The Seckerson Tapes: Kerry Ellis Interview | reviews, news & interviews
The Seckerson Tapes: Kerry Ellis Interview
The Seckerson Tapes: Kerry Ellis Interview
Musical-theatre-diva-cum-rock-chick discusses collaborating with Brian May
Friday, 20 August 2010
Kerry Ellis: a musical-theatre-diva-cum-rock-chick
Kerry Ellis amassed a legion of adoring fans when she went "green" playing Elphaba in Stephen Schwartz's smash-hit musical both in London and on Broadway. But her pre-eminence as a musical-theatre-diva-cum-rock-chick was secured earlier still when Brian May, the celebrated lead guitarist of Queen, asked her to play Meat in the Queen/ Ben Elton show We Will Rock You. May quickly recognised a symbiosis between them and their CD single Wicked in Rock sprung a rip-roaring reimagining of "Defying Gravity" with Brian May's amazing guitar riffs a key feature.
Kerry Ellis amassed a legion of adoring fans when she went "green" playing Elphaba in Stephen Schwartz's smash-hit musical both in London and on Broadway. But her pre-eminence as a musical-theatre-diva-cum-rock-chick was secured earlier still when Brian May, the celebrated lead guitarist of Queen, asked her to play Meat in the Queen/ Ben Elton show We Will Rock You. May quickly recognised a symbiosis between them and their CD single Wicked in Rock sprung a rip-roaring reimagining of "Defying Gravity" with Brian May's amazing guitar riffs a key feature.
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
The Great Escape Festival 2025, Brighton review - a dip into Thursday
Running the gamut from Japanese hip-house to Welsh LGBT stadium pop
Album: Rico Nasty - LETHAL
From chaos to control, Rico Nasty trades bite for balance
Lucy Farrell, Catherine MacLellan, The Green Note review - sublime frequencies
Two singer songwriters in their prime deliver a double header showcase in Camden
Album: Billy Nomates - Metalhorse
East Midlands post-punker tries on some yacht rock
Album: MØ - Plæygirl
Scandinavian singer injects a dash of outsider melancholy into her fizzing electro-pop
PUP, SWG3, Glasgow review - controlled chaos from Canadian punks
A no-frills set demonstrated the Toronto quartet's skill with a chorus and a mosh pit
Music Reissues Weekly: Roots Rocking Zimbabwe
Exhaustive guide to how and why a music scene evolved
Supergrass, Barrowland, Glasgow review - nostalgia played with youthful energy
The Oxford group's revival of their debut album fizzed with excitement
Louis Cole, Roundhouse review - nothing is everything
Telepathic grooves and Mahlerian beauty collide in Camden
Album: Peter Doherty - Felt Better Alive
Doherty returns with his first solo album in almost a decade
'Classic-era prog’s Olympian pinnacle': Pink Floyd's 'Echoes' returns in their restored Pompeii concert film and as Nick Mason's band's vinyl hit
The band's legendary track from 1971 resurfaces not once, but twice
Album: Sleep Token - Even In Arcadia
The anonymous UK metallers' fourth album is breathlessly inventive and emotive
Add comment