CD: Twink - Itsy Bits & Bubbles

Massachusetts titan of toytronica returns

share this article

Twink: unafraid of a little kitsch

I’m a fan of a child-like musical sub-genre which some call toytronica. It’s the sound of retro-futuristic electronic music mashing into playroom sounds, sometimes using actual gimmicky children’s toy instruments. In its broadest definition, it could take in anything from the bizarre surrealist Moog cheese of easy listening doyen Klaus Wunderlich to the more outré outings from Warp Records acts such as Plone, although possibly the ever best album in this vein is Anglo-Norwegian duo Toy’s self-titled 2006 debut on Smalltown Supersound. A regular and great contributor to this micro-genre, however, is Boston musician Mike Langlie whose sixth album this is.

Langlie’s material has actually been used by Nickelodeon, the US children’s TV channel, but much of it is a little too weird for that. Yes, of course it’s self-consciously juvenile but it’s also out there, funny and cute – cute in a raw, stupid way rather than in the schmaltzy, syrupy sense. Small children really do enjoy this stuff but, at the same time, much of it is utterly psychedelic, music that sends altered minds round the twist. The fried thinking behind the farmyard animal noises and bass parps of “Lollidropper”, the deranged xylophonic attack on Harold Faltermeyer’s “Axel F” and the madcap Disney military waltz-stomp meets pretend-dubstep of “Flibberty Gibbet” are the most immediately and noticeably off-the-wall aspects, but the whole album is full of loony tunes that have cartoonish zest and madcap energy.

I first came across Twink – no relation to the drummer from The Pretty Things and The Pink Fairies – when I heard his 2005 album Broken Record which, aptly, came out on Seeland, the label owned by Californian sonic subversives and seminal cut-up innovators Negativland. Broken Record took old children’s records, added beats then sent the whole thing up. Itsy Bits & Bubbles ditches satire and may be Twink’s most approachable album, at least for those who like their electronic music distinctly offbeat. It will terrify Adele fans, floor spliff-heads and entertain toddlers in equal measure – surely high recommendation.

Watch the video for 'Flibberty Gibbet' which pilfers wholesale and amusingly from the Van Beuren Studios' wonderful old Aesop's Fables cartoons

 

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Of course it’s self-consciously juvenile but it’s also out there, funny and cute

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time