musicals
Why Am I So Single?, Garrick Theatre review - superb songs in Zeitgeist surfing showFriday, 13 September 2024
Going to the theatre can be a little like going to church. One communes on the individual level, one’s faith in the stories underpinned by a psychological connection, but also on the collective level, belief rising on a tide of shared emotions.... Read more... |
Fiddler on the Roof, Regent's Park Open Air Theatre review - dazzling gem of a production marks its diamond anniversaryThursday, 08 August 2024
If I were a rich man, I'd be inclined to put together a touring production of Fiddler on the Roof and send it around the world, a week here, a week there, to educate and entertain. But, like Tevye, I also have to sell a little milk to put... Read more... |
A Chorus Line, Sadler's Wells review - high-kicking fun that's low on pathosTuesday, 06 August 2024
A Chorus Line reigned supreme on Broadway from 1975 to 1990, a bold, bare-bones piece that for once put musical theatre’s hoofers in the spotlight. “As welcome as a rainbow after a thunderstorm” was Clive Barnes’s summation in the New York Times.It... Read more... |
Frankie Goes To Bollywood, Southbank Centre review - lots of lights, but a dull showMonday, 05 August 2024
In the 1960s, Cilla Black was rescued from hat check duties at The Cavern and made a star. In the 1980s, Rick Astley was whisked away from tea-making at the Stock-Aitken-Waterman studios to launch, 30 years later. a billion RickRolls. In the 2020s,... Read more... |
Next to Normal, Wyndham's Theatre review - rock musical on the trauma of mental illnessFriday, 05 July 2024
We open on one of those suburban American families we know so well from Eighties and Nineties sitcoms - they’re not quite Homer, Marge, Bart, Lisa and Maggie, but they’re not far off. As usual, we wonder how Americans have so much space, such big... Read more... |
Starlight Express, Troubadour Wembley Park Theatre review - freight is kinda greatTuesday, 02 July 2024
The reinvigoration of Andrew Lloyd Webber continues apace. New York is now hosting a ballroom culture, drag-inflected Cats, and the Olivier-laureled Sunset Boulevard, a breakaway hit last year on the West End, hits Broadway in the autumn.And here is... Read more... |
Mean Girls, Savoy Theatre review - standout performances save a thin scoreSaturday, 29 June 2024
Nothing anybody over the age of 30 says about the new Mean Girls musical, spawn of Tina Fey’s witty script for the 2004 screen sideswipe of that name, will make any difference. As with all things Barbie, the pink madness seems deathless. Fey’s... Read more... |
Marie Curie, Charing Cross Theatre review - like polonium, best left undiscoveredTuesday, 11 June 2024
There are many women whose outstanding science was attributed to men or simply devalued to the point of obscurity, but recent interest in the likes of DNA pioneer Rosalind Franklin and NASA’s Katherine Johnson has given credit where credit is due.... Read more... |
Jerry’s Girls, Menier Chocolate Factory review - just a parade that passes bySaturday, 25 May 2024
Catchy even when the lyrics are at their cheesiest, the Jerry Herman Songbook serves up a string of memorable tunes: you’ll probably find that, like me, you recognize about 80 per cent of the material in Jerry’s Girls. But is it enough when you (... Read more... |
Passing Strange, Young Vic review - exuberant pocket musical with a thoughtful coreWednesday, 22 May 2024
From New York’s Public Theater, the venue that nurtured Hamilton, comes another estimable pocket musical, Passing Strange. It was first staged in 2008, to Tony-nominated acclaim, and it shows. Its forthright cheek and irreverence are refreshing and... Read more... |
Two Strangers (Carry A Cake Across New York), Criterion Theatre review - rueful and funny musical gets West End upgradeTuesday, 30 April 2024
Small-scale shows, nurtured in offbeat places, are becoming all the rage in the West End. Red Pitch, Operation Mincemeat, For Black Boys… have already made their mark, and now this quirky musical for just two performers joins them.It’s been a long... Read more... |
Opening Night, Gielgud Theatre review - brave, yes, but also misguided and bizarreTuesday, 02 April 2024
Is there a more purely likeable actress than Sheridan Smith, the performer who was still a teenager when she stole the show at the Donmar in Into the Woods and who managed, as Elle Woods in the West End premiere of Legally Blonde, to bring... Read more... |
- 1 of 43
- ››
