CD: Morton Valence - Another Country

Perennially sharp but undervalued London outfit remains as gloomily wonderful as ever

share this article

A blurry Liz II enjoys a dose or twangy pub lock-in maudlin

Morton Valence popped up six years ago and have released nothing but beautifully realised, lyrical, melancholic indie-Americana ever since. That's four albums of it, including this one. Strictly speaking, much of their oeuvre isn’t “indie-Americana” either, as it takes in everything from synth-pop to this album’s whispered disco-funk episode, “The Hawkline Discotheque” – yet there’s always a kernel of country & western desolation at the heart of it. Marinated in perfectly pitched 3.00 am bar-stool pathos, the band is built around the London partnership of songwriter-vocalist Robert Jessett and the sweet, heartbreaking voice of Anne Gilpin. It's becoming clear they're one of those eternally little bands that should grow a proper following but never quite do, which only makes their persistence and quality all the more precious.

Another Country is up with all their work, perhaps even better, a feast of slowly strummed blues with a very British perspective. It’s certainly not one to put on if in search of a boisterous evening. This is borderline solipsistic listening, bedsit dirges, rich in twangy guitar and the ghost of the Velvet Underground’s tuneful gloom, the latter a particularly apt reference on the bitter-sweet “Kawasaki Drifter”.

Elsewhere among these ten tracks and five brief, instrumental interludes notable gems include “A Tear for Every Year”, which sounds like Emmy the Great collaborating with The Pogues on a Leonard Cohen ballad, or “Table for One” which comes on like Gram Parsons and Emmy Lou Harris if they hailed from Crouch End instead of the US Deep South. Then there’s the catchy Chris Isaac-esque opener “China Town” and “First Night", a story-song related from the angle of a father imprisoned after being swept up in the 2011 London riots. The comparisons come thick and fast because this is songwriting consciously carved in the shadow of heroes. It is no less enjoyable for it, and Another Country is more treasure from a band whose popularity I wish would match their reliability.

Overleaf: watch the video for "Chinatown"

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
They're one of those eternally little bands that should grow a proper following but never quite do, which only makes their persistence and quality all the more precious

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time