Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Dr John Cooper Clarke and Hugh Cornwell - This Time It's Personal

Punk veterans celebrate the pop songs of their youth

share this article

Mr Cornwell and Dr Clarke would like to take you back in time

You get two singular punk-era artists – a poet and a songwriter – together in a room for a few nights, with a rack of guitars, a rack of songs from their sweet youth, and a few musical friends to help out on keyboards, trumpet, flute and sax. Then you pick up on that idea you had not too many late nights ago for the 67-year-old punk poet to sing for the first time, and not his own words, but words you both know by heart from your youth, and what you end up with is not just personal, strictly personal, but a universal account of great 20th-century pop at its shortest, sweetest, and lingering best.

A big hand for Hugh Cornwell and Dr John Cooper Clarke as they trip down memory lane, with Clarke singing and Cornwell handling all the guitars – deftly, with plenty of reverb, and leaving plenty of space around him. Here, on This Time It’s Personal, there’s no pretence at youth regained, no attempt to pull the curtains across time and what it does – age and experience peel away like layers of old paint in Clarke’s dry Mancunian voice, stripping back these Fifties and Sixties classics to their kernels. Indeed, in these hands they sound like the Flying Dutchmen of seven-inch vinyl – haunted, driven, immortal.

It’s an unexpected career turn, but a singularly beautiful one. Warm, rich and full of heart, these 10 songs are delivered with a real sense of youth long passed but with youthful feelings as intense as ever. Highlights including Jimmy Webb’s “MacArthur Park”, Conway Twitty soaring from heaven back down to earth on “It’s Only Make Believe”, the haunted rookeries of lost love that is Joe Meek’s “Johnny Remember Me”, and She's a Woman –  not The Beatles song, but Dr Clarkes very funny rewrite of Mannish Boy. There are further classic cuts from Ritchie Valens, The Searchers and Frankie Laine (“Donna”, “Love Potion No 9”, “Jezebel”) and Ricky Nelson’s “Sweeter Than You” makes for sublime closure. Clarke’s delivery works perfectly against the skeletal, echoey guitars of Cornwell, and there’s a sense of austere clarity and simplicity, as opposed to indulgence or nostalgia. This is one memory lane well worth wandering down.

These 10 songs are delivered with a real sense of youth long passed but with youthful feelings as intense as ever

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A breathless half-hour takes in screaming, stop-start song structures and the odd hint of reflectiveness
The American singer's eighth album is rife with downtempo ruminations on love
A thrilling blast of deep rooted culture and devout belief
Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album