thu 23/05/2019

musicals

My Left Right Foot: The Musical, Brighton Festival 2019 review - foul-mouthed comic brilliance

My Left Right Foot tiptoes right to the precipice of massive offense. For some, it tumbles right in. During the interval audience members can be heard tutting at the amount of times “the c-word” is casually thrown around. But it’s not just the...

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Hugh Jackman, SSE Hydro, Glasgow review - showman plays to his strengths as he kicks off world tour

“I hope you’re not only Wolverine fans or this is going to be a long night,” a grinning Hugh Jackman tells a screaming Glasgow crowd. The line – delivered in front of a giant screen on which Jackman, adamantium claws extended, is climbing out of a...

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Dead Dog in a Suitcase (and other love songs), Brighton Festival 2019 review - a feverishly foul-mouthed musical comedy

Five years ago this Kneehigh Theatre production caused a stir with its vibrant modern retelling of John Gay’s 18th century satirical classic, The Beggar’s Opera. It’s currently on tour again and it’s easy to see why a revival was greenlit. It’s a...

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Man of La Mancha, London Coliseum review - historical work better left in the past

English National Opera continues its run of semi-staged musicals, in commercial collaboration with Grade Linnit, with a revival of this vintage oddity. Mind, commercial might be a stretch, as Dale Wasserman, Joe Darion and Mitch Leigh's 1965 work –...

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The Best Musicals in London

Ain't Misbehavin', Southwark Playhouse ★★★★ Dancing, singing and plenty of swinging in this joyful jazz-hot tribute to Fats Waller. Until 1 JunAladdin, Prince Edward Theatre ★★★ Disney's latest blockbuster film-turned-stage show remains...

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Ain't Misbehavin', Southwark Playhouse review - a jazz-hot musical revue

The joint is jumpin’ at Southwark Playhouse, now hosting an irresistible Fats Waller-inspired, Manhattan-set musical revue (a co-production with Colchester’s Mercury Theatre, where it opened last month). Though originating in the Seventies,...

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Sweet Charity, Donmar Warehouse review - Sixties style over substance

For her swansong, departing Donmar Artistic Director Josie Rourke goes Swinging Sixties in this stylish but flawed revival of the Cy Coleman, Dorothy Fields and Neil Simon musical. From the numerous Andy Warhol homages to Charity’s silver minidress...

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Fiddler on the Roof, Playhouse Theatre, review – energetic production whips up an emotional storm

In an age where political, social, and gender norms seem to be in perpetual meltdown, it should be pretty much impossible for a musical that begins with a song celebrating ‘Tradition’ to strike a chord. Yet from the moment that the cast of Trevor...

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Local Hero, Royal Lyceum Theatre, Edinburgh - captivating musical with a harder edge

“Cult” is probably an over-used adjective, especially when it comes to movies. But there’s undoubtedly something truly special about Bill Forsyth’s 1983 film – about a Texan oil executive on a mission to buy up a section of the Scottish coast for a...

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The Life I Lead, Park Theatre review - pleasant enough but lacks bite

I am deeply jealous of Miles Jupp's dressing gown in The Life I Lead, the solo play at the Park Theatre. It's a silky-grey patterned number of exquisitely comfortable proportions, and just the sort of thing a chap should wear to tell the story of...

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Waitress, Adelphi Theatre review - sweet if sometimes silly musical arrives from Broadway

There's a lovely, quietly subversive musical lurking somewhere in Waitress, and for extended passages in the second act that show is allowed to shine through. The flip side means putting up with an often coarse first act that seems to have taken its...

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Follies, National Theatre review - the Sondheim spectacular returns, better than ever

This is a golden age of London Sondheim revivals, with Marianne Elliott’s thrilling Company still playing in the West End, and Dominic Cooke’s Follies getting a hugely welcome second run at the National – both testament to a director’s...

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