Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Noel Gallagher's High Flying Birds - Who Built The Moon

The ex-Oasis man spreads his wings

share this article

Noel Gallagher: pretty absorbing stuff

First, an admission. I've never quite got the appeal of the Gallagher brothers. In particular, I've found their claims that each post-Oasis album represents some bold new horizon a little risible. And yet there is something intriguing about the brothers' 2017 output. Liam's As You Were came out a few weeks ago and now there's Noel's new one. True to form, the brothers have been trading insults all month.

They've also been taking every opportunity to claim their album's the best. That is a matter of opinion. But what's indisputable is that the two records take opposite approaches. Liam's looks back to the glory years. Who Built the Moon? really seems to offer something new. This is in no small part down the album's producer, DJ and soundtrack composer David Holmes. Gallagher and Holmes have known each other since 2013 when the latter was asked to produce Chasing Yesterday. He declined and, instead, invited Noel into his studio to make a new album. 

The result is Gallagher's most expansive record to date. Or at least evidence that he really does possess influences beyond Lennon and McCartney. Take lead single "Holy Mountain". On social media, fans are saying it sounds like a blend of the Vaccines, Mott the Hoople and Ricky Martin. If that sounds a little schizophrenic, elsewhere things are more coherent. There are a couple of sweet instrumentals ("Interlude" and "End Credits"), a nice nod to early Madchester ("She Taught Me to Fly")  and a leftfield homage to Phil Spector ("If Love Is the Law). Finally, it wouldn't be Noel without at least one tender pastiche of the Fab Four: "Be Careful What You Wish For" is like a trippy remix of "Come Together".

Musically then, it's all pretty absorbing stuff. The lyrics, unsurprisingly, are not of the same quality. "She Taught Me How to Fly" contains such profundities as "The one I love/ She's divine/ She’s out to blow my mind". No one comes to a High Flying Birds album expecting Bob Dylan, but in the hope that Gallagher Snr will show he's capable of new and interesting things. On that count Who Built the Moon? scores pretty well.

@russcoffey 

Overleaf: Noel Gallagher's High Flying Birds' video for "Holy Mountain"

 

 

The record is evidence that Gallagher really does possess influences beyond Lennon and McCartney

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds
A soaring fusion of atmospheric melancholy and energetic punk