack to the second film, Aliens, appeared on liquid-filled vinyl, created by New York artist Curtis Godino. These strange artefacts are pictured above. In theartsdesk on Vinyl record collection, there’s a version of Rod Stewart’s “Do Ya Think I’m Sexy?” by Al Jourgensen’s tongue-in-cheek industrial act Revolting Cocks that originally came in a transparent sleeve containing liquid (until it all Read more ...
peter.quinn
A diverse mix of musicians from the worlds of jazz, blues, soul and beyond were honoured at the third Jazz FM Awards on Tuesday night, which took place in the 1920s art-deco setting of London’s Bloomsbury Ballroom.Hosted by writer, actor and broadcaster Hardeep Singh Kohli, and produced by Serious, the ceremony featured performances from Kansas Smitty’s House Band, Liv Warfield, rising star singer/pianist Kandace Springs, and Hiatus Kaiyote. Guest presenters included Cerys Matthews, Nitin Sawhney, Soweto Kinch, plus Simon Bartholomew and Andrew Levy from the Brand New Heavies. Read more ...
Thomas H. Green
Ry “X” Cuming is an Australian singer with an unpleasing Hoxtonite beard. And he certainly gets about. He first came to prominence when he hooked up with former UK breakbeat DJ-producer kingpin Adam Freeland to form Californian band The Acid. Their output has mainly been ghostly minimalist, post-dubstep songs. It was when Cuming got together with Frank Wiedemann of successful dance music unit Âme as Howling that he came to this writer’s attention. Their debut album, Sacred Ground, was one of last year’s best, albeit very much in the ghostly minimalist post-dubstep vein. At a guess then, what Read more ...