punk
Music Reissues Weekly: Bob Stanley / Pete Wiggs Present Winter of DiscontentSunday, 22 January 2023
At some point in 1979 a duo called The Door and the Window are playing a London Musician’s Collective show in a large brick building along the road from Cecil Sharp House in Camden. One of them has a synthesiser, probably a WASP. The other has tape... Read more... |
Album: Måneskin - Rush!Friday, 20 January 2023
Rock'n'roll rejuvenators, Eurovision winners with more of their songs streamed online than there are people in the world, the glammy young Roman rockers have opened for The Stones in Las Vegas, delivered a city-stopping sold-out show at Rome’s... Read more... |
Album: Iggy Pop - Every LoserWednesday, 11 January 2023
Iggy Pop is one of rock’s great survivors but his fans are divided into two categories; those who claim he hasn’t done anything worthwhile since the late-Seventies and those, like this writer, who find much to enjoy, right up to the present.Every... Read more... |
Music Reissues Weekly: Guerrilla Girlsǃ - She-Punks & Beyond 1975-2016Sunday, 01 January 2023
In December 1977, the music weekly Sounds included an article about the County Durham punk band Penetration. By Jon Savage, it was headlined The Future Is Female. The same four words would be used by the band for their promotional badges.Penetration... Read more... |
theartsdesk on Vinyl 74: The Muppets, The Beatles, Decius, Black Lab, Black Sabbath, Tinariwen and moreMonday, 19 December 2022
Welcome to the final theartsdesk on Vinyl of 2022 which is topped off by two Vinyl of the Months, one there for seasonal jollies and the other for musical adventurousness. As ever, the rest runs the gamut from reissues of albums from decades ago to... Read more... |
Kelefa Sanneh: Major Labels review - diary of an omnivorous musicophileWednesday, 14 December 2022
Major Labels: A History of Popular Music in Seven Genres is American critic Kelefa Sanneh’s ambitious survey of musical history. As such, it risks remaining only a surface-level summary of the seven genres he describes. I was wrong to worry,... Read more... |
Album: White Lung - PremonitionThursday, 01 December 2022
In 2016’s abrasive album opener, "Dead Weight", frontwoman Mish Barber-Way laments over multiple miscarriages as her biological clock ticks away like a malevolent metronome.How much has changed in the last six years, then, and none more so than for... Read more... |
Working Men's Club, Chalk, Brighton review - untrammelled, noisy and grim-facedThursday, 24 November 2022
The chorus to Working Men’s Club’s song “Money is Mine” usually runs, “Endless depression, it’s time/Suicide is yours when the money is mine.” Presented as the penultimate song of their set, frontman Syd Minksy-Sargeant distils this. Grim-faced, his... Read more... |
Patti Smith: A Book of Days review - adding to Insta's debrisWednesday, 23 November 2022
On April Fool’s Day, in 1978, the godmother of American punk, Patti Smith, jumped offstage at the Rainbow Theatre in London halfway through a version of “The Kids Are Alright” and started dancing in the crowd. Her vertiginous feat was also a leap of... Read more... |
Album: Christeene - Midnite Fukk TrainFriday, 18 November 2022
Christeene is not so much a musical entity, as a performative assault, an artist who pushes drag somewhere visceral, caustic, wilfully edgy and defiantly unpolished. The creation of New York-based, Louisiana-raised Paul Soileau, her videos and shows... Read more... |
theartsdesk on Vinyl 73: Sandy Denny, Plastic Mermaids, Orbital, Speedy Wunderground, The Snuts, The Kinks and moreWednesday, 09 November 2022
After an unavoidable delay theartsdesk on Vinyl returns with over 9000 words on new and recent releases, ranging across the entire spectrum of known music. Dive in!VINYL OF THE MONTHEdrix Puzzle Coming of the Moon Dogs (On the Corner)Nathan Curran... Read more... |
Oslo World review - a dizzying selection of high-tech, grassroots global brillianceWednesday, 09 November 2022
The Oslo World organisers are at pains to point out that, despite the name, they are not a “world music” festival. And with good reason, really. There may have been a few familiar WOMAD veterans headlining over the week-long event – Senegal’s... Read more... |
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