Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Michael Bublé - To Be Loved

There's enough Ol' Blue Eyes schtick left for those who wish to wallow

share this article

Bublé, pulling his tie about and making ladies like him

It’s too obvious just to take the Canadian charm-monkey down in a bile-fest, so where to begin? He looks a bit peaky on the album cover and peakier still on the first page of the CD insert booklet (not that anyone under 40 listens to CDs). He’s lost weight. He used to be chubbier with a hint of that blank-eyed M.O.R.-damaged look which Daniel O’Donnell perfected and which grannies adore. Bublé was never just a geriatric sex daydream, though. His easy, TV chat-show demeanour is beloved of a much wider range of women, young and old. There, rather than his music, lies the secret of his success.

Bublé says his eighth album is about “love, happiness, fun and yummy things”. A 37-year-old man shouldn’t use those last two words. In truth, much of To Be Loved is Sinatra fun, a total retread but unworthy of bile, just frothy, versions of material such as “You Make Me Feel so Young” and “Something Stupid”, the latter a duet with Reese Witherspoon. There’s a dose of doo-wop too, an acoustic sally at the Eddie Cochran number “Have I Told You Lately That I Love You” (with New York acappella outfit Naturally 7) and the 1960s Bee Gees tune “To Love Somebody”. At its best, as on the sassy Latin “Come Dance With Me”, To Be Loved reminds of a cheesy Disney musical, with Bublé as a louche Prince Charming sort. There’s even a cover of Randy Newman’s “You’ve Got a Friend in Me” from Toy Story.

Unfortunately, the album's also spiked with horrors such as the hideous FM treacle of “After All”, which features that totem of commuter belt awfulness, Bryan Adams. It’s one of four songs Bublé co-wrote, alongside the current single “It’s a Beautiful Day”, which sounds like someone grinning themselves to death in a toothpaste advert in Hell. Then again, to end positively, you don’t have to hose off the sleaze-slime after Bublé like, say, Chris Brown. So that’s a plus.

Watch Bublé's congenial and pleasant album trailer

His current single sounds like someone grinning themselves to death in a toothpaste advert in Hell

rating

2

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism